Durban FilmMart to host leading Financiers, Producers and Broadcasters for its sixth edition July 17 – 20, 2015
Durban, South Africa: The Durban FilmMart (DFM), the co-production forum of Durban Film Office (DFO), the film industry development programme of the city and the Durban International Film Festival (DIFF), Africa’s premier film festival will host leading industry financiers, producers and commissioning editors at its sixth edition from July 17 – 20, 2015.
The DFM, now in it’s 6th year, is Africa’s leading finance and co-production market, and networking event, which includes a finance forum, master classes, an Africa in Focus workshop and seminar programme in conjunction with the DIFF for industry delegates, and numerous networking functions.
“Film-makers from Africa and across the globe enjoy the opportunity that the DFM creates to connect with others in the industry to share contacts, knowledge and creative ideas.” says Toni Monty, of the Durban Film Office. “Filmmakers take full advantage of the various networking sessions and social engagements in between sessions to connect with financiers, producers, commissioning editors as well as distributors and the myriad creative filmmakers that attend.”
“Our main objective is to help people connect and develop networks and partnerships with others in the industry, especially those from across Africa.” says Toni Monty of the DFO. “We see how African filmmakers have developed strong relationships over the years and through various collaborative efforts we are starting to see an interesting growth in the industry. .”
This year some top-drawer industry professionals will be in attendance to meet the filmmakers of the pre-selected film projects in the Finance Forum. Durban FilmMart delegates will be able to network with these financiers and other high profile industry guests on over the four days of the DFM.
The line up of producers, commissioning editors and financiers include producer, Alexandra Stone, who heads CMP Film Ltd, a London-based film and television production company. She was worked with top-end filmmakers such as Bernardo Bertolucci, Terry Gilliam, Jonathan Glazer, Johnny Depp, Phillip Noyce and David Cronenberg, as well as Peter Weir, Euzhan Palcy, Lasse Hallstrom and Steve Kloves.
Cosima Degler producer of unafilm, whose slate of films have been screened at A-festivals around the world including Berlinale, Cannes, Toronto, Locarno, IDFA, San Sebastian, DOKLeipzig, among others them. In 2013 unafilm’s Heli won the award for Best Director in competition in Cannes and in 2014 Bridges of Sarajevo was shown in the Sélection Officielle in Cannes.
Managing Director of Barentsfilms, Ingrid Lill Høgtun, is the Norwegian co-producer for Cylinder Production, for the film "Essential Killing" by Jerzy Skolimowski, a Polish, Norwegian, Irish, Hungarian co-production, which won the Jury´s Special Award and Best Actor in Venice 2010. She is also Executive Producer for the TV-series "Hellfjord" by Tommy Wirkola and others, produced by Tappeluft Pictures. Based in Oslo, Norway, Barentsfilm produces mainly art house films and documentaries. Among others, the company has produced most of the films of the acclaimed Norwegian director, Knut Erik Jensen.
Jelena Goldbach, producer with ZAK Film Productions, specialises in European co-productions. In 2014 Jelena produced The Chicken by the up-and coming Bosnian writer/director Una Gunjak, which won the European Film Award for Best Short Film. The Chicken premiered at the 67th Festival de Cannes, in the Semaine de la Critique strand and was the winner of the prestigious Robert Bosch Coproduction Price. In 2010 Jelena founded Wostok, an independent London-based production company that specializes in development, financing and production of international projects with focus on up-and coming talent.
Philipp Hoffman, from Rushlake Media, a company that supports producers, rights holders and institutions marketing their content in the changing landscape of film distribution with its core business is VOD licensing and digital distribution: Beside the digital distribution, we do the international sales for selected producers with a focus on the African market. Clients include Tom Tykwer’s One fine Day Films and Gravel Road Entertainment Group.
Director of Documentary programming at the Tribeca Film Institute, Jose Rodriguez has been a script/book reader for Overture Films while also working on Tze Chun’s Children of Invention and the documentary Poor Consuelo Conquers the World. The Tribeca Film Institute champions storytellers to be catalysts for change in their communities and around the world. With over $1.5 million USD in annual grants and professional development programs, TFI supports a diverse, exceptional group of ﬁlmmakers and media artists, providing them resources needed to fully realise their stories and connect with audiences.
Additional key guests include Afridocs (South Africa), Afrinolly (Nigeria), Arrow Entertainment Inc (Canada), Arte (France), Barents Film (Norway), BBC StoryVille (UK), Caribbean Tales (Canada), Cinemart (Netherlands), CMP Films (UK), Docubox (Kenya), Doe Eye Media Production Inc (Canada), Endorphine Production (Germany), Goethe Institut (Germany), Gotel Communications Ltd, Hot Docs / Blue Ice (Canada), IDFA (Netherlands), Inner City Films (Canada), Melia Films France (France), Produire au Sud (France), Prospector Films (Canada), Real Livin’ Films Inc (Canada), Rome Cinema Network (Italy), Rush Lake Media (Germany), Sherwood Productions Inc, (Canada), Sisu Productions (Canada), Ste Films (Italy), Sundance Institute (USA),Ten 10 Films (UK), Torpedo Pictures (Canada), Tribeca Film Institute (USA), Triptych Media Inc (Canada), Una Film (Germany), XYZ Films (USA), Zak Films (Germany), ZDF (Germany).
By all accounts Durban FilmMart 2015 is set to offer attending delegates enormous opportunity to build important networks for project development.
Early bird registration closes 27 June 2015. This offers a discounted fee for the DFM as well as an opportunity to be listed in the industry manual, which is used as a reference tool by filmmakers.
Note to Editors:
The Durban FilmMart (DFM) is a co-production and finance market and is a joint programme of the Durban Film Office (DFO) and the Durban International Film Festival (DIFF). DFM provides filmmakers from across Africa with a valuable opportunity to pitch projects to financiers, distributors, sales agents and potential co-producers, and to participate in meetings, project presentations and a series of master classes and workshops on the latest industry trends. www.durbanfilmmart.com
The Durban Film Office (DFO) is the film industry development arm of the eThekwini Municipality, mandated to position Durban as a world-class film production destination and facilitator for the development of the local film industry. The DFO drives activity and development in the sector in order to boost tourism, job creation and the development of core skills and SMMEs in the region. www.durbanfilmoffice.com
The Durban International Film Festival (DIFF) presents over 250 screenings from different countries and cultures with a special focus on Africa. The festival includes development programmes such as Talents Durban and a rich schedule of workshops. DIFF is a flagship project of the Centre for Creative Arts, University of KwaZulu-Natal, which facilitates creative platforms and economic opportunities for artists and related industries, intercultural exchange and network development, training, audience development and strategic Pan-African and international cooperation in the cultural sectors. www.cca.ukzn.ac.za