Durban FilmMart 2023 - Selected Animation Projects Announced

The Durban FilmMart Institute (DFMI) is pleased to announce the 8 animation projects that have been selected for this year’s Durban FilmMart. 

“Animation has been noted by Forbes Magazine as one of the fastest growing sectors in the creative industry across Africa over the past few years”, says Magdalene Reddy, DFMI Director. “Against this backdrop the annual Durban FilmMart (DFM) will for the second year include animation projects in development in its Pitch and Finance Forum. Positioned as the premier film market in Africa, the DFM is perfectly placed to provide a platform for animation content creators to meet potential collaborators and financiers, thereby contributing to the continuing growth of animation on the continent.” 

The official DFM Animation project teams from across the continent are currently preparing their pitches for DFM 2023 will take place from 21 to 24 July 2023 as an in-person event in Durban, South Africa. 

Official DFM Animation Projects: 

● Azania Rises: Season 1 (South Africa), producers: Dr. Farayi Chinyanga andFatuma Abdullah and director: Farisai Kavayi 
● Boy Boi (Kenya), producers: Shadrack Munene & J. Njogu Macharia and director J.Njogu Macharia 
● Between heaven and earth (Entre ciel et terre) (Tunisia), producer, Sarra BenHassen and director, Nadia Rais 
● My BIG name (South Africa), producers: Busisiwe Ntintili, Mpumi Sinxoto &Amanda Zungu and director: Lebogang Sekwelenkwe 
● NALEDI (South Africa), producer: Lesego Vorster, co producers: Valentin Maupinand Aristote Douroudakis and director:Lola Aikins 
● Spiky to the Core (زين) (Egypt), producer and director: Nermeen Salem

● SOLA (South Africa), producers AJ Pitre, Thandiwe Mlauli and director: ThandiweMlauli

● The Passport of Mallam Ilia (Nigeria), producer: Ferdinand Adimefe and director: Chekwube Okonkwo 

Each team has been assigned an individual mentor who will give them the tools to pitch and the confidence to navigate the market, which includes one on one meetings with decision-makers from across the world. In addition to this, each team has access to an 8 week masterclass series, presented by DFMI which began in mid January. The masterclass series is specifically structured to upskill and prepare filmmakers for the international marketplace and will be presented by Beth Parker, Terence Maluleke, Aseye Tamakloe and Mounia Aram, just to name a few. The series covers creative elements such as story development, character development and visual representation as well as business elements such as distribution and finance planning. 

At the end of the 8-week masterclass series, selected project teams will then be invited to participate in the Road to Annecy Animation Incubation Programme presented by DFMI’s animation partners, Digital Lab Africa (DLA), Tshimologong Precinct and Cape Town International Animation Film Festival (CTIAF). 

The 8 official animation projects in development will be presented to a panel of international decision-makers consisting of potential co-producers, broadcasters, film funds, and distributors at the 14th Durban FilmMart Pitch and Finance Forum. 

The Durban FilmMart Institute receives principal funding from the Durban Film Office and the eThekwini Municipality. 

The Durban FilmMart animation programme is supported by the project “Cultural and Creative Industries” which is implemented by the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH on behalf of the German Federal Ministry for Economic Cooperation and Development (BMZ) and in cooperation with the Goethe-Institut. It improves employment and income opportunities for creative professionals in six partner countries; Lebanon, Jordan, Iraq, Kenya, Senegal, and South Africa and operates mainly in the music, fashion, design and animation sectors. In addition to promoting the development of entrepreneurial, digital, creative and technical skills through training programmes, the project aims to strengthen the framework conditions and the ecosystem of the cultural and creative industries. 

For further information contact info@durbanfilmmart.com

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I heart Market 4 February at Sugar Rush Park , Ballito, North Coast

After a successful move north of Durban in time for last year’s Festive Season the  I heart Market offers a sale market on Saturday 4 February at Sugar Rush Park in Ballito from 08:30 to 14:00. 

The I heart Market is considered an iconic KZN artisanal retail experience that has gained a reputation for its high-quality hand-crafted and designed goods that include delicious foods, jewellery, and accessories, leather goods, ceramics, visual arts, décor, and clothing.

Delicious condiments

"After a really productive festive season, it’s now time for our traditional “January” sale in February – one of two sale markets we host,” says Anna Savage owner and manager of the market. “This is an opportunity for customers to pick up some top quality locally made products, and for our traders to move their end-of-range products in order to make space for fresh new products and designs for our March market.”

Quirky hand crafted decor ideas

The Market is situated at Sugar Rush, next to Collisheen Estate in Ballito. There is a restaurant at the venue, a kids’ play area, a mini-train, a reptile park, Jump Park, the Tree Trails obstacle course, and a Park Run every Saturday morning. 

Gorgeous hand made toys

For more information, or to enquire about possible trading contact info@iheartmkt.com 

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Focus on Fans in Al Jazeera English Series to complement World Cup Football Viewing

Six short documentaries focussing on the fans behind football teams in Brazil, Morocco, Germany, Indonesia and the UK, are now streaming in a series - The Fans Who Make Football - on Al Jazeera English during the World Cup, as part of a celebration of the beautiful game, and an acknowledgment of the people who support and “live” for their teams.

 The series is produced and directed by UK-based Clover Films, with Mike Healy, Jamie Doran, Tracey Doran-Carter, Yeni Artanti and Leila Lak in various roles. Now enjoying its second airing, the series opens a window to what drives the passion of the supporters and, in many cases, the social justice and humanitarian motives that underpin the game for these fans on their home turf.

The Fans who Make Football explores how the old adage that “football is more than just a game” comes to life. The series digs into what drives the supporters. Whether it be standing up for the working class, labour rights, gender equality, or making a statement against global injustices, the films look at how the game pulls like-minded people together, creating a focus for their passion and opportunities to make a difference.

 Liverpool FC

At Liverpool FC, we learn why the anthem “You’ll Never Walk Alone” - Liverpool Football Club’s war cry for the underprivileged - rings loud and in unison at every Liverpool match. For fans, it is about more than football. It is a fight for equality, social justice, and a voice for the UK’s often ignored working-class. Despite the money behind the multimillion-dollar game, Liverpool has remained a team that continues to put the people before profit.

FC St Pauli 

FC St Pauli explores why the German club, established in Hamburg in 1910, has garnered so much attention across the globe. Its unwavering fandom has been cultivated over decades and gives the club a unique identity in the world of football. Proudly anti-establishment, St Pauli supporters are united in compassion always standing up for oppressed people and those least privileged. It is seen as a beacon of hope in the midst of Europe’s rising far-right movements

Glasgow’s  Celtic FC

Glasgow’s  Celtic FC looks at the social dimensions behind the team that holds British and European attendance records. While football may lead the passion for Celtic FC, its supporters are driven by much more than just the sport. Founded in 1887 to help poor Irish immigrants in Glasgow, the charitable side of Celtic continues to this day. The fans fund schools and clinics for poor people across Africa, Asia, Eastern Europe as well as the Middle East. They have made their voices heard in some of history’s greatest human rights struggles. Nelson Mandela himself applauded Celtic fans for their campaign against apartheid in South Africa, and today the Palestinian cause is among the issues gripping the club’s fanbase.

 PSS Sleman 

In  PSS Sleman we meet the supporters who have redefined the profile of the football fan throughout Indonesia. Women make up the core of the club’s most passionate supporters, giving PSS Sleiman a unique voice in the world of football. The film follows the Slemani Ultras, superfans who are challenging long-held cultural norms.

Raja Casablanca AC

In Morocco, we see how Raja Casablanca AC’s home turf, The Mohammed V football stadium, holds more than just a sporting legacy. Each match has become a platform for protest against the country’s social, economic, and political injustices. The club’s huge popularity garners substantial coverage and in turn offers wide media coverage to these protests across the region. These voices of defiance would not go unpunished in any other context. The film explores the club’s history as an outlet for the city’s working-class, making it such an icon for political defiance.

Boca Junior FC

Finally in  Boca Junior FC, we meet super-fans as they reveal how and why they have become the voice of the common man and woman in Buenos Aires. In the city that is home the more football clubs than any other in the world, the film explores the special relationship between the team, its fans and the rest of Argentina.

The documentaries can be accessed on Al Jazeera English streaming service, Youtube https://www.youtube.com/@aljazeeraenglish/featured or online https://www.aljazeera.com/videos/documentary/

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Doccies on rights and wisdom of First Nations, and the inextricable link to the ever-growing climate crisis, in new documentaries on Al Jazeera English

Whether it be environmental disaster or extractive development, often it’s the indigenous First Nation peoples around the world who are on the frontlines – whose lives, communities and very existence are under threat.  In First Nations Frontline, a new series which recently started airing on Al Jazeera English, indigenous people from Australia, Sweden, Colombia and North America invite audiences into their worlds, revealing the realities and consequences of the rampant capitalism and human greed which contributes to the climate crisis.

The Starry Night Toad directed by Kata Karáth

Providing a glimmer of hope as the world navigates the climate crisis, Colombian Arhuaco leader Ruperto Chaparro Villafaña teams up with scientists to save the critically endangered Starry Night Harlequin Toad in Colombia, in The Starry Night Toad directed by Kata Karáth.  They work to unite indigenous and western scientific knowledge to understand the role of the toads in the unique ecosystem of the Sierra Nevada de Santa Marta, the world's highest coastal mountain and the sacred land of the Arhuaco people.  The life cycle of the frog helps determine when to cultivate and harvest different crops – the reason this species is a flagship for their community-based project. Chaparro Villafaña must also defend their territory against illegal land grabbers, even as he’s working with scientists to find the cure for a deadly fungus that threatens all Harlequin toad species in the Neo-tropics.

The Torres Strait: Swallowed by the Sea 

The Torres Strait: Swallowed by the Sea directed by Theopi Skarlatos, looks at the Torres Strait Islanders’ class action against climate change. Climate change is causing catastrophic damage to the Torres Strait Islands. Fearful of losing their homes, the islanders sue the Australian government – but this is just the beginning. Refusing to be silenced, this is the story of how a father and son are letting the world know of their plight. 

In Black Butterflies: The Cost of Going Green

In Black Butterflies: The Cost of Going Green  directed by Saila Huusko, father and daughter Mikael and Sara Elvira fight against what they believe is Sweden’s exploitation of their land and resources, in the name of Sweden’s green agenda. Their community, the Sami, believe natural resources should only be used when necessary because, without them, humans will cease to exist. This film is their journey as they lobby climate activists and the Swedish government demanding the protection of their way nomadic way of life. 

Native Nation: Voices of Survival 

Moving to North America, the Navajo Nation offer valuable knowledge to mitigate the effects of climate change on their sacred lands in Native Nation: Voices of Survival directed by Ali Sargeant Sam Liebmann. Two Native American writers take us on a road trip to meet a community of fellow indigenous activists who are fighting to protect their land. They use traditional knowledge and ideas, and hope to influence the world’s approach to save the environment. 

“The issue of the environment and the struggles of First Nation people often go hand in hand, and certainly we have seen this in the recent COP27 deliberations in Egypt,” says Farid Barsoum, Executive Producer of the First Nations Frontlines series for AL Jazeera. “ Indigenous people  are often the first to bear the brunt of our environmental failures. We commissioned this series in the hope that several of these stories will collectively illuminate some of these issues, providing valuable insights for a global audience.”

The documentaries can be accessed on Al Jazeera English streaming service, Youtube https://www.youtube.com/@aljazeeraenglish/featured or online https://www.aljazeera.com/videos/documentary/

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Action in Autism hosts its annual market on 10 December 2022

Action in Autism (NPO) will host its annual market on Saturday, 10 December, at their premises, 105 Haig Road, Parkhill, Durban North from 9 am to 2 pm.  This has become a much-anticipated annual event that the students of the Action in Autism’s Shahumna Centre, a skills transfer and business hub, have been hard at work, preparing for.

The Shahumna Centre offers a three-year skills and entrepreneurship programme for autistic adults. The programme focuses on areas such as food preparation and catering, horticultural crop gardening and indigenous plant propagation, and arts and crafts.

“The students of the Centre have developed their skills to plan, prepare and manage the various steps associated with a successful market," said Ashvir Dalu, manager of the Shahumna Centre. “The academic curriculum offers theoretical knowledge on running a business and this market provides them with an opportunity to engage with the community and put into practice the skills they have learnt. The support of the community is pivotal to the success of the market.

The organisation is calling on the local community and the greater Durban area to support the market, and our autistic students. This market is a step towards promoting an inclusive, neurodiverse society that is accepting of autistic people.

Simon Grobler, an autistic student at the centre, commented “Our market is a place where people of neurodiverse backgrounds can experience an exciting day with family and friends, while also shopping for different items and food. It enables us as neurodiverse individuals to interact with others on a professional level and financially support this organisation that ultimately supports neurodiverse people.”

Action in Autism’s other flagship projects includes an Early Learning Intervention Centre which provides early intervention and therapy for infants and children in a non-discriminatory, first come first serve basis. The organization’s Assessment and Therapy Wing provides comprehensive assessments and therapies and caters for all.

The market aims to raise funds essential for the operational costs of the organisation, and to continue the services offered, which include, a quarterly free diagnostic clinic, a bi-annual skills transference workshop for parents, educators and professionals, and a walk-in resource centre that provides support for parents and caregivers of autistic people.

Patrons of the market can indulge in the delicious baked goods prepared by the food production students, select fresh produce and succulent planters grown by the plant propagation team, browse through pre-loved clothing and homeware, purchase Christmas presents, and décor created by the arts and craft students, enjoy a jumping castle and simply have fun in the kiddies zone. The market will also have external vendors present, adding to the variety of items that will be on sale.

Action in Autism welcomes your support through a cash donation or resources, or through volunteering your services. If you would like to attend the market, make a donation of pre-loved clothing, plants, or household goods, book a table to trade, or for more information about the market, please call 031 563 3039, email info@actioninautism.org.za or ashvir@actioninautism.org.za.

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Fourteen engaging short documentaries from Africa to be presented on Al Jazeera English

Fourteen engaging and insightful short documentaries from nine African countries will be presented in the second season of Africa Direct on Al Jazeera English Documentaries from 6 December 2022.

 Season Two follows the success of the first season in 2021, and presents another 14 episodes of short documentaries, made by Africans about Africans. They provide a vivid and fascinating look into the diversity of ordinary people on the continent. Whether they are unsung heroes, change champions or simply getting on with their lives, they are all agents in their own stories.

This year the countries represented include Mali, Rwanda, Kenya, South Africa, Ghana, Nigeria, Cameroon, Gabon and  Mozambique. AJE welcomes back some alumni directors as well as new ones to the fold.

First Dance Steps: Don Sen Folo by award-winning previous Africa Direct documentary filmmaker Ousmane Zoromé Samassékou (Mali)

From Mali comes two compelling short documentaries: First Dance Steps: Don Sen Folo by award-winning previous Africa Direct documentary filmmaker Ousmane Zoromé Samassékou, who takes us into the creative world of a Malian contemporary dance company as they take inspiration from ancient ancestral moves for their modern choreography.

Medine, The Heritage by Africa Direct alumni filmmaker, Andrey S. Diarra (Mali)

The second Mali film Medine, The Heritage by another Africa Direct alumni filmmaker, Andrey S. Diarra, follows Bréhima Sissoko, a heritage guide at the Fort of Medine in the Kayes region of Mali. For nearly three decades he has worked to preserve this historical site and is now training his son to take over.

A Legacy by filmmaker Mutiganda Wa Nkunda (Rwanda)

From Rwanda comes A Legacy by filmmaker Mutiganda Wa Nkunda about the revival of the Amasunzu hairstyle, an eye-catching traditional style of extraordinary shapes, crests and partings, worn as a form of identity in pre-colonial times. 

Feeling the Game by Samuel Ishimwe (Rwanda)

Feeling the Game by Samuel Ishimwe follows Leonidas Ndayisaba a sports journalist in Kigali, who is almost blind. We see him in action, from pitch-side interviews to his radio show, unfolding the story of a man who doesn’t let his disability define or stop him in his dedication to sport in his country.

The Last Speaker by Nadine Angel Cloete (South Africa)

South Africa also has two films in the mix: The Last Speaker by Nadine Angel Cloete, champions a disappearing tongue as Claudia Snyman, a language researcher, tries to save the N/UU language from extinction. She works to create a dictionary with her grandmother, Katrina Esau, who is the last living fluent speaker of this ancient San, or Bushman, language, believed to be 25,000 years old.

 Guerrilla Garden directed by Omelga Mthiyane (South Africa)

 Guerrilla Garden directed by Omelga Mthiyane shows how a guerrilla gardening collective not only provides food but also an important sense of belonging for the residents of Khayelitsha, a sprawling apartheid-era township outside Cape Town . Residents plant, harvest, sell or exchange produce. This is a community built on the spirit of agency, self-help and action in the face of huge social and environmental problems. 

Studio Of Archives by Benjamin Kent (Ghana)

From Ghana Studio Of Archives by Benjamin Kent follows Ibrahim Mahama, an internationally acclaimed artist, known for his monumental installations, as he works, collecting artefacts and textiles for his installations, which explore the significance of historical memory through everyday objects.

Giant Little Choppers a film by JJ Nota (Mozambique)

A young bright 12 year old Mozambican Luciano Armindo features in Giant Little Choppers, a delightful film by JJ Nota, that looks at this boy’s fascination for engineering and his remarkable hobby - he collects cardboard and wire scraps and meticulously designs and builds life size models of helicopters and cars outside his home. 

Kenya Ice Lions by Moses Obuye  (Kenya)

Kenya Ice Lions by Moses Obuye follows the action of Benjamin Mburu, captain and assistant coach of the Ice Lions, the only ice hockey team in east and central Africa, which had competed internationally until the pandemic hit. He rallies the skaters and finds innovative ways to keep their skills, and the team’s finance, alive.

Conservation From Above by Rahab Wambui (Kenya)

Also from Kenya, Conservation From Above by Rahab Wambui witnesses Daniel Zuma, a surveillance pilot in Kasigau Corridor conservation area. He also does on-the ground work in conservation, including with local communities in which he grew up, conveying an important conservation message and leaving a legacy to pass on.

Dorcas Sheffy Bello’s A Stone Crusher’s Song (Nigeria)

Nigerian filmmaker, Dorcas Sheffy Bello’s A Stone Crusher’s Song observes grandmother, Mama Hamsatu Izang, as she navigates her two very different realities, that of a life-long stone crusher and now a social media star, in the hope that her new success might bring lasting change.  Traffic director Joy Onoja has found a way to keep cars moving and drivers cool-headed – she dances. 

Joy In The Traffic directed by Achor Yusuf (Nigeria)

Joy In The Traffic directed by Achor Yusuf gets behind the moves, motivation and mindset of this energetic traffic policewoman, to reveal a delightful side of urban life in Lokoja, the capital of Kogi State, Nigeria.

Modern Peanuts of Cameroon by filmmaker Christelle Otse (Cameroon)

Cameroonian peanut salesman, Hassan Mounpé stands out from the crowd in the markets of Yaoundé in Modern Peanuts of Cameroon by filmmaker Christelle Otse. In this delightful film, she explores Hassan’s work, ambition, imagination and style, a man on a mission who sees the humble peanut as the source of a great potential enterprise.  

Making Her Future by Amedee Pacome (Gabon)

From Gabon comes Making Her Future by Amedee Pacome who explores the prolific career of Diouck Saï who is at once a shop owner, restaurateur, DJ and is also setting up a new philanthropic foundation. The film reveals her motivation, drive and compassion as well as her determination to bring light into the world. 

“All these films focus on individual characters who stand out within their communities, each doing something compelling and in some way shaping the world around them,” says Ingrid Falck, head of documentaries at AJE. “They provide a window into everyday lives across the continent, a diversity which is too often overlooked from the outside. These films are engaging, insightful, unusual, extraordinary and sometimes utterly breath-taking. They draw us in and make us think, feel and even connect with people, reaching across the rich textures of the world and its people.”

Al Jazeera English partnered with South African production house  Big World Cinema for the Africa Direct project.

Dates of Episodes 

Episode 1: 6 Dec - First Dance Steps (Mali)  and A  Legacy (Rwanda) 

Episode 2: 13  Dec - The Last Speaker (South Africa) and Studio of Archives (Ghana)

Episode 3: 20 Dec - Giant Little Choppers (Mozambique) and Kenya Ice Lions (Kenya)

Episode 4: 27 Dec - A Stone Crusher’s Song (Nigeria) and Guerrilla Garden (South Africa) and Modern Peanuts of Cameroon (Cameroon)

Episode 5: 3 Jan -  Medine, The Heritage (Mali) and Making Her Future  (Gabon)

Episode 6: 10 Jan – Conservation From Above (Kenya)  and Joy in Traffic (Nigeria)  and Feeling the Games (Rwanda)

TV REPEAT PATTERN

A new episode starts each Tuesday and repeats at these times (GMT):

Tues 2230 GMT

Wed 0930 GMT

Thu 0330 GMT

Fri 1630 GMT

Sat 0530 GMT

SOCIAL MEDIA LINKS

Africa Direct on Facebook, Twitter or Instagram with our handle AJAfricaDirect

TWITTER: https://twitter.com/AJafricadirect

INSTAGRAM: https://www.instagram.com/ajafricadirect/

FACEBOOK: https://www.facebook.com/AJafricadirect

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I heart Market moves to Sugar Rush Park in Ballito from 3 December 2022

In time for the Festive Season KZN’s much-loved I heart Market makes a new permanent home up the North Coast at popular family entertainment venue - Sugar Rush Park in Ballito - with the season dates confirmed for 3, 10, 17 December 2022 and 7 January 2023 from 08:30 to 14:00.

Fun activities available at Sugar Rush Park

Situated next to Collisheen Estate, Sugar Rush Park is a hive of family-friendly activities. It serves as an activity hub and the base for Holla Trails - a network of biking, running or walking trails that go through the sugar cane fields. 

Sugar Rush Park, also has a restaurant -Food Fundi, a kids’ play area, mini-train, the Ndlondlo reptile park, The Jump Park, the Tree Trails obstacle course and Park Run every Saturday morning. 

Anna Savage, the market’s owner /manager explains the move, "The I heart Market is a local business hub, and our business is based on the success of small business enterprises. We have an obligation to provide the best sales opportunity for our traders and at the same time create a relaxed, fun day out for everyone.”

“As a result, we have made a  bold decision to move to Ballito, as we needed to find a venue that could provide us with the security of a long-term lease, and a vibrant well-kept venue that has additional family-friendly activities that our customers can enjoy. We have found the perfect venue at Sugar Rush Park. We realize that this move is a big jump in terms of location and that it may be far for some of our regular customers. But we can guarantee a great day out to those who can travel north, and make  a day of it by taking advantage of the other activities available.”

Makers Phumzile Zama and Nolwazi Zama with their Polka dot Coco store

The I heart Market has a reputation for supporting artisanal crafters, artists, and traders, offering fine, handmade goods that include jewellery, accessories, leather goods, ceramics, visual arts, décor, clothing, deli foods bakery goods including breads, pastries, cookies and cakes, and a delicious range of eat in foods. Echoing the market's name, the goods on offer are made with love, dedication to the craft, and personal integrity.

"Sugar Rush Park is excited to welcome the I heart Market to our activity hub. Celebrating and supporting small creative local businesses is vital to the local economy and has a special role to play post covid.  We invite our customers and Ballito locals to support this initiative and enjoy the fine products." Nick Jordan, partner at Sugar Rush.

According to Anna Savage, the market will continue to trade throughout the year on the first Saturday of every month. There is secure parking and entrance is free.

For more information, or to enquire about possible trading contact info@iheartmkt.com 

Empatheatre presents Isidlamlilo (The Fire Eater) with Mpume Mthombeni

Empatheatre in association with the NAC and The National Arts Festival presents…

Isidlamlilo (The Fire Eater)

Limited Run in Durban @ The Sneddon Theatre 

(4 to 9 November 2022)

Durbanites are in for a rare theatrical treat when Isidlamlilo- the Fire Eater begins a week-long run at the Sneddon Theatre on the UKZN campus from 4 to 9 November 2022.

Isidlamlilo is an electrifying new one-woman tour-de-force brought to life by acclaimed actress Mpume Mthombeni (who plays Agatha on E-tv’s Durban Gen) and award-winning theatre-maker Neil Coppen with set design by Greg King, lighting by Tina Le Roux and sound-design by Tristan Horton. 

This acclaimed new South African play premiered on the main programme at the 2022 National Arts Festival to rave reviews and standing ovations with critic Steve Kretzeman writing: “Woven together from true stories and testimonials gathered by the Empatheatre company, with a near flawless presentation and delivery, Isidlamlilo expands our horizons so often cramped by fears real and imagined, and imparts some of the courage the dispossessed have to daily gather to continue to live. This is fantastic theatre.”

Mpume Mthombeni in Isidlamlilo

Over the course of 80 minutes, Mthombeni, through frank, comic and captivating storytelling, relays the death-defying life story of Zenzile Maseko. Maseko, a sixty-something Zulu grandmother, rents a cramped room in a Durban women’s hostel, and is haunted by her past working as an IFP assassin (fire-eater) in the build-up to the 1994 elections. When the home affairs mistakenly declare her dead and are unable to reverse the error on their system, Zenzile finds herself cast into the middle of a Kafkaesque nightmare, driven to desperate measures to prove she is still alive and made, in the process, to reawaken parts of her identity and past that she has spent a majority of her adult life trying to suppress.

Maskeo’s story seamlessly propels us back and forth through time, traversing the shifting landscapes of KwaZulu-Natal and while charting critical events in the province's post-1994 trajectory through to its present-day floods and insurrections. While the story offers a critical look at the eddying cycles of violence and revenge that play out across generations, it is most of all a story about redemption, regeneration and reinvention.

The script is written by Standard Bank Young Artist Award winner Neil Coppen in collaboration with Mthombeni, and is based on a range of testimonials shared with them during their Empatheatre research processes alongside the Urban Futures Centre (UFC). Together, the creative team has woven in elements of Zulu folklore, biblical mythology, magical-realist framings to make for an unforgettable theatrical experience that speaks to both the country’s haunted past and present-day complexities.

Together Mthombeni and Coppen alongside Dylan McGarry, are the co-founders of Empatheatre which sees the team forging creative responses to complex social concerns. The company was recently awarded the prestigious Bertha Artivism Award for its theatre and social-justice work. Mthombeni and Coppen have worked in close collaboration for the past 15 years creating and touring works both locally and internationally including the multi-award-winning Tin Bucket Drum which went on to tour the country and world for several years.

Isidlamlilo has been made possible by funding from the NAC PESP fund, The National Arts Festival with additional support and thanks to the Drama department and the UFC (Urban Futures Centre) at Durban University of Technology.

Isidlamlio takes place on Friday 4, Saturday 5 and Tuesday 8 November  at 19:00, Sunday 6 November at 14:30, Wednesday 9 November 11:00 (For schools/Community Theatre groups and open to public). The performance is 80 minutes long, and there is an age restriction of 13+

Tickets are R130.  10% Group discounts for block bookings of ten or more. Student/scholar and pensioner discount price of R110 applicable at outlets on presentation of a valid card. Bookings through Computicket. https://tickets.computicket.com/event/isidlamlilo/7201674 or call 0861 915 800.

For schools and community theatre bookings contact Margie at margie@thinktheatre.co.za or on 0832519412

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Durban FilmMart calls for Animation Projects from African filmmakers

Durban FilmMart calls for Animation Projects from African filmmakers

The Durban FilmMart Institute (DFMI) has opened the call for animation projects in development for the 2023 Pitch and Finance Forum, together with Cape Town International Animation Film Festival (CTIAF) and Tshimologong Digital Innovation Precinct (Tshimologong).

The DFMI hopes to select 10 official animation projects in development to present to a panel of international decision-makers consisting of potential co-producers, broadcasters, film funds and distributors in the 14th Durban FilmMart (DFM) taking place in July 2023.

“2022 marked the first time in which DFM formally welcomed animation projects to pitch at the market,” says Magdalene Reddy, DFMI General Manager. “Pitches were well received from industry and filmmakers were eager to share their stories, which we cannot wait to see in the very near future. Together with our partners from CTIAF and Tshimologong, we hope to deepen the programme for animators on the continent offering more pitching opportunities, extended development, and greater engagements with the industry.

The DFM Pitch and Finance Forum consist of public pitching, one on one meetings with decision-makers and 8 weeks of online mentorship prior to the pitch in Durban. This year we are able to offer 5 of the 10 project teams the opportunity to participate in the Road to Annecy at CTIAF in addition to their participation in Durban.

“This has proven to be one of the most successful and impactful partnerships that offer our talent an opportunity to engage with decision-makers” says Lesley Donna William – CEO Tshimologong. “DFMI and CTIAF continue to play a vital role in providing platforms where our talent can gain access to industry experts through the mentorship programme and allow them to pitch to a panel of decision makers in the broadcasting and distribution sector. We are proud to announce that we will be renewing our partnership with DFMI and CTIAF. We look forward to working together in developing and providing market access to the animation industries from different parts of the continent.”

“The best way to perfect a pitch is to practice a pitch. Events like this are integral to getting market ready and I encourage everyone to enter competitions like this to hone their skills,”says Dianne Makings, director of CTIAF.

The Animation Pitch and Finance Forum will form part of the 14th annual Durban FilmMart event which will take place in July 2023 as an in-person event in Durban, South Africa.

The Road to Annecy will be presented at the 2023 Cape Town International Animation Film Festival which will take place April 2023 in Cape Town, South Africa.

Animated Fiction and Documentary projects in development with at least one African citizen in one of the key creative roles (writer, director or producer) will be considered for the programme. Proof of African citizenship or birth must be provided through a certified passport/I.D. or birth certificate. Projects need to have both a director and producer attached. Projects will be selected by an external panel of industry professionals.

Shortlisted projects will be contacted via email in November 2022.

For submission criteria visit: https://durbanfilmmart.co.za/pitch-and-finance-forum-application/

To apply: https://durbanfilmmart.co.za/pitch-and-finance-forum-application/

Deadline for applications: Monday, 31st October 2022 at 23:59 CAT

For further questions: info@durbanfilmmart.com

The call for live action projects will open in December 2022.

The Durban FilmMart Institute receives principal funding from the Durban Film Office and the eThekwini Municipality.

The Durban FilmMart animation programme is supported by the project “Cultural and Creative Industries” which is implemented by the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH on behalf of the German Federal Ministry for Economic Cooperation and Development (BMZ) and in cooperation with the Goethe-Institut. It improves employment and income opportunities for creative professionals in six partner countries; Lebanon, Jordan, Iraq, Kenya, Senegal, and South Africa and operates mainly in the music, fashion, design and animation sectors. In addition to promoting the development of entrepreneurial, digital, creative and technical skills through training programmes, the project aims to strengthen the framework conditions and the ecosystem

ENDS

About the Durban FilmMart Institute:

Durban FilmMart Institute is a premier business hub for African film industry professionals and products. Its mission is to provide appropriate and effective programmes and services to promote, support and facilitate investment in the African film industries.

For more information on the Durban FilmMart Institute – the annual market and year round programmes, visit:

https://www.durbanfilmmart.co.za/

Sibikwa Arts Centre Presents Body Moves an International Inclusive Dance Festival 10 – 16 October 2022

The Sibikwa Arts Centre presents the first International BODY MOVES Dance Festival for able bodied and disabled dancers to be held at the Sibikwa Arts Centre in Benoni from 10 - 16 October 2022.

Flatfoot Dance Company with the Flatfoot Downie Company

The Festival challenges perceptions and expands understanding of dance and disability, promoting cultural exchange, collaboration and cooperation between African and European countries. The participation of the dancers and dance companies from Ireland, Italy, Flanders and the Netherlands has been made possible by the generous support of their respective European embassies. The South African dancers have been supported by the Gauteng Department of Sports, Arts and Culture, and Joseph Tebandeke, a choreographer from Uganda, has received financial assistance from the British Council and Tractus Art.

Tebandeke (Uganda)

Four new works will be premiered at the Festival:

• A collaboration between Moving into Dance disabled dancers from their Enable Through Dance programme and Sibikwa dancers from the Inclusive Creative Arts Programme (ICAP). This new dance piece yet untitled will be choreographed by Joseph Tebandeke from Uganda.

• Unmute Dance Company from Cape Town in collaboration with MonkeyMind Company, a Flemish contemporary and Performance Company based in Ghent lead by choreographer Lisi Estaras.

• A new duet will be created for Eva Eikhout a Dutch dancer and TV presenter to be partnered by Thapelo Kotlolo, a dancer from Sibikwa. Adriaan Luteijn from Introdans in the Netherlands will choreograph the duet.

• The Italian company Officine di Creazione will premiere a new work and Sighile Hennessey from Ireland will make her debut solo performance.

The South African companies participating in the Body Moves Festival supported by the Department of Sports, Arts and Culture (Gauteng) are Flatfoot Dance Company from Durban, Sibikwa Arts Centre, and Moving into Dance. Unmute from Cape Town has received financial assistance from the General Representation of the Government of Flanders in South Africa.

Unmute

This multi-faceted Festival includes workshops from 10 – 14 October at Sibikwa and open to all abled and disabled dancers. Choreographers from the Netherlands, Ireland and Italy will facilitate the international workshops. Unmute Dance Company will facilitate workshops in schools.

To promote conversations between academia, civil society organisations and artists about disability and dance a hybrid colloquium hosted at the Sibikwa Theatre and live streamed on the Sibikwa Arts Centre Facebook page will take place on Thursday 13th October from 18h00 – 19h30 and Saturday 15th October from 16h30 to 18h00.  

The entire Festival including workshops and rehearsals will be filmed as part of a collaborative research project on Disability Dance and Citizenship in Africa, spearheaded by Dr Lliane Loots [Founder of Flatfoot Dance Company & Lecturer at KZN SA] and Prof Yvette Hutchinson [University Warwick UK].

All events will take place at the Sibikwa Arts Centre, Cnr Liverpool and Bolton Rd Benoni. 

Registration to participate in the workshops and colloquium is free on Quicket. Tickets are available on Quicket for the dance programme on the 15 & 16 October from 2 – 4 pm, tickets bought on Quicket are R80 per person, for a group booking of 10 or more R70 per person, and R100 at the door.-ends

Climate Story Lab ZA offers Southern African creatives an opportunity to make an impact on the climate crisis

Calling creatives to act on the most pressing emergency facing humanity - the climate crisis. Climate Story Lab ZA invites Southern African creatives to submit innovative and imaginative projects for an opportunity to participate in a four-day residential lab near Cape Town, South Africa in January 2023. The first Climate Story Lab ZA is an incubator aimed at shifting the narrative and amplifying communication around climate change in order to make positive impacts against the global crisis.

Art and Activism: In December last year, activists began a successful campaign against Shell’s attempt to prospect for gas off the Eastern Cape Wild Coast, amplifying it with short films, street art and even dedicated music tracks which helped to bring more people out to support frontline communities, and help protect our marine life. It is this creative energy that the Climate Story Lab aims to harness.

Climate Story Lab ZA calls for submissions of creative narrative-based projects whether they are films, animation, social media campaigns, XR/VR/AR, theatre, dance, stand-up comedy, poetry, children’s/teen/adult fiction writing, podcasts, visual art, performance art – anything that uses a creative medium  to communicate a message about climate change.

Up to eight projects will be selected for CSL ZA, and up to two team members per project will be invited to a four-day lab near Cape Town from 22 to 26 January 2023. The lab will focus on developing the stories, designing impact strategies, and introducing projects to potential partners.

Creatives from Southern African countries including Angola, Botswana, Eswatini, DRC, Lesotho, Malawi, Mauritius, Mozambique, Namibia, Seychelles, South Africa, Tanzania, Zambia and Zimbabwe may apply.

“We keep hearing about the issue and how dire the situation is,” explains Dr Liani Maasdorp, CSL ZA co-director, impact consultant and UCT film lecturer.  “People feel overwhelmed and sometimes don't do anything because they don't think they can make a difference. But one person can - as long as we all do something. Statistics and graphs don't move people to action, but emotions do. That is why we are inviting creatives to come together to make their stories as strong as possible and make sure they reach the right audiences to take action against the climate crisis.”

“We see creatives as a kind of emergency corps rushing in at a time when global leaders are just not acting fast enough,” explains Anita Khanna, climate justice activist, producer and CSL ZA co-director. “Creatives can help spread the message about how urgent this is, push back against false solutions to the crisis in accessible ways, help to  get people to see that climate impacts are affecting every part of their lives, and importantly, give us a vision of a world that sustains life, not one that destroys it.”

“We firmly believe that storytelling can reach into the hearts and minds of people and shift behaviour and inspire action. Now is the time to harness our creative energy to support urgent and innovative action on the climate crisis” says Miki Redelinghuys, CSL ZA co-director, documentary filmmaker and impact producer. 

This intensive residential Lab is supported by the UMI Fund and hosted by the UCT Centre for Film and Media Studies in partnership with Doc Society and the Climate Story Unit. 

Applications can be made online: https://climatestorylabza.org/application-form/ and close on 7 October at 5pm SAST.

Follow CSL ZA on Instagram, Facebook, Twitter, LinkedIn.

Innovative Dance Works Commissioned for JOMBA! EDGE Platform at Dance Festival

Innovative Dance Works Commissioned for JOMBA! EDGE Platform at Festival

Three KwaZulu-Natal dance-makers have been commissioned to create works for this year’s JOMBA! EDGE platform, as part of the JOMBA! Contemporary Dance Experience taking place from 30 August at the Elizabeth Sneddon Theatre in Durban.

JOMBA! which is presented by the Centre for Creative Arts at the University of KwaZulu-Natal has a long history of supporting Durban and KZN-based dance-makers and has offered grants to three choreographers/dancers to help push their creation of new local work. In the JOMBA! EDGE mentored platform, Sandile Mkhize (Durban), Tegan Peacock (Pietermaritzburg) and Pavishen Paideya (Durban) will present their work on Friday, 2 September at 7pm and Saturday, 3 September at 2.30pm.

The same programme will be presented by JOMBA! and Rerouting Arts at the Old Mushroom Farm in Howick on 17 September at 6pm.

“All three have displayed an uncanny survival instinct and despite so much lost time for dance over the COVID shut down, all three have continued to make meaningful work over this time,” says JOMBA!’s Artistic Director Lliane Loots. “We are delighted to honour them in our 2022 festival and have asked to respond to the curatorial provocation of this year’s festival – the (im)possibility of home.”

Sandile Mkhize

Co-founder and Artistic Director of Phakama Dance Theatre Sandile Mkhize will premiere TAKE ME BACK HOME, a duet that begins to rethink notions of black masculinity and brotherhood. He takes us on a journey to what home means for the body – a place of self-discovery and self-interrogation.

Pavishen Paideya

Accomplished dancer and choreographer and artistic director of Rudra Dance Theatre, an Indian dance company, Pavishen Paideya presents SAMSARA - an honest and culturally magnificent dance journey into Diaspora Indian South African identity and ideas of home and belonging.

Tegan Peacock

Performance artist and creator and founder of Rerouting Arts, a collaborative arts organisation, Tegan Peacock present HEAD_SPACE as she attempts to trace the internal conversations of the body and the mind in turmoil. It is a mapping of patterns, pressures and struggles, a performative cartography of self and belonging that works with live music.

The festival offers a 13 day feast of contemporary dance, and includes performances and dance talks at the Elizabeth Sneddon Theatre with a Youth Open Horizons event at the Stable Theatre and select online offerings, as well as workshops, and an extensive online blog.

The Festival takes place from 30 August to 11 September. Tickets for performances at the Sneddon Theatre are R80, and R65 for students, scholars and pensioners through Computicket (https://tickets.computicket.com/). All other events are free.

(Tickets for the programme in Howick on 17 September at 6pm are R80 and can be booked through https://bit.ly/BookJombaReroutingHowick

For more information follow on social media or go to the website: https://jomba.ukzn.ac.za/

 -ends

Award-winning films from Generation Africa for Durban International Film Festival 2022

The pan-African documentary project Generation Africa, will feature four films at the Durban International Film Festival - a hybrid event this year – with both cinema and virtual screenings from 21 to 31 July, 2022.  Generation Africa is a collection of 25 films produced by Cape-own production company STEPS, and directed and produced by filmmakers from 16 African countries, featuring stories about migration.

The films, which are all in the DIFF’s documentary competition selection, include the winner of the Encounters South African International Documentary Film Festival Programmers’ Choice Award for Best South African/African documentary and the Adiaha Award - No Simple Way Home (Kenya / South Sudan / South Africa) directed by Akuol de Mabior.  

The other films are African Moot (South Africa) directed by Shameela Seedat, No U-turn (South Africa, Nigeria, France, Germany) directed by Ike Nnaebue and Taamaden, The Walking Child (Cameroon / Mali / France / Belgium / South Africa) directed by Seydou Cisse.

No Simple Way Home directed by Akoul de Mabior

De Mabior’s film, No Simple Way Home, which also won the DOK.horizonte prize at DOK.fest München 2022 pays tribute to her parents and her home country – South Sudan where her father was a revolutionary leader whose movement led to the foundation of South Sudan, and her  mother became one of the five vice presidents of the country's so-called unity government in 2020.

No U-turn directed by Ike Nnaebue

The critically acclaimed first documentary film of Nollywood director Ike Nnaebue, No U-turn, won Special mention of the documentary jury at this year’s Berlinale. The film follows the road travelled by the director more than two decades before seeking greener pastures through irregular migration to Europe. Nnaebue turned back when told about the dangers that lay ahead, and now he goes on the route to see why young people still go this route.

Taamaden, the Walking Child directed by Seydou Cisse

Seydou Cisse’s Taamaden, the Walking Child, follows young immigrants from West Africa, who faced the daunting and dangerous crossing of the Mediterranean, thanks to their marabout or spiritual guides who guide them in prayers and rituals.

 African  Moot  directed by Shameela Seedat

Director of the award-winning film Whispering  Truth to Power, Shameela Seedat’s African  Moot delves into the complexities of migration law in Africa, as aspiring lawyers gather to debate in the annual African Human Rights Moot Court Competition. 

For DIFF, Taamaden will have one “in-person” screening at Suncoast CineCentre on Tuesday, 26 July at 2pm. Taamaden and the other 3 films will be screened online from the DIFF digital platform on durbanfilmfest.com. All screenings are free.

For more information on the Durban International Film Festival or to book go to durbanfilmfest.com, and for Generation Africa go to https://steps.co.za/projects/generation-africa/

SPAR KZN Schoolgirls’ Hockey Challenge 10 teams for Grand Finals - 23 and 24 July

The tenth edition of the Grand Finals of the SPAR KZN Schoolgirls’ Hockey Challenge is set to take place at St Mary’s D.S.G. over the weekend of 23 and 24 July.

Two days of highly competitive hockey is expected to unfold on the astro as the top ten regional winners from the KZN challenge descend on Kloof. Leading up to the Grand Finals, the tournament travelled throughout KZN to ten regions, where 70 schools in total participated. 

The first to cement their spot for the Grand Finals this year was the intrepid team from Pionier Hoërskool. This is the second time that the dynamic team from Vryheid have hoisted the trophy in the Northern KZN Regional but due to CoViD interruptions, they will be making their first appearance at the 2022 Grand Finals. 

The second team who secured their spot are no strangers to the Grand Finals. St Anne’s College will be making their ninth visit, representing the Pietermaritzburg North Regional. In their eight runs at the finals, they have featured in the medal games in every year, including winning gold in the inaugural tournament in 2011. 

The third team to have earned a place are the determined St John’s D.S.G. waving the flag from the Pietermaritzburg Central Regional. This is the second time that they have made it all the way, with their first outing five years ago where they ended fourth overall. 

Being crowned the Durban North Regional champs, Our Lady of Fatima have played at the Grand Finals three times, finishing a notable fifth overall at each of their previous excursions. 

Host of the weekend, St Mary’s D.S.G. were the fifth team to score an invite after they won the Highway Regional. Similarly, to St Anne’s College, they have already featured at the Grand Finals eight times, with an impressive collection of silverware over the years, including being the overall defending champion and having their name engraved on the trophy five times. 

Making their second trip to the Grand Finals, the hard-working team from Amanzimtoti representing the Durban South Regional, Kuswag Hoërskool made it all the way in the first tournament back in 2011, where they finished ninth overall. 

Back for the fifth time, the Ugu and Sisonke Regional winner, King Edward High School have earned the reputation as the Grand Final dragon slayers. Over the years they have been a thorn in the side for a number of the more established teams, causing a bit of a stir in the pool games. This feisty team’s stats reveal that they have finished as high as sixth a couple of times in their four previous tournaments. 

Another newcomer to the finals is Domino Servite from the uMvoti and oThukela Regional. In recent years, the team have grown from strength to strength, with a flourishing display on the field in their regional, ensuring their first outing to the Grand Finals. 

For the tenth time and the only team with a 100% record being at every Grand Final, Durban Girls’ College are back. Representing the Durban Central Regional, College have a fantastic record at this tournament including three golds, three silvers and a bronze and have participated in a medal game every year. 

Returning for their fourth run are the North Coast Regional winners, Grantleigh College. The last team to earn an invite to the Grand Finals have finished a consistent eighth in their three previous contests. 

If you can’t get to the side lines, you can catch all the action from the Grand Finals on SuperSport Schools. All the games will be livestreamed on either their mobile app or via their website. 

For more info, like the tournament’s Facebook page or follow on Instagram.

Tenth Appearance

Durban Girls’ College - Durban Central Regional Winner - Gold (2013, 2014, 2015), Silver (2012, 2016, 2017), Bronze (2019), Fourth (2011, 2018)

Ninth Appearance

St Anne’s College – Pietermaritzburg North Regional Winner - Gold (2011), Silver (2018, 2019), Bronze (2014, 2015, 2016, 2017), Fourth (2013)

St Mary’s D.S.G. – Highway Regional Winner - Gold (2012, 2016, 2017, 2018, 2019), Bronze (2011, 2013), Fourth (2015)

Fifth Appearance

King Edward High School – Ugu and Sisonke Regional Winner –Sixth (2016, 2017), Seventh (2018) Eighth (2015)

Fourth Appearance 

Our Lady of Fatima – Durban North Regional Winner – Fifth (2011, 2017, 2018)

Grantleigh College – North Coast Regional Winner – Eighth (2011, 2016, 2017)

Second Appearance

St John’s D.S.G. – Pietermaritzburg Central Regional Winner - Fourth (2017)

Kuswag Hoërskool – Durban South Regional Winner – Ninth (2011)

First Appearance

Pionier Hoërskool – Northern KZN Regional Winner

Domino Servite – uMvoti and oThukela Regional Winner

ENDS

Generation Africa offers films by some of Africa’s finest film talent at Encounters 2022

Four powerful documentary films in The Generation Africa project, produced by Cape Town-based production company STEPS, are being screened at the Encounters South Africa International Documentary Film Festival which runs until 3 July at venues in Cape Town and Johannesburg.

The films reflect personal experiences and connected narratives of Africans living on the continent and in the Diaspora, focussing on what “home”, belonging and migration mean. 

No Simple Way Home - Akoul de Mabior

 Winner of the 2021 DOK.horizonte prize at DOK.fest München 2022, No Simple Way Home (Kenya / South Africa) directed by Akuol de Mabior, is a personal film in which de Mabior pays tribute to her mother, Rebecca Nyandeng de Mabior, who became one of the five vice presidents of South Sudan’s so-called unity government in 2020. Her father, Dr John Garang de Mabior, was a revolutionary leader whose movement led to the foundation of South Sudan.

No U Turn

 The award-winning film, No U Turn (Nigeria / France / Germany / South Africa) directed by Nigerian film-maker Ike Nnaebue, received a special mention at this year’s Berlinale International Film Festival. Nnaebue retraces his steps of a journey he made almost 30 years ago, to flee Africa. He seeks to discover what motivates people today to expose themselves to the dangers of a passage into an uncertain future and encounters some interesting people and stories along the way.

Transactions

 Migrants and money feature as a theme in Zimbabwean director Rumbi Katedza’s  Transactions (Zimbabwe / South Africa) in which she explores the phenomenon which saw the Diaspora population transact well above $1 billion in 2021 providing relief for families in need of basics, with the bulk of these made through mobile phones. This is a sobering film the filmmaker personalizes these numbers by displaying the humanity and complexities as well as how family dynamics are determined by remittances behind these figures.

African Moot

 Shameela Seedat’s (whose first film Whispering Truth to Power was critically acclaimed) African Moot (SA) delves into the human rights and migration law, as aspiring lawyers gather for the annual African Human Rights Moot Court Competition. For one week in Gaborone, Botswana, a group of young lawyers assemble for the competition representing the top law schools from their respective nations as they debate a new issue each year. The focus is on the rights of refugees. Developing arguments that will be judged by practicing lawyers, the next generation of lawyers discovers what policy should be like in the African context, and where advancements can be made across the region.

 “These films focus on the narratives and lived experiences of Africans, told by a generation of filmmakers that reflect the aspirations, challenges, and dreams of African youth,” says Don Edkins, executive producer for the project. “They are honest, raw, insightful narratives that have to be told to change the narrative for the continent. They present us with a mirror of ourselves and our lives but importantly a window for the world, and asks hard-hitting questions from our perspectives about the future of Africa and the world.”

 For more information on Encounters screenings go to encounters.co.za and for Generation Africa go to https://steps.co.za/projects/generation-africa/

Generation Africa is supported by DW Akademie and the Federal Ministry for Economic Cooperation and Development, with the financial support of Robert Bosch Stiftung and Bertha Foundation.

-ends

Gripping Line-Up of African and South African Doccies for Encounters

 GRIPPING LINE-UP OF AFRICAN AND SOUTH AFRICAN DOCCIES FOR ENCOUNTERS

Documentaries centred around belonging and home, where roots formerly were and where they are now, of relationship - money- and life’s transactions, of defiance, of sacrifices, found love and success feature in a gripping selection of African and South African documentaries for the 24th Encounters South African International Documentary Festival, which takes place in cinemas in Cape Town and Johannesburg from 23 June to 3 July 2022.

Looking for roots, winner of the 2021 DOK.horizonte prize at DOK.fest München 2022, No Simple Way Home (Kenya/South Africa) directed by Akuol de Mabior, is a personal film in which de Mabior pays tribute to her parents and her home country – South Sudan. Her father, John Garang de Mabior, was a revolutionary leader whose movement led to the foundation of South Sudan, and her mother, Rebecca Nyandeng de Mabior, became one of the five vice presidents of the country's so-called unity government in 2020.

In No U-Turn, celebrated Nigerian filmmaker Ike Nnaebue retraces his steps of a journey he made almost 30 years ago, to flee Africa, to find out what motivates people today to expose themselves to the dangers of a passage into an uncertain future. Described by Anietie Ewang, Researcher, Africa Division, Human Rights Watch as “a strong documentary that provides answers to questions around the motivations for migrating and experiences on the journey.”

Zimbabwean director Rumbi Katedza explores the phenomenon which saw the Diaspora population transact well above $1 billion in 2021 providing a huge boost to the local economy, with the bulk of these made through mobile phones. In Transactions, a delightful yet sobering film, the filmmaker personalises these numbers by displaying the humanity and complexities behind official figures. The film follows a Zimbabwean family with members scattered across the globe.

Among Us Women (Ethiopia/Germany) directed by Sarah Noa Bozenhardt and Daniel Abate Tilabun  holds a light to health centre staff in rural Ethiopia who are fighting maternal mortality. Appealing to women to give birth in the clinic they are battling against the odds, with traditional reservations and practical obstacles.

Joseph Dégramon Ndjom’s The Prison Promise (Cameroon/France) follows a couple who fell in love in prison, and after their release reunited with one of their family’s in Cameroon’s rural countryside to try to find their way back into society. The film offers a portrait of love and community as the couple navigate their reintegration into normal society, highlighting the role of the family and of community in rehabilitating people who have had challenges with the law.

The Double Futures of Athlone (SA) is a delightful film by Premesh Lalu that provides an intimate snapshot of a bygone era that continues to live in the hearts and imaginations of many of Athlone’s residents. At the film’s centre is the Kismet theatre, which once acted as both the local bioscope and as a performance venue for the rich musical talent of the time. A delicate account of history, in the film’s own words, “what’s left of the memory of the future”.

In  current news, as debate rages around the relevance of the Afrikaans Taal Monument, Gideon Breytenbach’s The Voice Behind The Wall (SA) comes as an interesting exploration of the politics of the language for the people who speak it. The Voice Behind The Wall is a conscientious examination of the Afrikaans music industry and the racial imbalances that still persist almost 30 years since the abolishment of Apartheid. Poet and rapper, Churchil Naudé, stands as a surrogate for a whole community of ignored artists, whose voices are now oppressed by the very same media industry that was guilty of using its powerful platform to further the white cause during apartheid. These voices, a whole community of voices behind the wall.

The Radical (SA), directed by Richard Gregory, is an intimate portrait of the world's first openly gay imam - Muhsin Hendricks - who was a fashion designer who determined that Islam could be interpreted more compassionately, and became the religious leader at the centre of the global queer Muslim movement. Despite death threats and opposition, he established a radically inclusive mosque in Cape Town. Now, he fights for the rights of LGBTQI+ Muslims in what he calls a “care-frontational” manner in the African countries where they are outlawed.

South African director Riaan Hendricks’ Tear Salted Sea weaves together accounts of sailors operating on the South African coastline to reveal how they relate to the sea as a community of people. This captivating and heartfelt account features interviews with survivors of a storm in which some died, to reveal how the sea has shaped their paths 10 years after its tragic events.

Nominated for the IDFA Award for Best First Feature in 2021, One Take Grace is an engagingly idiosyncratic film that introduces us to 58-year-old Black South African woman who has worked as a domestic worker and decides in her 40s that she would like to become an actress. Shot over 10 years by multidisciplinary artist and director Lindiwe Matshikiza and collaborators, the result is an immersive adventure in surrealism, although strongly linked to the lived reality of the many South Africans who work in other people’s houses at the expense of their own family life.

Lobola, A Bride's True Price? (SA) follows the journey of eSwatini filmmaker Sihle Hlophe who, faced with the impending approach of her marriage, questions the notion of lobola in the face of her feminist beliefs and her anti-patriarchal stance. Will she turn her back on Lobola or will she embrace it? 

Manche Masemola, a Pedi girl died for her Christian beliefs at the age of 15 in Sekhukhuneland. Having become widely popular after her death, she is depicted in a statue above Westminster Abbey, London’s Great West Door. In this intriguing documentary Manche, The African Martyr, Meggan Raubenheimer and Manche descendant Letebele Masemola examine the events surrounding her death through interviews with the people who were familiar with the story and those from her village. Masemola, who drives the narrative, reflects on this bold story as a journey to her ancestral homeland to rediscover her identity in relation to her cultural beliefs.

The following cinemas will be screening the 2022 Encounters’ line-up: In Cape Town - The Labia, The Bertha Movie House Isivivana Centre Khayelitsha, Bertha House Mowbray. In Johannesburg-CineCentre Killarney and The Independent Bioscope.

For further information go to the Encounters website www.encounters.co.za;  follow on social media or contact Joy Sapieka & Associates on +27(0)73 2125492 joysapieka0@gmail.com / Joyls@mweb.co.za

The SPAR Women’s Challenge builds on the runaway success of their previous virtual challenges

The SPAR Women’s Challenge builds on the runaway success of their previous virtual challenges.

Celebrating its third year, the SPAR Women’s Virtual Challenge 2022 will return to the annual road-running calendar serving as a symbol of the country’s rise out of the ashes of the pandemic. 

The 2022 SPAR Women’s Virtual Challenge will build on the runaway success of last year’s race when entries were open nationwide, taking the most beautiful race to all corners of the country (and abroad). As a virtual event, there are no geographic boundaries to the race,  participants get to decide on their route, be it in the Berg, Bush or along the Beach. Participants can set their own pace, and choose whether to do it alone, with friends, family or as a community.

This year’s theme, captured through the hashtag, #IRise, is a celebration of how South African women conquer their challenges. The 2022 SPAR Women’s Virtual Challenge encourages all participants to harness their power, adopt the #IRise philosophy and become part of a collaborative community that collectively rises above their challenges. 

The SPAR Women’s Virtual Challenge was launched in 2020 as a homage to South African women’s resilience and strength amid the uncertainty and strife brought on by the CoViD-19 pandemic. Although the government has lifted the state of disaster, the pandemic remains in our midst, which prompted SPAR once again to take the beautiful road race into the virtual space.

“For the safety of our participants, based on the fluctuating CoViD-19 regulations and the unprecedented times we find ourselves in, we have gone virtual again this year,” said Charlene Subbarayan, SPAR Group Sponsorship & Events Manager. “However, that does not mean we have compromised on the fun. Get your friends together, work out a route in your local community and share all the fun by tagging us in your pictures #IRise #YourRaceYourPace.”

Online entries are now open for the 2022 SPAR Women’s Virtual Challenge. SPAR invites women in KwaZulu Natal, across the country and beyond to join in on Saturday 3 September, anytime between 06h00 and 18h00 (subject to government lockdown regulations). Participants can run, jog, or walk their virtual challenge at their own pace anywhere in South Africa.

The SPAR Women’s Virtual Challenge is more than a race, it is a celebration of female camaraderie and is a social compact aimed at improving the lives of our fellow humans. Each year the Virtual Challenge adopts a charitable cause that addresses a broader societal issue.

By entering this year’s SPAR Women’s Virtual Challenge, participants will make a meaningful contribution to the lives of young girls. For every entry, a pack of sanitary pads will be donated to help keep a girl in school through the SPAR Petals Project. The Project advocates for a shame-free education for all young women, and through their contributions, participants will help these girls rise above their challenges. 

“The SPAR Women’s Virtual Challenge has grown beyond the boundaries of racecourses or geographical areas. It is a movement that celebrates the resilience of women across the breadth and width of the country,” said Mike Prentice, SPAR Group Marketing Executive. “The sight of women from different walks of life taking to the streets and trails around South Africa has filled us with immense pride. SPAR looks forward to the thousands of posts to light up social media platforms.” 

The Virtual Challenge also boasts a dedicated group of brand ambassadors who help spread the #IRise message and promote the causes that we support. The list includes familiar fan favourites and some new ambassadors eager to get SA excited about the challenge. 

Entry to the SPAR Women’s Virtual Challenge is R120, and as part of the entry fee, every participant will receive a virtual challenge pack. The pack includes an official virtual challenge t-shirt, access to the My Virtual Challenge digital magazine, a face buff and a medal.

This year there are even more ways to join in the fun online. Participants can visit the official race website, www.sparvirtualchallenge.co.za to generate their race number and finish line certificate – perfect for pre and post-race selfies! Use #IRise and #SPARVirtualChallenge when posting to join the challenge community online!

For more information and to find out how to enter, visit www.sparvirtualchallenge.co.za. Entries are limited to 60 000 participants – enter now to avoid disappointment. 

The SPAR Women’s Virtual Challenge and Theme:

Difficulty calls us to rise, and in that rising, we learn what we are capable of. The theme the SPAR Women’s Virtual Challenge 2022 is built on the concept of rising despite difficulty, like a phoenix from the ashes, which the Virtual Challenge

itself has done amidst a global pandemic. In the middle of difficulty lies opportunity, and there is a plethora of opportunity for creativity amidst the current challenges that we face.

This year we anticipate rising again as the SPAR Women’s Virtual Challenge 2022, in celebration of a South African stalwart, accompanied by a powerful digital strategy and virtual challenge, to become the most inclusive challenge South Africa has seen.

Over the years, the challenge has brought women from all walks of life together, to make a difference in our communities and once again, this year will be no different,

as we rise to the challenge as a nation, leaving no woman (or man) behind. While the challenge is still fully focused on women, we encourage women to bring their families, friends and animals, and welcome everyone, irrespective of gender, for this inclusive challenge.

EVENT DIARY DETAILS: 

Date: 3 September 2022

Time: 06h00 – 18h00 (subject to current lockdown restrictions) 

Location: Virtual Event (participants can select own route and distance) 

Entries+Website: https://sparvirtualchallenge.co.za/

 -ends

Fixtures for uMvoti and oThukela Regional of SPAR KZN Schoolgirls’ Hockey Challenge

SPAR KZN Schoolgirls’ Hockey Challenge

uMvoti and oThukela Regional

Deutsche Schule Hermannsburg: Saturday 7 May

Deutsche Schule Hermannsburg will be a hive of hockey activity on Saturday 7 May as they welcome local schools for the uMvoti and oThukela Regional of the SPAR KZN Schoolgirls’ Hockey Challenge.

Five teams will head to the fields at Hermannsburg where they will meet in 25 minute action-packed games. Schools joining host, Hermannsburg, taking to the field on the day are Domino Servite, Greytown High School, Wartburg Kirchdorf School and Wembley College. 

The format for the day is a round robin programme, with a win earning the team 4 points, a draw with goals 2 points, a goalless draw 1 point and a loss zero points. 

Three teams have represented this area at the Grand Finals with two of the previous winners, Wartburg School and Wembley College starting the proceedings at 8am, getting the ball rolling in the first game of the day. Wembley College are the defending champs, having won last year’s regional on their home turf. Greytown High School have also lifted the trophy making one appearance at the Regional Finals in Kloof. 

This regional is the eighth one in the ten region challenge. All ten teams will then head to St Mary’s D.S.G. in Kloof in July for two days of intense action at the Grand Finals. Teams that have secured their place at the Grand Finals are Pionier Hoërskool (Northern KZN); St Anne’s College (PMB North Regional); St John’s D.S.G. (PMB Central Regional); Our Lady of Fatima (DBN North Regional); St Mary’s D.S.G. (Highway Regional); XYZ (DBN South Regional) and most recently, King Edward High School (Southern KZN Regional). 

The last two regionals to take place are next weekend, Sunday 15 May with Durban Girls’ College welcoming teams to their turf for the Durban Central Regional. Concluding the regionals, Grantleigh School will host the Northern KZN Coastal Regional on Saturday 21 May. 

For more info like the tournament’s Facebook page or follow on Instagram. All games will be livestreamed on the SuperSport Schools website or app. 

ENDS