AFDA Film School at the Witness Hilton Arts Festival

AFDA Durban Campus, The South African School of Motion Picture Medium and Live Performance will be at this year’s Witness Hilton Arts Festival hosting two workshops aimed at scholars from grade 10 to 12 to help them make decisions about a possible career in the film industry on Friday, 13 September at 10:30am and at 13:00pm with a repeat of the 13:00pm workshop on Saturday, 14th and Sunday, 15th both at 12:30pm.

Richard Green, the head of film school at the AFDA Durban Campus will be hosting one of the two workshops on Friday, 13 September at 10:30am titled “Directing and Shooting a Film”. Having studied at the London International Film School from 1977 to 1979, Richard Green comes with loads of experience and expertise having worked as a cameraman, production manager, 1st director, director and producer. Richard has been involved in numerous well known films such as Sara Blecher’s award winning film ‘Otelo Burning’, Donovan Marsh’s novel based film ‘Spud’, ‘District 9’ and Anant Singh’s ‘Long Walk To Freedom’ which is currently in post production along with other award winning films that he has personally directed and produced through his company Richard Green and Associates.

AFDA Alumni and Durban Campus Lecturer, Amy Barns will host the second workshop on Friday, 13 September at 13:00pm titled “Performance for the stage VS performance for the Screen”. Local Actress Amy Barns has a huge passion for acting and her documentary style Honours film 'The Brave Unseen' (2012) recently received the ‘Best South African Short Film’ award at the 34th Durban International Film Festival.

Prospective students for the New Year are also welcome to meet and engage with the lecturers and staff of the film, television and performance school about enrolling into one of the degree courses offered at AFDA. For parents and students looking to book an interview with the lecturers of the campus they can e-mail Milena Gevers on milenag@afda.co.za or contact her on (+27) (031) 569-2252.

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25th Standard Bank Jazz Jol at Centre for Jazz and Popular Music

25th Standard Bank Jazz Jol

The Centre for Jazz and Popular Music located at the University of KwaZulu-Natal will host the 25th Edition of the very popular Standard Bank Jazz Jol on Saturday, 31 August at 19:00pm with the likes of Cape Town resident Shane Cooper, Kesivan Naidoo, Africa Plus and Mozambican quartet Afro Latino to take the stage.

With the event having become a popular feature on the Durban calendar, this year’s event will feature the recipient of the Standard Bank Young Artist Award 2013, bassist Shane Cooper with the event having featured last year’s Standard Bank Young Artist Award winner Afrika Mkhize. Sharing the stage with Shane Cooper will be members of his band which consist of previous Standard Bank Young Artist winner Kevisan Naidoo on the drums, Reza Khota on the guitar and Justin Bellairs on the alto saxophone.

The young and exciting Durban based trio of Africa Plus consist of Prince Bulo on the bass, Sphelelo Mazibuko on the drums and Lungelo Ngcobo on the piano and keyboards. Their musical influence is drawn from rich traditional African elements with the base drawn from Western advanced harmonies. Formally trained at the University of KwaZulu-Natal this vibrant outfit full of rhythmic complexities and melodies that include mainly original music composed by the band are sure to entertain audiences.

The Mozambican quartet of Afro Latino will bring the night to a close and they consist of guitarist and vocalist Milton Chissano who provides the Latin grooves to the group, Ildo Nandja as percussionist and bassist, Alberto Chemane on the percussion and drums and lastly Njabulo Shabalala on the percussion.

Proceeds from the concert go towards the Ronnie Madonsela Scholarship which is a scholarship that assists disadvantaged jazz students at the University of KwaZulu-Natal with general support, financial aid, and bursaries. The scholarship also helps fund the travelling and accommodation costs for educational festivals such as the National Youth Jazz Festival held annually in Grahamstown along with workshops and conferences.

Tickets are R 100 (R 80 for pensioners and R 50 for students) there are early bird discounts of R 80 and group discounts for pensioners at R 75 for groups of ten. To book your tickets you can call Thulile Zama on (031) 260-3385 or e-mail her on Zamat1@ukzn.ac.za, tickets will also be available at the door on the night.

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New Zealand Film Commission Delegation Attends DFM to Promote Co-Production Treaty with South Africa

Photo by Nathi Xulu

The National Film and Video Foundation (NFVF) hosted a networking breakfast at the Durban FilmMart on Saturday to promote the South Africa/New Zealand Co-Production Treaty.

The New Zealand Film Commission and a delegation of producers are at the FilmMart to research potential co-production opportunities and begin conversations with local producers around developing projects.

The NFVF and NZFC briefly spoke about the workings of the treaty, which was signed between the two countries in 2011, and the opportunities and support that are available in each country.

“Treaties are government trade instruments whose main objective is to promote cultures of the countries and help filmmakers to access markets of their international counterparts.” explains Terrence Khumalo, Manager of Film Certification of the NFVF. “They enable filmmakers to access finance, distribution and exhibition in co-producer’s territory. Treaties also serve to expose local talent to international markets.”

“Since 1997 there have been 8 treaties signed with Australia, Canada, Germany, France, Ireland, Italy, UK and New Zealand. This translates into 95 projects of just under R5 billion in South Africa.”

“New Zealand has co-production agreements with 13 countries, and out of these about 60 co-productions have been made, with a production budget value of around NZ$660 million.” says Mladen Ivancic, Deputy CEO of New Zealand Film Commission. “We have brought three producers and one film-maker to South Africa to start the process of co-production with this country.”

“I see my role, as facilitating opportunities for our film-makers and backing them up with technical advice, as well as meeting as many people as I can who might want to connect with the New Zealand Film industry.” says Ivancic.  “We have a particularly good connection with South Africa, in a way that we possibly don’t have with some of the other treaty countries, as we share a common language, have a historical connection and there is a healthy SA migrant population in New Zealand.”

 “This was an initiative supported by the NFVF to kickstart talks between the South African and New Zealand film industry,” says Toni Monty of the Durban FilmMart. “So we are really pleased to report that already out of this session, two producers have been able to begin discussions on possible co-productions. We look forward to more delegates from New Zealand attending the FilmMart next year and we will be holding similar initiatives at future DFMs against the backdrop of other co-production treaties that South Africa has in place.”

The Durban FilmMart ends this evening with an awards ceremony at which awards and grants are given to projects that were selected to pitch at the finance forum. 

For more information go to www.durbanfilmmart.com

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Film & Publication Board Refuses Classification to DIFF opening night film - Of Good Report

MEDIA RELEASE

OPENING NIGHT FILM OF THE DURBAN INTERNATIONAL FILM FESTIVAL REFUSED SCREENING BY THE FILM AND PUBLICATION BOARD

Durban: South Africa: July 18, 2013: The opening night film of the 34th Durban International Film Festival, the much-anticipated film noir Of Good Report, directed by Jahmil XT Qubeka was refused classification by the Film and Publication Board, and as such the festival was unable to screen it.

Instead of the opening credits the following words were displayed on the screen: “This film has been refused classification by the Film and Publication Board, in terms of the Film and Publications Act of 1996, unfortunately we may not legally screen the film, Of Good Report, as doing so would constitute a criminal offence.”

The film tells the sombre tale of a small-town high-school teacher with a penchant for young girls. The result is an hypnotically engaging journey into the soul of a mentally troubled man. The trouble for the protagonist, Parker Sithole begins when he meets the undeniably gorgeous Nolitha Ngubane at a local tavern. Captivated by her beauty, an illicit affair ensues. However, there’s just one problem: Nolitha is one of Parker’s pupils and is just sixteen years older. Parker quickly spirals into lethal obsession.

The manager of the film festival, Peter Machen gave this statement: “Unfortunately, the film and publication board has refused to allow the release of Of Good Report. According to their communication to the festival, the film contains a scene which constitutes child pornography and we are unable to legally show the film. I am very sorry about this. Out of respect for the director of the film, we will not be showing an alternative film tonight.”

“We chose the film because it was challenging, powerful and artistically successful, and particularly because it was such a strong expression of an individual voice .” said Machen. “It presents a story of a very real and troubling social problem of rampant abuse of position in our country.”

Qubeka, who had taped his mouth shut, chose not to comment as an act of defiance, instead his wife, Dr Lwazi Manzi spoke on his behalf, describing the horrors of abused young women by older men that she encounters daily as a doctor at a government hospital. “Just because they (the FPB) don’t want to see it, does not mean it does not happen.” she said. “We shall not not talk about it. I am very proud of my husband, and the cast and crew. This is a pivotal day in the history of film in our country, one which will resonate in history.”

Professor Cheryl Potgieter, Deputy Vice Chancellor and Head of the College of Humanities at UKZN, under whose curatorship the organisers of the Festival, The Centre for Creative Arts is a special project said. “We chose to not show another film in deference to the filmmaker, and to ensure there was critical mass to carry this debate and discourse forward.”

Qubeka and UKZN intend to appeal against the decision, failing which, the producer Mike Auret, himself a lawyer, will take it to the Constitutional Court. Auret said “It is not the function of state to moralise.”

The festival screenings of all other films, will continue as planned for the next nine days.  For more information about the DIFF go to www.durbanfilmfest.co.za.

AFDA Johannesburg masters student makes headway at SA’s major festivals

AFDA Johannesburg masters student Tapiwa Chipfupa makes headway at SA’s major festivals

AFDA Johannesburg masters student Tapiwa Chipfupa, from Zimbabwe is staking her claim in the local and international film industry. Her film “The Bag on My Back” was recently screened at the Encounters Film Festival in Cape Town in June, and she has been selected as one of 40 participants in the 6th Talent Campus Durban at the Durban International Film Festival, which opens on July 18.

Chipfupa, a cum laude graduate from AFDA and a 2008 Mandela Rhodes Scholarship nominee, is currently completing her Masters Degree in Fine Arts in Motion Picture Medium at AFDA. As part of an exchange programme with Finland, she produced and co-directed two documentaries currently screening at festivals in Europe, and has won the Best Student Award at Tampere International Film Festival (2010). She pitched “The Bag on My Back” at Africadoc, securing sales in Europe and West Africa.

Well-known South African producer David Max Brown mentored Chipfupa through the production of the film, which is about her life in exile and the land issues in Zimbabwe as she followed her parents from farm to farm in the 80’s and 90’s until her outspoken father was retrenched from his job as a farm manager. 

“I am really please that this film is getting so much attention,” says Chipfupa. “It was really encouraging to have had David’s guidance, and I have learnt so much in the process. As far as Talent Campus is concerned, I am really looking forward to being in Durban, as I have heard such great things about it from the opportunities to gather information and expert knowledge and networking with peers from across the continent to meeting film-makers from around the globe who are top of their game. And of course seeing so many brilliant films, we would not usually be able to access.”

For more information contact Mandy Day, office 27 21 448 7600, mobile 071 473 6412 or go on www.afda.co.za.

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Well-known Artist Management Expert Kerry Friedmann appointed as Business Lecturer at AFDA Cape Town

AFDA (The South African School of Motion Picture Medium and Live performance) in Cape Town is pleased to announce that well-known artist management expert, Kerry Friedmann has been appointed as Business Lecturer in the musical performance department.

 “Kerry specializes in the Business of Creativity; bridging the gap between the corporate world and the world of artistic expression and technical execution,” says Chairman of AFDA, Garth Holmes, “As a lecturer at AFDA she will focus on providing first hand knowledge of a variety of practical business elements that go into the arts and creating a musical performance or production.”

Kerry, who has a Social Science degree from UCT and various advertising diplomas, has had extensive experience in artist management with the likes of Freshlyground to working with Pink Floyd’s album artwork designer - Storm Thorgerson. Her area of expertise which she will be working with AFDA students include artist management, finances and budgets, production and event co-ordination, tour management, legal logistics such as contracts and copyright, liaison with record companies, publishers, publicists, promoters, studios, press and media, advertising agencies and designers. 

"AFDAs’ comprehensive course structure is very impressive, the opportunity to learn, not only practical and theory, but to also get a taste of the real ‘working-world’ is priceless. I’m thrilled to be teaching the business module in the musical performance department, and hopefully I will impart some valuable insights into the music biz. I look forward to learning from the students too!” says Kerry.

For more information contact Mandy Day, office 021- 448 7600, mobile 071 473 6412 or go on www.afda.co.za.

Talent Campus Durban Participants at 34th Durban International Film Festival (18-28 July)

The 34th Durban International Film Festival (DIFF), hosted by the Centre for Creative Arts, University of KwaZulu-Natal, with principal funding by the National Lottery Development Trust Fund, has finalized selection of participants for the 6thedition of the Talent Campus Durban which takes place from 19 to 23 July.

Forty African filmmakers and film experts will come together in Durban to be inspired and enlightened in the medium and industry of cinema. The programme provides the selected participants with a unique opportunity to meet with international industry professionals, experts and mentors in various aspects of the filmmaking business through participation in a 5-day programme of masterclasses, workshops and industry networking events.

This year’s candidates, chosen from over 450 submissions, hail from 15 different African countries, including Algeria, Cameroon, Egypt, Ethiopia, Ghana, Kenya, Morocco, Mozambique, Namibia, Nigeria, Rwanda, Senegal, South Africa, Tunisia, and Uganda. Participants will be also be able to attend the DIFF.

Running in parallel to the general Festival programme, this year’s Talent Campus Durban will offer three hands-on training programmes: Doc Station  which will focus on documentary-making, Talent Press which is dedicated to film criticism and Script Station which will foster story development. 

For the third consecutive year, Doc Station will offer three selected Talents the opportunity to refine and polish documentary projects for pitching at the 4th Durban FilmMart’s DOC Circle. Meanwhile, Talent Press will mentor four African journalists in the art of film criticism with access to all the screenings of the 34th Durban International Film Festival. This initiative, promoted in collaboration with FIPRESCI (International Federation of Film Critics) and the Goethe Institute of South Africa, will welcome film writing experts Didi Cheeka (Nigeria), Espera Donouvossi (Benin and South Africa), Leon Van Nierop (South Africa) and Katarina Hederen (Ethiopia and South Africa) as  programme mentors.

For the first time, Script Station will offer the opportunity to four selected writers to develop their stories in the Writers Circle, while being mentored by qualified script editors Tracey Lee Dearham-Raniers and Karima Effendi. This new activity is presented in collaboration with the NFVF’s Sediba SPARK Scriptwriting workshop.

In 2013, the Talent Campus Durban theme is “Memetic Africa?” highlighting and interrogating the continent of Africa as a source of myriad narratives which offer possibilities to be re-imagined, re-told, overlapped and adapted within numerous contexts.

Talent Campus Durban is presented in partnership with the Berlinale Talent Campus, with support from the German Embassy of South Africa, the Goethe-Institut of South Africa, and the KwaZulu-Natal Department of Economic Development and Tourism. Through the international programme, which extends to Talent Campuses in Buenos Aires, Guadalajara, Sarajevo and Tokyo, as well as Durban, participants are initiated into a global community of filmmakers and connected via a wide social network operated through the Berlinale.

Talent Campus Durban 2013:

Drifa Mezenner (Algeria), Pierre Loti Tawokam Simo (Cameroon), Tumbo John Wani (Democratic Republic of Congo), Alia Hassab (Egypt), Kamal Elmallakh (Egypt), Dawit Zewedu (Ethiopia), Hiwot Getaneh (Ethiopia), Anita Afonu (Ghana), Joseph Wairimu (Kenya), Mercy Mkaiwawi Mwakaba (Kenya), Sarah Muhoho (Kenya), Ng’endo Mukii (Kenya), Saad Eddine Said (Morocco), Inadelso Cossa (Mozambique), Oshosheni Hiveluah (Namibia), Aderinsola Ajao (Nigeria), Adeyinka Edward Daniyan (Nigeria), Kayambi Musafiri (Rwanda), Thiaw Rama (Senegal), Antoinette Engel (South Africa), Ari Kruger (South Africa), Caitlin Pansegrouw (South Africa), Dylan Bosman (South Africa), Howard Fyvie (South Africa), Katey Lee Carson (South Africa), Maanda Ntsandeni (South Africa), Nduduzo Shandu (South Africa), Nosipho Sharon Mngoma (South Africa), Pierre Paul De Villiers (South Africa), Rolisizwe Nikiwe (South Africa) Siphamandla Ngcobo (South Africa), Siphiwe Dominic Mpanza (South Africa), Sivela Mgudu (South Africa), Zethu Mashika (South Africa), Zwelethu Radebe (South Africa), Ahmed Jlassi (Tunisia), Narjes Torchani (Tunisia), Nathan Magoola (Uganda), Polly Kamukama (Uganda) ,Tapiwa Chipfupa (Zimbabwe).

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Durban International Film Festival / Durban FilmMart form strategic partnership with Durban Wild Talk Africa

Durban, South Africa: The Durban International Film Festival (DIFF), hosted by the Centre for Creative Arts (University of KwaZulu-Natal), with principal funding from the National Lottery Distribution Trust Fund, and the Durban FilmMart (DFM), the joint project of the Durban Film Office (DFO) and DIFF, are pleased to announce that a strategic partnership has been formed with Durban Wild Talk Africa, the continent’s most respected natural history film festival and conference, which takes place at the Docklands Hotel in Durban from July 23 to 26. 

The return of Wild Talk Africa to Durban is supported by the City of Durban through Durban Tourism and the Durban Film Office. “We are pleased that after a number of years we can welcome back this prestigious conference and festival to our City,” says Philip Sithole, Head of Durban Tourism and Business Support. “Durban Wild Talk Africa combined with the continent’s two major film events – the Durban International Film Festival and the Durban FilmMart, firms up a truly strong film industry package for visitors and we look forward to welcoming the many local, continental and international industry guests to our shores.”

Durban Wild Talk Africa is considered to be Africa’s key film festival and conference for natural history and wildlife film and television programming. The event includes; workshops, seminars, masterclasses, open pitching sessions, commissioners panels and exhibitions, and is a valuable networking forum with both local and international delegates and industry leaders. This year DWTA will include the Wildlife Photographer of the Year exhibition to be held at uShaka Marine World and sponsored by National Geographic, from 25 July to 25 September 2013.

The Durban International Film Festival is SA’s largest and longest-running film festival, which takes place from July 18 to 28. The Durban FilmMart, which runs parallel to the DIFF from July 19 to 22, is the continent’s premier film industry event, which provides opportunities for selected projects to pitch to financiers and producers, as well as offering a series of master classes and top-drawer networking opportunities with industry players.

A selection of natural history films have been chosen from 445 entries from across the globe, to be screened during 9 slots as part of the DIFF programme. These films were entered as part of Durban Wild Talk Africa’s ROSCAR Awards competition. The Durban Wild Talk Africa has scheduled its conference in the footprint of DIFF, as part of a greater vision to build Durban’s golden mile as a hub for film market activity in the month of July. 

“Forming this strategic partnership with Durban Wild Talk Africa, adds a valuable new dimension to DIFF,” says Peter Machen, Manager of DIFF. “The Wild Talk Africa Film Festival selection complements our huge variety of more than 200 factual and fiction films screened at the DIFF. This, no doubt will add to the dynamic and vigorous discourse that usually takes place during the festival both informally and formally in seminars and workshops, as well as in the media.”

“We have chosen our dates to co-incide with the DIFF and DFM in a united effort to build the film festival and market environment for factual content and feature films in Durban,” says Donfrey Meyer, Director of Wild Talk Africa. “As the DWTA is an autonomous conference, running concurrently with the DIFF, we believe that film-makers and industry players will take advantage of the abundance of content, industry representation and opportunities to discuss, network and start conversations about content generation and distribution. There is a global focus on the natural history of this continent and, with this in mind, we are pleased to be welcoming commissioning editors and representatives from Discovery Networks International, NHK Japan Broadcasting Corp., BBC NHU, ORF Austrian Broadcasting Corp., ABC Australian Broadcasting Corp., National Geographic, SABC, NFVF, e.tv. NHU Africa and others to Durban.”

“The success of the Durban FilmMart is clearly demonstrated by the fact that we have seen many of the projects pitched in the finance forum successfully make it to festivals and theatrical release over the past four years.” says Toni Monty of the Durban Film Office. “The DFM provides an important platform for the business of film to be conducted. This, together with the industry events at both the DIFF and DFM, promises to create a conducive environment for delegates to exchange ideas and forge partnerships and relationships.. All of this helps to further develop a dynamic and robust industry on the continent. We see the alignment with Durban Wild Talk Africa as a great opportunity to further promote and develop factual film content in Africa. We are hoping that film-makers and industry representatives attending the DFM will stay on a little longer to engage with Wild Talk Africa, and take in the additional industry opportunities available.”

Registration for the DWTA is now open on www.wildtalkafrica.com. The delegate pass includes full access to workshops, seminars and panels, as well as evening networking events and functions.  

Registration for the Durban FilmMart is now open on www.durbanfilmmart.com. For more information about the Durban International Film Festival go towww.durbanfilmfest.co.za

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Note to Editors: 

The Durban FilmMart (DFM) is a co-production and finance market and is a joint programme of the Durban Film Office (DFO) and the Durban International Film Festival (DIFF). DFM provides filmmakers from across Africa a valued opportunity to pitch projects to financiers, distributors, sales agents and potential co-producers, and participate in meetings, project presentations and a series of master classes and workshops on latest industry trends. www.durbanfilmmart.com

The Durban Film Office (DFO) is the film industry development arm of the eThekwini Municipality, mandated to position Durban as a world-class film production destination and facilitator for the development of the local film industry.  The DFO drives activity and development in the sector in order to boost tourism, job creation and the development of core skills and SMME’s in the region.   www.durbanfilmoffice.com

The Durban International Film Festival (DIFF) presents over 250 screenings from different countries and cultures with special focus on Africa; it includes development programmes such as Talent Campus Durban. DIFF is a flagship project of the Centre for Creative Arts, University of KwaZulu-Natal, which facilitates creative platforms and economic opportunities for artists and related industries, intercultural exchange and network development, training, audience development and strategic Pan-African and international cooperation in the cultural sectors.  www.cca.ukzn.ac.za

 

Durban FilmMart Project Selected for prestigious Paris Project in June/July 2013

DURBAN, SOUTH AFRICA: Flatland, a 2012 selected Durban FilmMart (DFM) Project, produced by David Horler of Proper Film, and directed by Jenna Cato Bass has been chosen to take part in Paris Project, the coproduction and financing forum of the Paris Cinema International Film Festival.

Flatland was the recipient of a number of awards at last year’s DFM where it received a €5000 grant for development as WorldView’s Most Promising Feature, was selected for Rotterdam Lab in February, and won the EAVE prize enabling the producer to attend the European Producers Workshop in March this year. 

The DFM, is a joint programme of the Durban Film Office (DFO) and the Durban International Film Festival (DIFF), and has as one of its core objectives to act as a valuable feeder platform to bring African projects to other recognized international co-production markets.

The DFM has recently entered into a strategic partnership with Paris Project, which looks at co-production potential for carefully selected worldwide feature projects destined for French and European coproduction. This year a 2012 DFM project was selected, and going forward a project will be selected from the 2013 DFM to go to Paris Project in 2014.

“Flatland is a really strong well-positioned film project which really shone at last year’s DFM, and we are delighted that Paris Project has selected it to further develop its potential.” says Toni Monty of the DFO. “David has really grasped at all the opportunities given and we believe that this experience will be a valuable stepping stone in the project’s journey.”

“These markets are incredible in helping us fine-tune our product” says Horler. “The DFM was so helpful in aligning our overall strategic goals for the project, and Rotterdam Lab was a similarly great experience. The intensive schedule of master classes, panel discussions and workshops imparted very useful information and gave a very distinct perspective on the international marketplace relative to independent and low-budget productions. The European Producers Workshop was a truly fantastic initiative that is incredibly supportive and nurturing of independent filmmakers.”

Horler goes on to say that the development grant from WorldView has been earmarked to help with the location scouts and recces intended for the project once they are closer to pre-production.  “So we are really overwhelmed that we have received this opportunity to go to Paris Project, as every chance we have to present, discuss and develop Flatland, is another step up on the ladder to its creation.”

Both the director and the producer of Flatland have been awarded a complimentary return air ticket and four nights’ accommodation to participate in the market, which takes place from June 30 to July 3, to enable them to increase their networks and meet international partners.

In addition to personalized meetings with industry professionals, Paris Project offers a series of specialized events like seminars and workshops. In 2012, 350 professionals from 140 companies attended Paris Project, with more than 500 meetings scheduled.

“We are really pleased to welcome Flatland onto Paris Project, as we believe it offers a uniquely South African perspective to the mix.” says Aude Hesbert, Head of Paris Cinema International Film Festival. “This year as our country embarks on the South Africa France Season 2013, we look forward to opportunity to support the inaugural DFM/Paris Project entry, and are eager to see how it fares.”

The 4th Durban FilmMart will take place from 19 to 22 July 2013 during the 34th edition of the Durban International Film Festival (18-28 July) and will present an official selection of about 10 fiction projects and 10 documentary projects. 

Delegate registration for the DFM opens next week.

For more information on the Durban FilmMart visit www.durbanfilmmart.com.  

For further enquires contact info@durbanfilmmart.com

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Delegate Registration Opens for Durban FilmMart

Durban South Africa: Delegate registration for Durban FilmMart (DFM) opens today (June 6), with the continent's premier film finance and co-production forum urging industry delegates to take advantage of the discounted early bird registration. Now in its fourth edition, the DFM takes place from 19-22 July and promises an exciting programme of masterclasses and networking opportunities.

The Durban FilmMart - a joint project of the Durban Film Office (DFO) and the Durban International Film Festival (DIFF) - is an African co-production market that provides a platform for international experts, broadcasters, financiers and filmmakers to meet and develop strategic partnerships that get films made. The four-day event comprises of a programme of Master classes, Africa in Focus panels, networking functions, the DOC Circle Pitching Forum and the Finance Forum for selected projects of the market. Delegates will also get to enjoy the selection of films screening at the  Durban International Film Festival.

“The FilmMart objective is to facilitate the development of African film content and to fuel business and employment opportunities within this sector on the continent,” says Durban Film Office’s Toni Monty. “We have seen some strong projects emerge from the Finance Forum programme into theatrical exhibition and onto important international film festivals. We have also seen how the DFM has become an important meeting point for film-makers from South Africa, Africa and increasingly from beyond the continent to network and engage in meetings, discussions, master classes and further develop their professional careers.”

The Durban FilmMart programme features a range of masterclasses presented by leading industry experts on a wide range of topics ranging from world trends in co-production to finance, distribution, script development and new media. Africa in Focus is comprised of a range of seminars and panel discussions featuring local and international filmmakers experts, specifically dealing with salient issues in African cinema. DOC Circle Pitching Forum is a high-level pitching event where the selected documentary projects of the DFM as well those of as Talent Campus Durban's Doc Station pitch to an audience of financiers, commissioning editors and broadcasters as well as DFM delegates. This pitching forum is invaluable for the development of new filmmakers. In addition, Durban FilmMart  delegates have access to a range of networking events attended by key industry professionals . Delegates can also attend workshops, seminars and screenings in the festival . 

World-renowned film expert Clare Downs will present a scriptwriting workshop entitled Strategies for development: the Agony and Ecstasy. Clare Downs is a founding member of the script analysis team for EAVE and has worked in training, script development, producing and writing for over three decades.  Clare has been involved in many international development and training programmes including the Southern African Producer training programme AVEA (2000 -2005). 

Filmmaker, author, strategist and consultant John Reiss will present a transmedia masterclass drawing from his critically acclaimed book Think Outside the Box Office -The Ultimate Guide to Film Distribution in the Digital Era. John Reiss is the director of numerous films including the documentaries Bomb It and Bomb It 2, which look at the subversive and often controversial international subcultures around graffiti. 

Presenting a masterclass on co-production entitled The Art of Working Together is Christoph Thoke, a German film and television producer and president of Mogador Film, who has worked for leading German/French broadcaster ARTE and German production companies including Bavaria Films, Taunus Film and CineMedia. Mogador’s first film Lorna's Silence by the Dardene Brothers was selected in competition for Cannes 2008 and screened at the Durban International Film Festival.

Marketing and Publicity for Cinema: the Mentality to Promote is the masterclass to be presented by film distribution and marketing expert Alvaro Vega of Vertigo Films - Spain's leading distribution company (recently incorporated into Wild Bunch). Vega has been involved in the distribution of films for leading directors including David Lynch, Gus Van Sant, Wong Kar-Wai, Mike Leigh and Sofia Coppola.

A number of local, continental and international broadcasters,as well as various government agencies, film commissions, and distribution agencies will be in attendance, enabling delegates to establish contact and engage in one-on-one meetings. 

This year the DFM partners and supporters include the International Film Festival Rotterdam's (IFFR) CineMart, the International Documentary Film Festival Amsterdam (IDFA), the Berlinale Film Festival, Worldview, and others. Attending DFM this year, the Hot Docs Documentary Film Festival - North America’s largest documentary film festival - through its Blue Ice Fund Group initiative will continue to facilitate a financing and mentorship program for six African film grantees, awarded earlier this year. New partners include Paris Cinema’s film market Paris Project, who will select one project for their 2014 edition. Independent Filmmakers Project, America’s largest independent film non-profit, will select one DFM project to attend their lab for this year. ARTE returns to award a cash prize to the best fiction project, while Festival des 3 Continentes – Nantes and the International Organisation of Francophone will also be in attendance.

Renowned South African film and television pitching coach, Howard Thomas of Busvannah Communications will deliver four one-hour primers on proposal writing and pitching, covering the areas of research, target audience, writing and budgeting. These primers are aimed at beginner and intermediate producers active in content producing and will form part of the Durban FilmMart and Talent Campus Durban programme, with limited seats available to the public.

Following the DFM, and running from 23 to 26 July, is Wild Talk Africa, Africa’s key film festival and conference for natural history and wildlife film and television programming. “This is also a great opportunity for delegates to stay on in Durban and take advantage of the valuable opportunities in factual television-producing and broadcasting that Wild Talk presents.” says Monty.

“This year DFM’s has a really strong contingent of top quality experts and industry representatives, which adds significant weight to the level of engagement that will take place.” says Peter Machen, Manager of the Durban International Film Festival. “We look forward to welcoming delegates and hope that they seize the opportunity to network with the peers and experts in a meaningful way, and that this year’s Durban FilmMart continues to stimulate the growth of the industry on the continent.”

The 4th edition of Durban FilmMart takes place from 19 - 22 July 2013 during the Durban International Film Festival and is now open for delegate registration. Early bird registration, which enables the delegate to be included in the industry manual closes on July 2 and costs R1250. Registration thereafter costs R1750 and closes on July 18.

For more information and to register visit www.durbanfilmmart.com

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John Gale appointed to the Ogilvy & Mather South Africa Board

John Gale, Managing Director of Ogilvy Durban, has been appointed to the Ogilvy & Mather South Africa (O&M SA) Executive Committee (ExCo) Board.

With over 21 years with the Ogilvy group and, more recently, 13 years at the helm of the Durban office, Gale brings a wealth of knowledge and insight to the O&M SA Board. 

A passionate brand-builder, Gale has, in turbulent global economic conditions, seen the Ogilvy & Mather Durban office, which incorporates Ogilvy & Mather Advertising, Ogilvy Action and Digital@Ogilvy, grow into one of the region’s advertising powerhouses.

“Most of South Africa’s industry hubs are concentrated in Johannesburg and Cape Town, and as such enjoy the lion’s share of the country’s advertising revenue. This presents some unique challenges for the industry in Durban,” says Gale. “Given these challenges, and the fact that we are currently in a global economic trough, we are enormously proud to have been able to not only sustain the business, but significantly grow it."

Growth of the business in KwaZulu-Natal (KZN), coupled with some exciting new contracts on the horizon, means that O&M SA, a world-class multinational communications company, has a strong foothold in all three of South Africa’s economic hubs.

“We realise it is important for Ogilvy to have a footprint in each of the major business regions in the country,” says Gale. “It is also important from the perspective of a global brand that we are aligned when it comes to the implementation of the company’s processes and structures, not to mention those of our global clients.”

“While we work independently of each other, it is important and enriching to remain connected and involved in important areas of the business such as implementation of group strategy, human resources, training and technology. My appointment to the ExCo will ensure our Durban and KZN interests are synergized with the rest of the group.”

"I am thrilled to become a member of the ExCo as I have gained important insights over the years as MD in Durban,” says Gale. “I believe I will be able to add further perspectives and value to the continued success of one of South Africa's leading advertising groups."

Some of the Point Waterfront-based Ogilvy Durban current clients include Boxer Superstores, Decorland, Defy, eThekwini Transport Authority, Field Band Foundation, Game, Lesotho Milling, Marico, SABMiller, Sun International (Sibaya Casino & Entertainment Kingdom and the Wild Coast Sun), The Sharks and Unilever.

Gale has worked on major brands such as Castle Lager, Castle Lite, Hansa Pilsener, Debonairs Pizza, Volvo, Mica, Continental. While at Ogilvy Africa (1998/9), he was primarily involved in managing brands for key clients with business interests and activities in Sub-Saharan Africa.

15th African Renaissance presents the annual Africa Day Concert

Durban ICC Arena - May 25, 2013

DURBAN: The African Renaissance Festival and Conference will host the annual Africa Day Concert to celebrate African unity by reflecting the continent’s dynamic talent through musical performances by Mafikozolo, Zonke and Professor on Saturday, May 25 at 6pm at the ICC Arena in Durban.

Africa Day (May 25), marks the founding day of the Organisation of African Unity in 1963 and for many years has been a celebration of African unity. This was the first time that African Heads of State and Government got together in an effort to define Africa on its own terms and to be responsible for the continent’s shared destiny.

The African Day Concert takes place during the African Renaissance Festival, which began 15 years ago in an endeavour to reignite Africa’s own belief in itself and in its potenital to develop its own resources. The concert will feature some of the biggest names on the SA music scene: award-winning vintage-inspired Afro-Pop outfit Mafikizolo,the soul sensation Zonke and kwaito star Professor, with Linda Sibiya as the host and MC.

Their name may mean 'new kids on the block, who just arrived yesterday' in isiZulu, but Mafikizolo is no newcomer. This vibrant, stylish group of two comprising Theo Kgosinkwe and Nhlanhla Nciza have created a delicious dance of brew by mixing old and new South African sounds, have released seven hit-filled Afro-pop albums, sold over a million copies, picked up countless awards including eight SAMA's, and is undoubtedly one of the most successful groups in South Africa.

Born to a drummer father, soul sensation Zonke Dikana caught the musical bug at an early age, but her big break came in 1997 when Anneline Malebo, her father’s new wife, and a member of the successful group, Joy, introduced her to fellow artist Joe Nina. Zonke recently won Best Female Album for Ina Ethe at the MetroFM awards and continues to dazzle audiences with her soulful sounds.

Interestingly, Zonke came to stardom via her songwriting skills resulting in her collaborating and writing for international and local musicians.With her track record of hits behind her, she is one of the most sought-out producers in the Afro-pop and urban genre.  Zonke has written chart-topping tracks for artists such as Black Coffee, Mafikizolo, Don Laka, Tshepo Tsholo, Theo Kgosinkwe and many others over the years and worked at Kalawa Jazzmee as their premier songwriter.She now has her own recording company, Leely Music.  

Professor, the kwaito star from KwaZulu Natal who is well known for his hits which include the sensational Jezebel, has come a long way since his early days with T’zozo. He walked off with two of the biggest awards at the Metro FM awards in Durban recently - Song of the Year for Jezebel and Best Kwaito Album for University of KalawaJazmee, so named to acknowledge the KalawaJazmee Records family who took him under their wings.  Professor, like Zonke cites Joe Nina as being instrumental in his growth as a musician, along with Black Coffee and his group Shana.

The concert will start at 6pm until late at the Durban ICC Arena and tickets are R100 and are available from Computicket. For more information and the full African Renaissance programme, contact reception@wozani.co.za or telephone 031-266 9792

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BASA to launch Toolkit and Entrepreneurial Partnership

BASA Toolkit and Entrepreneurial partnership to be launched at Soweto Theatre.

The Director General of the Department of Arts and Culture, Sibusiso Xaba, will attend the launch of a new partnership between Business and Arts South Africa and Shanduka Black Umbrellas’ Incubator Programme. At the same time, the much anticipated BASA Sponsorship Toolkit for the Arts will be unveiled. 

Taking place on May 6 at the Soweto Theatre, the launch of BASA’s partnership with Shanduka Black Umbrellas is part of BASA’s ongoing commitment to providing arts organisations and practitioners with the skills to run their own business. 

Says Mark Frankel CEO of Shanduka Black Umbrellas, “All business owners, no matter which sector they operate in, should have the requisite skills in place to operate their businesses effectively and profitably. 

“In addition to the skills required, businesses from previously disadvantaged backgrounds should be provided with assistance to access networks, markets and finance to help ensure their sustainability. This is the nature of the work we do at Shanduka Black Umbrellas. 

“The partnership with BASA enables us to jointly identify potential high impact businesses in the arts sector and provide these businesses with the skills, support and development they require in order to become sustainable and create jobs.” 

The newly minted BASA Sponsorship Toolkit for the Arts – is additionally set to play an important role in the sustainability of arts organisations. With a strong focus on providing a way for the management team of an arts organisation to review, refresh and enhance their sponsorship practice, the toolkit is likely to become an indispensable part of the way arts organisations work. The BASA Sponsorship Toolkit for the Arts is a complement to the BASA Arts Sponsorship Management Toolkit for business that was launched last year. 

The BASA Sponsorship Toolkit for the Arts has been created for both arts organisations with existing sponsorship relations and those looking for new and additional partners. 

For arts organisations with existing sponsorship relationships, the toolkit provides an opportunity to assess the depth and breadth of their practices, as well as develop the ability to nurture a more sustainable arts partnership approach. 

For organisations searching for new or additional partners, the toolkit provides a step- by-step guide and set of exercises to craft a well-considered, longer-term arts partnership strategy. 

Please note that the time of the function has been amended to 11h30 for 12h00. 

For more information and to RSVP for the launch of the Shanduka Black Umbrellas’ Incubator Programme and unveiling of the BASA Sponsorship Toolkit for the Arts contact: Jessica Dennison at Jessica@basa.co.za or 011 447 2295.

Date and Time 
Monday 6 May 2013 
11h30 for 12h00 

Venue 
Soweto Theatre 

About Business and Arts South Africa NPC: 

Business and Arts South Africa NPC is an internationally recognised South African development agency which incorporates the arts into, and contributes to, corporates' commercial success. With a suite of integrated programmes, Business and Arts South Africa NPC encourages mutually beneficial partnerships between business and the arts. Business and Arts South Africa NPC was founded in 1997 as a joint initiative of government and the business sector, to secure the future development of the arts industry in South Africa, through increased corporate sector involvement. Established as a Non Profit Company, Business and Arts South Africa NPC is accountable to both government and its business members. 

About Shanduka Black Umbrellas NPC: 

The Shanduka Foundation supports Enterprise Development through the Shanduka Black Umbrella (SBU) initiative. SBU is one of the key beneficiaries of the Shanduka Group’s R100 million commitment to the Shanduka Foundation. 

Cyril Ramaphosa called the 2009 launch of the SBU programme the happiest day of his life. 

Four years later the initiative, which helps small black businesses get off the ground, is beginning to have a real impact around the country. 

Since the official launch in October 2009, a significant number of budding and established SMMEs have applied to become part of the SBU programme. However, there is a rigorous screening process and only those committed few with ability and passion are invited to join. 

There are over 100 businesses around the country that currently form part of the programme. Others have already graduated from the initiative and have taken their businesses to new heights. 

For a small monthly fee, the SBU programme provides client SMMEs with a working environment and support services that enable them to thrive. Benefits include office space, computers, Internet and telephones, vehicles with drivers, a compulsory reliable bookkeeping service, training programmes, a structured mentorship programme and access to finance and procurement opportunities, when ready. 

SBU provides corporate South Africa with an opportunity to improve their enterprise development and preferential procurement ratings which achieves the dual goal of meeting their B-BBEE scorecard requirements as well as the knowledge that their contribution goes towards the important goal of nation building through job creation. 

Further information can be found at www.shandukablackumbrellas.org

Bro Kwazi's First Splashy Fen

THE first time I ever heard of Splashy Fen was in my matric year, a few years ago. All I knew is that Splashy Fen was a music festival that only played punk, rock and metal.

09 April 2013 | Kwazi Ngubane

Going to Splashy Fen on Thursday 28 March I did not know what it was that I was in for although I had asked question upon question about what Splashy Fen was all about, researched the website and scoured the internet for photos, incidences etc about the event.

I wanted to be sure about what it was that I was getting myself into. I arrived on Thursday evening around 11pm and, with nothing much to do, we set up camp and started a fire and went to sleep. It was only in the morning that we learnt we had camped in a family camp site and had to look for a new site to set up camp.

Waves of campers

It did not take us long to find the right area as we were attracted to noisy cars and a group of peers our age. We were quick to set up the tent and as soon as we were done, we set out exploring Splashy Fen.

The waves of campers coming through the gates were endless, the age groups could not be more different and the number of stalls, tents and stages blew us all away.

It was clear to us why Splashy Fen had such a huge following; it is a place that has a culture of its own. Everyone was friendly and helpful and when they knew it was your first Splashy Fen, you were greeted with smiles, hugs and wishes that you enjoy your first experience.

Diverse music

The mornings were laid back with many choosing to go swimming in the lake, stay at their camp sites, walk around or drive to the town of Underberg, 18kms away, to explore what the town had to offer.

The afternoons would be a hive of activity with three major tents hosting shows till midnight. The busy muddy roads would be filled with youth rushing to the respective tents, stalls or the place where everybody hung out, the bar.

The acts on stage could not be any more diverse in colour, genre and personality and included commercial bands such as Mi Casa shared the stage with acts such as City Bowl Mizers, Matthew Mole, Asleep In Transit, Desmond & the Tutu's, Mean Black Mamba, David Jenkins & Maqhinga Radebe, and the list goes on.

The shows were not only limited to music but also included stand-up comedy showcase with the likes of Paul Snodgrass, Glen Bo, Dusty Rich, Bobby Collins and Lil' Paul (who is not that lil') partaking in shows such as Whose Line is it Anyway, the world’s worst job enactments and plenty more.'

Rocking the stage

For those that longed to hit the dance floor, with heart pounding bass music and blinding disco lights, there was the Uber Cool Tent.

This tent had a mixture of punk, rock, pop, dance and hip-hop music with acts such as German bass, Arnold Ewood Philips; PHfat and more rocking the stage.

I must say that Splashy Fen is the premium music festival in KZN, it has everything that a music festival suppose to have. It's well-organised and safe with around-the-clock SAPS supervision, wonderful tents and stalls to buy from and music that will keep you dancing till the morning.

Use the list

The only precaution that I would advise is to know how to set up your tent, know how to find the right spot to set up camp or you shall be as unlucky as I was and have both your tents flooded with water two nights in a row.

Also when embarking to Splashy Fen, make sure to take note and pack all the advised ’things to bring’' items listed  or you shall have a super cold evening sleep and be running around for utensils, charcoal, gas-cookers etc.

Make sure to go onto www.splashyfen.co.za for the dates for next year’s 25th edition. See you there next year.

DURBAN FILMMART PROJECT SELECTED FOR HOT DOCS 2013

DURBAN FILMMART PROJECT SELECTED FOR HOT DOCS 2013

Devil’s Lair, one of the award-winning projects from last year’s Durban FilmMart has been selected for this year’s Hot Docs, the Canadian International Documentary Film Festival in Toronto in April/May this year.

Produced by Neil Brandt of Fireworx Media and directed by Riaan Hendricks of A Season of Film (who also did the cinematography and editing) this feature documentary uncovers the conflicting worlds that exist amongst the troubled communities of the Cape Flats in Cape Town South Africa. It is an intimate portrayal of one gang leader and his young family as they navigate a violent and contested physical and psychological landscape, one in which honour, love and betrayal are all too often sides of the same coin.

Devil’s Lair, which will have its World Premiere at Hot Docs on May 1, was a featured project at last year’s Durban FilmMart, where it selected by as one of the “Most Promising Documentary Projects”, and as a result Brandt and Hendricks also received a travel and accommodation grant from WorldView/IDFA enabling them to attend IDFA, and pitch the project at the IDFA Forum in November last year.

“One of the key objectives of the DFM, which is a joint programme of the Durban Film Office (DFO) and the Durban International Film Festival (DIFF), is to act as a feeder platform in bringing African projects to other established international co-production markets. “ explains Toni Monty of the Durban Film Office. “We are delighted to hear that Devil’s Lair has been selected to premiere at Hot Docs. Results like this for any film helps to foster and encourage a confidence in developing projects, as often, at ideation stage stakeholders are cautious as to what tangible results can be obtained. This helps to demonstrate the potential and possibilities that do exist.”

Speaking from Johannesburg Brandt was excited about the selection and for the opportunity of holding their world premiere at Hot Docs. “It’s at once fantastic and terrifying.” he said. “Hot Docs is North America’s largest documentary festival, conference and market with about 200 documentaries from around the world, so the competition is tough, but we are really looking forward to the experience and to working hard at making sure our film gets the best start to its festival life possible.”

For Brandt and Hendricks the experience at IDFA was hugely beneficial in the further development of the film. “Everything in the creation of this film worked as a complex puzzle, all working simultaneously.” says Brandt. “We originally received a production grant from the IDFA Bertha Fund, who have been tracking the film. Then we were invited to the IDFA Summer School in June last year, just before the Durban FIlmMart where the project was well received resulting in us pitching the film at the IDFA Forum in November 2012. Here we were able to pitch a more developed film to broadcasters and investors and pick up sales agent Journeyman Pictures. Funding had also been received from the Hot Docs Blue Ice Fund, which has also been tracking the film since the Durban FilmMart. So there has been an incredible amount of support and interest in the film from international funders, which is encouraging, as difficult politically-charged films from Africa are often not easy to finance. Local funders include the Open Society Foundation, Sabido Productions and the NFVF. TVO Canada has just bought the first license and we are in discussions with numerous further broadcasters.”

The 4th Durban FilmMart will take place from 19 to 22 July 2013 during the 34th edition of the Durban International Film Festival (18-28 July) and will present an official selection of about 10 fiction projects and 10 documentary projects.

For more information on the Durban FilmMart visit www.durbanfilmmart.com.  Entries to this year’s DFM are now closed.

For further enquires contact info@durbanfilmmart.com

Trailer link :   http://www.hotdocs.ca//film/title/devils_lair

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Durban - The warmest place to be presents a feast of music at the Rainbow Restaurant - 24 March

In recognition of Human Rights Day in South Africa and as one of the official welcoming events for delegates to the Fifth BRICS Summit, Durban - The Warmest Place To Be presents a feast of music at the Rainbow Restaurant in Pinetown on Sunday, March 24 at 2pm.

The first performance starts at 2pm with deep jazz as Burton Naidoo's Musical Democracy quintet takes to the stage. This will be followed by a set from five-piece afro-beat outfit Tanga Pasi who hail from the Kalanga region of Zimbabwe and who will be making their third appearance at the Rainbow. For this performance the audience will get to hear the sounds of their debut full length album, Ntolontolo - A Long Time Ago. From there it’s "sho't left" to the unique sounds of Dr. Fly and The Nurses, an a capella trio in the tradition of the Andrew Sisters featuring the vocal talents of Sophie Basckin, Jessica Sole and Natalie Shama. Then it will be time for a "beega party" with electro-percussion trio Napalma fronted by Mozambican born/Brazilian raised vocalist Ivo Maia with Brazil's Cid Travaglia driving hard on djembe.

“The best part of it all is that with the kind and generous support of the Ethekwini Municipality we are able to use this event as a fundraiser for the Rainbow's charity of choice, the Open Door Crises Centre which is based in Pinetown and offers invaluable assistance to the victims of human trafficking and abuse. All monies raised from ticket sales will be donated to Open Door.” says Neil Comfort of the Rainbow.

Doors open at 1pm and tickets are R40 at the door. For more info contact the Rainbow on 083 706 2294 or 083 4638044.

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Flatfoot Dance Company's 10th Anniversary Season - Last Thoughts at the Elizabeth Sneddon Theatre

FLATFOOT DANCE COMPANY celebrates its 10th anniversary year with a special season of dance theatre entitled Last Thoughts at the Elizabeth Sneddon Theatre from March 13 to 17.

“Reaching 10 years as a professional South African dance company is a huge milestone for Flatfoot Dance Company!” says Lliane Loots, founder and artistic director of Flatfoot Dance Company. “It is a testament to our city of Durban who has been our home and to the people of eThekwini who have supported us and watched us grow; and to some rather amazing local and international artists, dancers, technicians, administrators and musicians who have been part our history. It is a gracious testament to all those who have seen fit to fund the work we do. I can’t say we haven’t been poised on a knife edge many times – and will be in the future – but this is a moment for all of us to collectively honour our achievement and to say thank you in honouring the many bridges we have walked on to get here.”

“For our 10th anniversary season we wanted to do something that really celebrated our geography; our beautiful ocean facing city of Durban, to honour some really amazing artists and guests who have worked with us in the past. We return to the amazing Elizabeth Sneddon Theatre where we, 10 years ago in March 2003, hosted our first season as a professional company”. 

“LAST THOUGHTS” offers the world premiere of two new dance theatre works made for the six resident Flatfoot dancers, Sifiso Khumalo, Tshediso Kabulu, Sifiso Majola, Jabu Siphika, Julia Wilson and Thobi Maphanga. 

The first work on the programme is “Ngichaze/Define Me” is a poetic and lyrical work created by guest choreographer Sifiso Kweyama. “Kweyama has made numerous dance works on Flatfoot these past 10 years, works that have travelled with Flatfoot all over the world including Cameroon and Holland, and so it felt right to invite him back to make this special piece of dance theatre for our 10th anniversary”. Says Loots;  Kweyama, though a Durbanite, is now working with Johannesburg based Moving Into Dance Mophatong (MIDM) and so this is also a long time celebration of Flatfoot’s working relationship and friendship with MIDM. 

Kweyama’s work, “Ngichaze/Define Me”, sees the six Flatfoot dancers confront themselves in a deeply emotional work that looks into how society defines us. Kweyama’s much praised African contemporary style is fused with a lyrical poeticism that Flatfoot is often known for. Kweyama’s ability to weave together dancing stories and his reputation for being a “dancer’s choreographer” is again realised in a work that both challenges the dancers but which will also delight and enchant audiences. 

The second half offers Loots’s newest dance theatre collaboration with spoken word poet Ian “Ewok” Robinson. Poetically titled “Last Thoughts” like the season itself, this work is a type of zeitgeist moment of memory, history and future for both Flatfoot but also for all those involved in the work. Alongside the six resident Flatfoot dancers, this collaboration also features two of Durban (and South Africa’s) best breakdancers, Preston “Kayzo” Kyd and Byrone “Bizzo” Tifflin, both of whom have also done numerous collaborations with Flatfoot over the past 10 years.  Seamlessly fusing the BBoyz style of breaking with the lyrical flow and energy of Flatfoot’s inimitable style, Loots’s “Last Thoughts” is a type of Hip-Hop opera that takes time to honour the legacy of ambient influences like Allen Ginsberg, Bob Dylan, and most importantly a long time working relationship with “Ewok”.

Loots’s award winning style of creating layered dance theatre also sees her continue her long time collaboration also with Durban filmmaker Karen Logan, who has created soulful video installations that give “Last Thoughts” an edgy feel and look. 

Referencing Ginsburg’s 1954 poem “Song” and his call to “return to the body where I was born”, Loots’s “Last Thoughts” is, finally her own unfailing belief in the dancing body as the only political truth that we can ever know. As she says, ““Last Thoughts” might seem like a rather dark title for a 10 year celebration but it echoes all sorts of recollections around personal and political rights and re-membering; and for me this is the missing governance and silent voice of our age”.

Flatfoot’s 10th anniversary season, “LAST THOUGHTS” runs from 13 to 16 March with shows at 7.30pm and on Sunday 17 March with a matinee at 3pm.Tickets cost R80 with discount for pensioners and students at R60.  Opening night, 13 March, is a special gala fundraiser with champagne and birthday cake after the show. Tickets for this gala cost R150 and all money raised will go towards supporting the dance education and development work being done by Flatfoot in Umlazi, KwaMashu, Newlands East, and Tugela Mouth.  Booking is through Computicket.

“Last Thoughts” is a proudly Durban celebration of the transformative power of dance, dance education and development and of Flatfoot Dance Company who have spent 10 long years creatively re-shaping their home city of Durban – not to be missed!

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Talent Campus Durban Calls for Filmmakers and Film Critics

Talent Campus Durban Calls for Filmmakers and Film Critics

Talent Campus Durban is looking for 40 of the most innovative voices of African cinema to take part in the 6th edition of this leading networking and developmental event held at the 34th Durban International Film Festival.

Talent Campus Durban seeks to provide selected participants with an opportunity to meet with international industry professionals and experts in various aspects of the filmmaking business through participations in a 5-day programme of masterclasses, workshops and industry networking events. The continent of Africa is a source of a myriad narrative which offers possibilities to be re-imagined, re-told, overlapped and adapted within numerous contexts. Under this year’s theme of “Memetic Africa”, Talent Campus Durban calls for African filmmakers to participate in this programme and be inspired by stories shaped by varying innovative patterns, ideas, customs, traditions, practices and skills that enforce the legacy of the African film context.

Talent Campus Durban also calls for participants for Talent Press, a mentoring programme for three African film critics in collaboration with FIPRESCI and Goethe Institut, which makes a welcome return in its second year. Talent Press mentors will offer their expertise to guide selected participants in the art of film criticism with access to all the screenings of the 34th Durban International Film Festival. 

The five-day programme also includes the 3rd edition of Doc Station, where three selected documentary projects submitted by accepted talents will be finessed and packaged for presentation within the DOC Circle pitching forum at the 6th Durban FilmMart. Applications for Doc Station are open to selected participants for Talent Campus. Mohamed El Amine Hattou of Algeria was one of the three Doc Station participants in the 5thTalent Campus Durban who, after presenting his project at Doc Circle, also had the invaluable opportunity to meet one-on-one with potential investors. Describing his experience, Hattou says, “Doc Station is a great opportunity to gain in maturity, networking, and dive into a promiscuous and professional African market. After my pitch on Doc Station, I had some positive and interesting feedback on my project. It was also an easy way to know about new funding and co-production opportunities. Durban Talent Campus is a unique way for African filmmakers to connect, meet and share their stories.”

Held in co-operation with the Berlinale Talent Campus, and with support from the German Embassy of South Africa, Goethe Institut of South Africa, and the KwaZulu-Natal Department of Economic Development and Tourism, Talent Campus Durban runs from 19 to 23 July 2013. Apart from the main event in Berlin, Talent Campus partnerships also take place at selected festivals in Buenos Aires, Guadalajara, Tokyo and Sarajevo. Opportunities for participating talents are enhanced through Talent Campus networks and the Berlinale’s global information platform.

Application is open to filmmakers and critics who are resident in Africa. Applicants are encouraged to apply well before the deadline in order to submit their work samples timeously. Application can be done online on www.cca.ukzn.ac.za and applications close on 1st April 2013.

For DIFF and Talent Campus Queries +27 (0)31 260 1650 / 2506

Email both: talentcampusdurban@gmail.com / talent@ukzn.ac.za

-ends

Talent Campus Durban is a partnership project between the Durban International Film Festival in cooperation with the Berlinale Talent Campus and the Berlin International Film Festival, and is supported by the German Embassy in South Africa, the Goethe-Institut, and the KwaZulu-Natal Department of Economic Development and Tourism. Apart from the main event in Berlin, Talent Campus partnerships also take place at selected festivals in Buenos Aires, Guadalajara, Japan and Sarajevo. Opportunities for participating talents are enhanced through Talent Campus networks and the Berlinale’s global information platform.

The Durban International Film Festival is organised by the Centre for Creative Arts (University of KwaZulu-Natal) and is supported by the National Film and Video Foundation, the KwaZulu-Natal Department of Economic Development and Tourism and the City of Durban. Durban FilmMart is a partnership project between the Durban Film Office and the Durban International Film Festival.

Issued on behalf of the Durban International Film Festival by:

Sharlene Versfeld/Kwazi Ngubane

SA Arts Journalism Awards - Call for Entries

SA Arts Journalism Awards - call for entries

The National Arts Festival and Business and Arts South Africa (BASA) are calling for entries to the South African Arts Journalism Awards.

The awards will be presented for the first time in 2013.

Festival CEO Tony Lankester says: “The awards will recognise journalistic practice across all media platforms - print, online and broadcast.” He added that the arts sector “needs robust, healthy, insightful and articulate commentary and criticism from the media to keep it moving forward”.

The awards will identify excellence, expertise and creativity. In doing so, they will promote the practice of arts and cultural journalism, strengthen its national profile and celebrate its importance, range, diversity, fluidity and vitality.

Gold and Silver awards will be made in the following categories:

- Reviewing

Reviews of theatre, music, visual/plastic arts, dance, literature, film, comedy or any other arts and culture phenomenon.

- Features

These may include interviews and profiles, behind-the-scenes stories, arts-related investigative journalism or other forms of arts and culture reportage in any medium.

- Opinion pieces

Comment, analysis and provocation – in any medium – relating to specific artistic disciplines, the arts sector more broadly or arts-related policy and business stories.

Professor Chris Thurman has been invited by the organisers to convene an independent panel of judges who, apart from the above categories, may also choose to nominate recipients for the following awards:

- Best New Voice

- Special Contribution to Arts Journalism

- Best New Media Exponent

- Arts Photography

- Special Merit Award

"Business and Arts South Africa continues to support a better understanding of the arts, and advocates an arts culture in our society. Rigorous and innovative coverage of the arts is crucial in the argument highlighting the value of the arts to all South Africans. It is for this reason that we are excited to be partnering with the National Arts Festival on these Awards," says BASA CEO Michelle Constant.

Winners will be announced during the course of this year’s National Arts Festival and a range of cash prizes will be awarded. Additionally, one journalist will be awarded the opportunity to travel to the vibrant Amsterdam Fringe in September, from where they will report on South African productions being presented at that Festival as part of the World Fringe Alliance showcase.

“There are times we need to be challenged, times we need to be applauded, and times we need someone to hold a mirror up to us just as our artists hold a mirror to society. These awards will seek out those journalists who practice their craft with integrity and who stimulate debate and passion in their readers, viewers and listeners. They are a celebration of excellence and of passion, and we are delighted to partner with BASA in bringing them to life," elaborates Lankester.

Competition rules and other important information can be found on the Festival’s website at www.nationalartsfestival.co.za.

ABOUT THE AWARDS:

Entries

The following submissions procedures must be adhered to:

- The deadline for entries is Friday 8 March 2013

- Those submitting written work may enter one or more article(s) totalling no more than 3000 words.

- Those submitting audio or video material may enter either a compilation of clips or a single programme/instalment, no longer than 25 minutes in duration. The presenter, the producer, sound/visual editor and other members of the production team should be clearly indicated.

- Photographic material should be limited to a portfolio of 15 images.

In all cases, entries should be accompanied by a brief letter of motivation in which the entrant specifies which category(ies) he/she is entering, provides some background to his/her work and indicates the context of publication or broadcast of the material submitted: date, time (if applicable), title, publication/station/channel/website. Material may only be submitted if it was published or broadcast in the 2012 calendar year. Judges reserve the right to request the entrant to provide proof of publication or broadcast.

Electronic submissions are preferable. Applicants may submit material as an e-mail attachment sent to: artsjourn@nationalartsfestival.co.za. Alternatively, hard copies may be posted to: National Arts Festival, PO Box 304, Grahamstown, 6140 provided that they are postmarked no later than Friday 8 March 2013.

Finalists will be announced in April in Johannesburg, with Gold and Silver and other category winners announced in June in Grahamstown.

The judging panel for the awards comprises:

Chris Thurman (Convenor), Andre le Roux, Fred Khumalo, Shado Twala, Adrienne Sichel, Ryland Fisher, Victor Dlamini, Avril Joffe, Gwen Ansell, Pitika Ntuli.

The judges’ decisions will be final and no correspondence will be entered into.

About the National Arts Festival: The National Arts Festival, now in its 39th year, has proved its sustainability and has grown to be one of the leading arts festivals in Southern Africa. Its objectives are to deliver excellence; encourage innovation and development in the arts by providing a platform for both established and emerging South African artists; create opportunities for collaboration with international artists; and build new audiences.

The National Arts Festival is sponsored by Standard Bank, The National Lottery Distribution Trust Fund, Eastern Cape Government, Department of Arts and Culture, City Press and M Net.

NOTES FOR EDITORS 

About Business and Arts South Africa NPC:

Business and Arts South Africa NPC is an internationally recognised South African development agency which incorporates the arts into, and contributes to, corporates' commercial success. With a suite of integrated programmes, Business and Arts South Africa NPC encourages mutually beneficial partnerships between business and the arts. Business and Arts South Africa NPC was founded in 1997 as a joint initiative of government and the business sector, to secure the future development of the arts industry in South Africa, through increased corporate sector involvement. Established as a Non Profit Company, Business and Arts South Africa NPC is accountable to both government and its business members.

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Lakin Morgan : BASA: info@basa.co.za