SPAR KZN School Girls Hockey Challenge - Durban Central Regional

3 Schools Trust: Saturday 17 March

Maintaining their 100% record, Durban Girls’ College successfully defended their title for the eighth year, in the Durban Central Regional of the SPAR KZN School Girls’ Hockey Challenge that took place on Saturday 17 March at the 3 Schools Trust Asto. 

College met the surprise package of St Henry’s in the regional final, and thanks to an Emma Sharratt goal, College retained their title with a 1-0 victory against the host school.

From the whistle, College took ownership of the possession with majority of the play taking place in St Henry’s half. With five minutes played, College’s third attack was rewarded. Sharratt who was lurking mid-way in the circle, received a pass from outside, the forward spun around slipping the ball under the attacking component keeper, Unathi Sibeko from St Henry’s.

Sibeko tirelessly thwarted any more College attacks, charging down several shots. College were awarded six short corners, with all of them amounting to nothing thanks to the fantastic defence from St Henry’s. 

St Henry’s only managed to penetrate the College half three times, and on all three occasions their attacks took them agonisingly close to their opposition’s goals. In their efforts, they earned themselves a short corner after a break down the right. A determined dash from both the College defenders and the forwards falling back to assist caused St Henry’s to fluff their only real opportunity. 

Leading up to the finals, College kept a flawless scorecard throughout the day, notching up the maximum of 24 points after their six round robin games. 

Kerry Gaze, coach of the winning team, which comprised mostly of players who had been in the first XI last year said “This tournament is always a really good one. Nice competitive hockey was played throughout the day, with our final being somewhat challenging as St Henry’s had improved a lot and were impressive on the field.”

Engelie Maas, St Henry’s coach, who has coached teams in every one of the 8 annual tournaments, said “It is an amazing sporting festival, and St Henry’s did us so proud. The girls played with a lot of heart, spirit and soul. This was a great event to take part in just before leaving for Ireland for a week’s tour, which includes a training session with Ireland’s goalkeeper, David Fitzgerald."

The announcement for the team which College were to face in the regional final proved to be exciting as Durban Girls’ High School had the possibility of taking second spot on the log, but they needed to beat Maris Stella in the last pool game. The game went down to the wire with Girls’ High surging forward, attack after attack but unable to beat the defence. 

Going into the final round robin game, the tacticians were hard at work. Had Girls’ High won, they would have ended tie on points with St Henry’s. The round robin game between Girls’ High and St Henry’s ended in a well contested goalless draw, which would have meant that goals scored would have been taken into account. 

Two teams that displayed tremendous spirit during the day were Ridge Park College and Inanda Seminary. Both teams have upped their skills and knowledge of the game which bodes well for their future. 

Most Promising Umpire was Sethu Sithole representing Durban Girls’ High School. 

Durban Girls’ College is the fourth team to secure their berth at the Grand Finals which takes place in July at St Mary’s DSG. College join two teams that have seven appearances at the Grand Finals, St Anne’s Diocesan (PMB Northern Regional) and Ferrum Hoërskool (Northern KZN Regional), and newcomers Epworth School (PMB Central Regional).

For more info like the tournament’s Facebook page.

Results:
1 Durban Girls' College, 2 St Henry’s, 3 Durban Girls' High, 4 Maris Stella, 5 Port Natal, 6 Ridge Park College, 7 Inanda Seminary

Points at end of round robin

1 Durban Girls’ College 24, 2 St Henry’s 17, 3 Durban Girls’ High 14, 4 Maris Stella 13, 5 Port Natal High 5, 6 Ridge Park College 2, 7 Inanda Seminary 1

SPAR KZN School Girls' Hockey Challenge - Interview with Bulelwa Mzimela

With a tank full of ambition, young Bulelwa Mzimela is making waves in the polo world having been selected to represent South Africa.

Mzimela (16) is taking off to #Brno in the #Czech Republic at the end of the month to compete in the U17 EU Nations #Waterpolo tournament where ten teams will be competing.

"This is the first time that I will be representing South Africa, and I can't wait. It sincerely means a lot to me. And hopefully won't be the last time."

The three day tournament that starts on 30 March has host nation Czech Republic, #Denmark, #England, #Germany, #Ireland, #Scotland, #Slovakia, South Africa, #Switzerland and Wales participating. The round robin format has South Africa in Pool A taking on Wales, Slovakia, Ireland and Scotland. Once all the pool games are played, the two top teams from both pools advance to the semi-finals and then thereafter the two best teams meet in the finals.

"I love polo; I love the tactics, the tricks, spinning out of tackles. I love that it looks so graceful but under water it can be challenging and a bit rough."

The youngster has travelled far and wide around South Africa through her sports. “I am extremely fortunate to be able to explore and discover our country. But in all honesty, getting my first stamp in my passport is so exciting.”

The talented water baby is one of only two #KZN players in the team set to jet off to Europe, “Our team is great, we all know each other well having played against each other often in various tournaments. Our coach Jon-Marc De Carvalho reads the game well and is a fabulous motivator. All we need now is to gel in the pool and let the magic happen.”

Mzimela fell into the sport in Grade 5 when she was supporting her twin brother at training and was asked if she wanted to join. She jumped at the opportunity and hasn't looked back. Her twin, Bulelani has also just donned the green and gold for waterpolo this last weekend at Kings Park.

Only five minutes separate the two aspiring sporting siblings, "We are both highly motivated and are driven to achieve. I know that if I don't get something right, I try and try and try again until eventually I do. My parents say that we are both very determined."

“I play on the wing or fetch. I get a thrill out of attacking play and being able to capitalise on some awesome play and team work with getting the ball in the back of the net.”

This weekend she takes to the field with her second passion, hockey. The Grade 10 pupil at Durban Girls' College is part of the first hockey team that are taking part in the SPAR KZN School Girls' Hockey Challenge. College are the defending champs and the only team that has made it through to all the Grand Finals.

"I took part in the KZN hockey trials at #Queensmead last week. The team hasn't been announced yet, but I am hopeful."

Mzimela plans on pursuing a career in law when she finishes school. “I would love to get a degree in law, possibly studying overseas. I am working hard to earn a sports scholarship, hopefully in a country where both polo and hockey are mainstream. #Holland is appealing, but time will tell.”

Diving in, the effervescent Bulelwa Mzimela is having a rippling affect in youth sports in Durban, with her never say die attitude, her eagerness to succeed, the future star certainly is going to make a splash.

Sophie Thompson

SPAR KZN School Girls' Hockey Challenge - PMB Northern Regional Results

SPAR KZN School Girls’ Hockey Challenge

Pietermaritzburg North Regional

St Anne’s Diocesan: Sunday 11 March

Retaining their title for the seventh consecutive year, St Anne’s Diocesan College remain the champions of the SPAR KZN School Girls’ Hockey Challenge Pietermaritzburg North Regional on Sunday 11 March.

St Anne’s took on The Wykeham Collegiate in the finals for the region. In an enthralling 25 minutes, the whistle blew with one goal separating the two teams, 2-1 in favour of the defending champions.

Wykeham Collegiate kept all their panache for the main game, having gone down to Saints earlier in the day during the round robin match which ended 3 nil to the hosts. Fifteen seconds into the game, Saints revealed their attacking prowess with their first attempt going right of goals. 

It didn’t take Saints long to slot in their first goal. Just under two minutes had ticked away when Danni Chessenski, camped out on the left hand post, received a perfect pass and quietly slapped the ball in. 

Eight minutes into the game, Wykeham’s Loren Gerrard dazzled the Saints defence with a run down the left side line, crabbed her way along the baseline and fired in a shot directly to the waiting keeper. The clearance went directly back to the waiting Gerrard who followed up her shot with more determination and slotted in the all important equaliser. 

Another three minutes ticked by when a poorly strategized 16 hit from TWC was charged down. Saints capitalised, nailing in a shot from the top of circle by Danni Rhodes. The attempt was deflected by a defender landing in the box, sealing the win for Saints.

Saints had a total of eleven shots at goal, with four hitting their target of which two were goals and two being defended, four going right of the upright and three veering to the left. Wykeham’s defence was exemplary only giving away a handful of short corners to their opposition.

Robin Jones, coach for the winning team said, “It was a fantastic day for hockey. It is always difficult to maintain the same standard throughout a day like this, and we knew the finals would be tough but the team did well - I am very, very proud of them.”

Sam Scott, coach for The Wykeham Collegiate said, “This tournament provides experience and a good opportunity for us to see where we are as a team and where we need to go.  We may not have won, but the finals provided a great game for the players and spectators alike, and the TWC girls gave it 100%, so we could not have asked for more.”

Top goal scorer for the tournament, was St Anne’s Vice Captain and star player, Danni Rhodes who netted an impressive 18 goals in total out of her teams 33.

Most Promising Umpire was awarded to Voortrekker High School’s Lethokuhle Mngadi. Mngadi took charge in the final showing fabulous calm nerves in the tense, action packed game.

Saints is the third team to secure their berth at the Grand Finals. They join Ferrum High School representing the Northern KZN Regional and newcomers Epworth College, champions of the Pietermaritzburg Central Regional.

For more info like the tournament’s Facebook page.

Results

1 St Anne’s Diocesian, 2 The Wykeham Collegiate, 3 Carter High School, 4 Treverton, 5 Voortrekker High School , 6 Grace College.

Jozi Book Launch - March 15 for Josh Crickmay's Big Year

OSH’S BIG YEAR: A STORY OF HOPE - BOOK LAUNCH

From a broken, suicidal, autistic teenager, who dropped out of school at 15, to a passionate young adventurer, comes a remarkable 300-page self-published coffee table book, Josh’s Big Year which will be launched in Johannesburg on Thursday, March 15 Josh Crickmay's publishing debut is a celebration of courage and triumph of the human spirit.

In 2012 15-year-old South African school pupil Josh Crickmay, unable to cope with the demands of the classroom dropped out of school. What followed was a deep and debilitating depression kindled by the belief that he would never be able to fend for himself. Severely suicidal, Josh landed in hospital and was diagnosed with Asperger’s syndrome or High Functioning Autism.

Certain that unless they did something radical, they would lose their only child, Josh’s parents Andrew and Kathy, quit their jobs and embarked on a quest to give Josh a reason to live and to function in life without a formal education. They did this by building on and kindling Josh’s interests in birding, photography and writing.

 For an entire year they travelled to every corner of Southern Africa and spent seven weeks in the Amazon and Andes in what is known in birding circles as a “Big Year” which involves identifying as many bird species as possible in a single year, inspired by the movie of the same name.

The entire project represents Josh’s own work from photography to layout and design. His writing is a delight, honest, self-effacing and laugh out loud funny in places but sobering and tear-filled in others.

Ernie and Liesl Els had this to say: “This book has a transformative effect; like turning on a flashlight in a dark room. For readers the book serves as a delight for the senses – visually, thanks to the diverse and brilliant photography, and emotionally, through the way in which the book navigates Josh’s emotional journey”.  This sentiment is shared by founding art director of Getaway magazine James Berrange who said “the effect this book is going to have can hardly be imagined”.

The book took nearly 3 years to write, with the first edition completed when he was 16. The book is hoped to impact and give encouragement to a world where one in 68 people are thought to be on the Autism spectrum. 

Josh’s plan is that Josh’s Big Year will be the first in a series of books as he video blogs his adventures and highlights conservation issues.

The book can be purchased online at www.joshcrickmay.com . 

Manor Gardens Lit Quiz Whizzes do it again!

Photo - left to right Michaela Crankshaw, Jemma Kasavan, Jaskaran Rajaruthnam, and Sam Walker - on their way to New Zealand to represent SA in the World Finals Lit Quiz Champs in July.

Manor Gardens Primary School, a small public school tucked away behind UKZN in Durban, has done it again by winning the National Kids Literature Championship this year, and all going to plan, will represent South Africa in the World Finals in Auckland, New Zealand in July this year.

 The school’s first team comprising Michaela Crankshaw, Jemma Kasavan, Jaskaran Rajaruthnam and Sam Walker took first position in the national champs held at St David’s in Johannesburg on Saturday, February 24. 

 “This is a wonderful result for our small public school and we are all very proud of our Kids Lit Quiz champions who were up against a number of bigger and more affluent schools,” says Carol Lottering, the principal of Manor Gardens Primary. “We are extremely grateful for the effort and energy that Isobel Sobey, the Media Centre teacher who co-ordinates and coaches the teams, and other teachers at this school who work tirelessly at constantly raising the bar in education, and their incredible ability to instil a love for reading here.”

 Kids Lit Quiz is the brain child of Wayne Mills, a university lecturer from New Zealand, who came up with the concept twenty-seven years ago. He calls it “The Sport of Reading”.  He developed the quiz to promote reading for pleasure and to reward good readers in the same way that sports stars are rewarded by their schools and communities. The first quiz took place in 1991.  In that first year 14 teams took part. Today it has grown into a hugely popular annual event spanning five continents with +/- 20 000 children participating in heats throughout the year.   

“The team will be up against tough competition from China, United Kingdom, USA, Canada, Singapore, Australia, New Zealand, Nigeria, Hong Kong, Thailand and Indonesia,” explains Isobel Sobey.  “The four members in our team are all on Grade 7 and are avid readers with deep interest in books.  They have read and worked hard for this since Grade 1 and are deserving winners. They will have a wonderful time in New Zealand and soak up all the lessons and experiences that come their way.” 

 “Now we begin the hard work of intense coaching for the international event, as well as fundraising to help the children reach an amazing goal,” she explains. “The Kids Lit Quiz organization in New Zealand covers accommodation, meals and activities for the teams but transport to the World Final is not covered. So we are gratefully accepting any and all donations or fundraising ideas to cover the travelling costs for the four team members and two adult coaches. We estimate these costs to be in the region of R100,000. As the school is a registered Public Benefit Organization (tax reference 930000373) it can provide receipts for tax purposes for donations of R1000 or more.”

 Manor Gardens Primary is appealing to Durban citizens, businesses, corporates and past pupils to help get their school to New Zealand by making a small (or large) contribution.  For more information contact Isobel Sobey on 031 2611401 or isobey@mgps.org.za.

Korey Riker, saxophonist, flautist & featured soloist for John Legend's latest tour - to sit in with Monday Big Band

Media Release

Korey Riker, saxophonist, flautist & featured soloist for John Legend's latest tour - to sit in with Monday Big Band

Durban jazz musicians are making Mondays fun again. The Monday Big Band led by George Mari is performing at KuDTa (Wilsons Wharf) on Mondays from 5:30 - 7:30pm. 

The weekly big band gathering showcases the city's swinging talent and provides an opportunity for a regular big band night – something new for Durban! Featuring a 13-piece line-up of Durban based jazz musicians including Burton Naidoo (piano) Llewellyn Chetty (bass), Sbu Zondi (drums), Debbie Mari (vocals) with Thabo Sikakhane, Phuti Mofokeng and George Mari (trumpets), Mxolisi Mdlalose and Tim Lewis (saxophones), Kgetsi Mokgetsi and Siyalo Khumalo (trombones), and Gerald Sloane (guitar), The Monday Big Band promises to make Monday’s the favourite day of the week with a wide range of repertoire including Little Sunflower, Doxy, Jive Samba, Lullabye of Birdland, South African standards such as Shona, The Mandela Suite and other original compositions by the band members. 

With occasional change in personnel, The Monday Big Band features guest musicians every so often and Monday 6 November is bound to get jazz lovers down to the bay. Philadelphia-based Korey Riker (USA),  who is currently touring with John Legend as saxophonist, flautist and featured soloist for his 'Darkness & Light' tour which comes to Durban the same week, will be sitting in with The Monday Big Band. Riker released his second album ‘Recognizance’ in 2015 and was a recipient of the 2016 Kimmel Center Jazz Composer Residency grant where he was afforded the opportunity to further explore his work as a composer, producer and performer. Riker will be releasing his next album soon.

Catch him live, one night only, with The Monday Big Band on Monday 6 November where he’ll be sharing the bandstand with some of Durban’s finest jazz musicians. 

The Monday Big Band performs every Monday from 5.30pm – 7.30pm at Wilson’s Wharf at KuDTa. Entrance is free.

-ends

Pic: Korey Riker (saxophone)

Gecko Culinary Adventures - October 14, 2016

Gecko Culinary Adventures in Musgrave was abuzz last weekend as six young aspirant chefs took to the state-of-the-art cooking stations in this year’s KZN finals of the SPAR Junior Cook competition.

These senior primary school finalists battled it out for the title with twelve year old Ballito resident Ryleigh Rutherford from Maris Stella taking the honours with a delectable and flawless cheese cake. Twelve year old Tiana Gangaram from Pelham Senior Primary School in Pietermaritzburg was runner up with a superb tuna tart, which completely converted one non-fish eating judge.

Runners up were Olivia Elliot (12) also from Maris Stella on the Berea who made a Italian chicken dish, Kuyanda Sibisi (12) from Durban Primary in Umbilo with stuffed potato skins, Kirsten Short (11) from Durban Girls College, also on the Berea, with a chocolate coffee cake, and Callan Canham (11) from Collingwood Senior Primary in Wentworth with a stacked pancake cake.

The annual cook-off involved the youngsters preparing a recipe that they had submitted as their competition entry, as well as a mystery dish – a ginger bread family - that was given to them following the completion of the first dish.

One of the judges, SPAR Advertising and Promotions Manager, Nelene Rampersad who was instrumental in conceptualizing the competition for SPAR in an effort to encourage young chefs, said “I love that this year we had such a range of dishes from the finalists. This made judging difficult, and our taste-buds were put to the test, but after much deliberation, Ryleigh’s Cheese Cake came out tops. It was faultless – a great presentation, and top-class texture and flavour. Her gingerbread man was done to perfection with a crisp texture, with some fun iced decorations. Well done to all for the good food, great spirit and enthusiasm.”

Ryleigh won a R5,000 shopping voucher for her first place position with runner up Tiana Gangaram receiving a R2,000 shopping voucher and all four remaining finalists each received a R500 SPAR shopping voucher. All finalists received a SPAR sweet hamper and a hamper packed with baking utensils to further their culinary aspirations.

“It was really fun,” says Ryleigh, who has always helped her mum in the kitchen ever since she can remember, “I enjoyed making my cheese cake here today. It was so exciting to work in a professional kitchen.”

Participant comments for Regional Papers

Berea: Oliva, who confesses to often making a mess in the kitchen, but does clean up, says “I love to bake and cook a lot and I especially love to make vanilla sponges and decorate them. I sometimes also cook for my family.”

PMB: Tiana started baking about a year ago says “Sometimes I am allowed to be alone in the kitchen and that is great fun. I especially love to make breakfast of pancakes and crumpets for my family.”

Berea / Umbilo: Kuyanda, who started baking two years ago, says she likes to bake, “especially chocolate muffins and vanilla scones,” which she adds “are eaten mostly by my brother!”

Berea: Kirsten who has been interested in cooking for about a year, says “I really enjoyed making my chocolate coffee cake today in this professional kitchen – it was fun.”

Bluff / Wentworth: Callan says “I have always been busy in the kitchen having tea parties since as long as I can remember. I especially love to make pancakes for my family.”

Local female film-maker forges ahead in male-dominated arena

After identifying a gap in local film making production process, the eThekwini Municipality’s film industry development unit, the Durban Film Office introduced SCOUT, a location scouting and management programme as part of its overall mandate to encourage more film making in Durban.  One of the 2014 SCOUT participants, Sindisiwe Mngadi, has really taken the opportunity afforded her and is making waves in the industry, not only locally but on a national level too.

 Toni Monty, Head of the DFO explains: “SCOUT is an intensive programme developed to professionally develop local location scouts and expose young and previously disadvantaged filmmakers to the business of location scouting and with the aim that they will eventually move into full location management. We have had two sessions with local filmmakers one in 2014 and another in 2016. Participants took part in a one week theory class and two weeks of practical knowledge programme which also included a formal and accredited NOSA training in Basic fire Awareness, Introduction to Occupational Safety and Health and Health and Environment Representative Training, with professional Locations Manager Neville Botha from Unit Co-Op.”

 Twenty-eight year old, Sindisiwe, who is based on the Berea, worked at local production company Durban Motion Pictures after leaving school, where she gained invaluable experience working on the job and training at the same time.

 The young go-getter started her company, Lopper Media in 2010, with a focus on video production for events and editing. In the last few years she has ventured into film and commercial production services, and is fast developing a name for herself as a reputable service provider with a range of services that include location scouting, location and unit management, as well as security services .

 “The scouting programme was very informative and it opened my eyes to the many opportunities that we have in Durban from a locations point of view and also within the industry as a whole,” she says.

 “The knowledge that I gained from the training helped me so much and made me take my business more seriously,” she enthuses. “After doing the SCOUT programme my business has definitely improved and grown very fast. We have even ventured into location and unit management, and we recently were able to work with major production companies such as Born Free Media, Natives at Large and Mobile Media, and I was also a location and unit manager for a recent Red Bull Commercial that was managed by Mobile Media, here in Durban - the best two days ever,” she says.

Determined to make a real go of this industry, Sindisiwe is currently in Johannesburg where she is hoping to finalise the details for three new short films being shot in Durban. 

 “I am really excited about the opportunities that have come up and I am hoping to grow my business into a major unit management one.”

The 2017 JOMBA! Eric Shabalala Dance Champion Award

Well-known KwaZulu-Natal choreographer and dancer Sifiso ‘Magesh’ Ngcobo received the 2017 JOMBA! Eric Shabalala Dance Champion Award at the JOMBA! Contemporary Dance Experience at the Elizabeth Sneddon Theatre in Durban last night (Thursday, August 31).

Now in its 7th year, JOMBA! Eric Shabalala Dance Champion Award, honours of the memory of Eric Mshengu Shabalala who tragically passed away in 2011; he was a local dancer, choreographer, teacher and one of the founding dancers of the Siwela Sonke Dance Theatre in Durban. In a fitting tribute, the Centre for Creative Arts and the Jomba! Contemporary Dance Experience Dance Festival has set up this annual award to honour some of KwaZulu-Natal’s stalwart dancers and dance teachers.

“The award is given not only in recognition of performance or choreographic excellence, but also more profoundly and more importantly it is given in recognition of dance practitioners who have worked tirelessly to help grow a culture of dance and dance training in Durban – who have supported the growth of dance as an art form at both community and regional level,” said Lliane Loots, Artistic Director of JOMBA! at the award ceremony.

“In selecting recipients, the committee look for those gifted individuals who have gone above and beyond – often without funding – to dedicate themselves to the cultural industry and to put KZN dancers and dance on the national and international map,” she said. “So we honour Sifiso because of his bold initiative, for not sitting back waiting for funding and for hand-outs but for getting up and making a difference by using his skill as a dancer and as an educator.”

Ngcobo, who currently teaches dance and isiZulu at St Nicholas Diocesan School in the Pietermaritzburg, also runs a scholar dance company within the school called “St Nics Dance Company. He was born in Umthwalume, and has a degree in Drama and Performance Studies and an Honours degree in Community Development, from the University of KwaZulu-Natal. Before joining the Flatfoot Dance Company in 2003 he performed and toured the world in the celebrated dance show African Footprint.  As one of Flatfoot’s founding members he was instrumental in setting up their now 15 year history of dance education and community engagement.

“This award is given primarily for the work he is doing his own education and community project in Imbali Township at Sukuma Comprehensive School,” explained Lliane Loots. “He works with young school going learners and in dance programme called the Umsunduzi Youth Development Project and uses both drama and dance to address social, economic issues, life orientation as well as community child and gender abuse.”

Past recipients of this prestigious award include Jarryd Watson (2011), Sifiso Khumalo (2012), Byron ‘Bizzo’ Tifflin and Preston ‘Kayzo’ Kyd (2013), Jabu Siphika, Julia Wilson (2014) and Zinhle Nzama, Ntombi Gasa  (2015) and Musa Hlatshwayo (2016)

"I am so excited about this award,” enthused Ngcobo accepting the award. “Credit must go to Jomba, the Centre for Creative Arts, the St Nicholas Dance Company, Umsunduzi Youth Development Project, and of course the Flatfoot Dance Company, for grooming me to be what I am today. I have been doing this kind of work for a very long time and it is good to be finally recognized. We work without funding and support from the government but the passion and fire within us keeps us going because our goal is to make an impact in different communities and give hope to the hopeless through dance. The projects I run in Pietermaritzburg have made a significant impact in the learners' lives and that makes me happy. We are not yet done!" 

For more information about JOMBA! go to www.cca.ukzn.ac.za

DGLFF postpones festival to 28 September 2017 whilst 'INXEBA' ('THE WOUND') to screen as planned

Due to last minute technical issues raised by the Film & Publications Board (FPB) about the broader programme, only the South African feature film 'INXEBA' ('THE WOUND') went ahead  as scheduled. As the film has already received a 16 SL classification, it has been allowed exhibition. However the rest of the programme will be postponed to start 28 September 2017, in order to bring films in compliance with FPB regulations.

 "It is with great regret that I have to announce the postponement of the DGLFF programme for a month so as to comply with technical issues raised only this week by the FPB. Previously we had sincerely not been made aware of certain technical requirements, and on learning what was needed, I ensured very quickly that the FPB was provided with what they needed. Unfortunately timing is an issue with the process and this led to a mutual decision that in order for the Festival to be fully in alignment with FPB requirements, we should postpone to achieve this".

 'INXEBA' was screened  on Friday 25 August at the Waterfront Hotel, Point, with an additional screening on Saturday 26 August, and then Thursday 31 August 2017 at 8pm at Tina's Hotel in Kloof. The community screening of the film on Saturday 2 September at 12pm will be in a venue as yet to be confirmed.

 The critically acclaimed and award winning 'INXEBA' stars musician and novelist Nakhane Touré as Xolani, a lonely factory worker who joins the men of his community in the mountains of the Eastern Cape to initiate a group of teenage boys into manhood. Amidst sporadic calls for boycott, and some reports of threats to cast members, Fiddler is pragmatic: "The country is still very naive when it comes to our rights to freedom of expression, of protection against discrimination. The Constitution is there for a very good reason: to work against hegemony, hatred and homophobia. Whilst I'm deeply concerned that the intolerance and aggression displayed by some is very real, I also expect that many detractors haven't actually seen this powerful piece of cinema. We must have the space to express our creativity, artistry and views frankly and without intimidation."

 "The programme will remain largely intact and we simply commence from the end of September" assures Fiddler. The revised DGLFF programme will be available online within the coming week and all screening information relating to 'INXEBA' can found at the Festival website www.dglff.org.za

7th annual Durban Gay & Lesbian Film Festival

Now in its 7th year, this annual cinematic celebration of independent queer cinema, the Durban Gay & Lesbian Film Festival (DGLFF), is expanding its reach within the Ethekwini region with screening venues that will include Durban's Outer West LGBTIQ (lesbian, gay, bisexual, transgender & intersex) communities. From both a practical and demand-driven perspective, #DGLFF2017 has recognised that for many, the journey to "town" is both expensive and often far. Therefore festival director Jason Fiddler has successfully negotiated with Tina's Hotel in Kloof, home to Roland Stansell's branch of Rhumbelow Theatre, to host two evening screenings of films on Thursday 31 August and Friday 1 September.

The Festival runs from 25 August to 3 September 2017 and includes the aha Waterfront Hotel & Spa in Point, Alliance Francaise and the Durban Lesbian & Gay Centre in Morningside, and the KZNSA Gallery in Glenwood as screening venues over its 10 day run.

Securing 'INXEBA' as the Opening Night Film for Friday 25 August at The Waterfront Hotel & Spa in Point, for the city's LGBTIQ community audience, festival director Fiddler couldn't be prouder or happier: "I've known about 'THE WOUND' ('INXEBA') as a project since the 2014 Durban FilmMart, when producer Elias Ribeiro was pitching it as a project for financing. I told him there and then I wanted it for DGLFF one day. Our audiences deserved to see a great locally made film that spoke to their own experiences, that shared their own stories. Elias' earlier gay short films had been included in our previous festivals, so I knew that he would be keen to maintain that relationship. I just never anticipated what an insanely huge deal this would be!" Growing social media attention of the film has led to some very strong calls for protest, as some in the Xhosa community and elsewhere have deemed the film a serious issue for them, bordering on cultural exploitation.

Described by Variety magazine as “a milestone in South African cinema”, 'INXEBA' stars musician and novelist Nakhane Touré as Xolani, a lonely factory worker who joins the men of his community in the mountains of the Eastern Cape to initiate a group of teenage boys into manhood. Amidst sporadic calls for boycott, and some reports of threats to cast members, Fiddler is pragmatic: "The country is still very naive when it comes to our rights to freedom of expression, of protection against discrimination. The Constitution is there for a very good reason: to work against hegemony, hatred and homophobia. Whilst I'm deeply concerned that the intolerance and aggression displayed by some is very real, I also expect that many detractors haven't actually seen this powerful piece of cinema. We must have the space to express our creativity, artistry and views frankly and without intimidation."

The DGLFF line up this year also includes as Closing Night Film young filmmaker Thishiwe Ziqubu's ' SINA NOMAKOTSHANA' ('Dance with the Maiden'), a 24 minute short film about a girl falling in love with her contemporary dance partner and coming out of the closet during her traditional Zulu initiation. Other South African content includes Allan McDonald's moving documentary 'LOCKED IN'  about transgender people within the Xhosa and Muslim communities, including their very real struggles for acceptance. DGLFF will also host the world premiere of Durban filmmaker Dayakar Padayachee's 40 minute gay short 'SHADOW', a psychological horror following a gay Indian teen's decent into darkness during his parent's growingly ugly divorce, as a malevolent force takes hold.

Included in the two-night Tina's Hotel line up on Thursday 31 August and Friday 1 September are the Argentinean drama 'BROMANCE' (a feature film about three friends who realise they've grown as young men and their relationship is devolving on a weekend getaway at the beach), 'INXEBA', 'BOYS FOR SALE' (an adults-only feature documentary that takes a candid journey with Urisen, mainly straight gay-for-pay escorts, in Japan's oldest red light district) and 'SOMETHING LIKE SUMMER' (a surprisingly complex comedy-musical-romance that follows two high school guys who's whirlwind romance goes awry, and who find one another very different people years later; expect some really original vocal performances by some known TV talent).

Further, Fiddler has curated two sets of short films for outer west audiences. Running at 67 minutes, Lesbian Shorts includes three beautiful short films ('LILY' from Ireland; 'THE MASTERFUL HERMIT' from Wales; and 'THE PRETTY THINGS ARE GOING TO HELL' from Denmark) that explore tender relationships, old flames that turn up unexpectedly and the pain of parting. Spanish Gay Shorts (running 54 minutes) includes a trio of Spanish-language short films that explore the bisexual feelings of a man between his girlfriend and his best friend ('GOLDFISH' from Mexico), the very real matter of a couple who need to frankly discuss their sex life having been involved for some time ('VERSATILE' from Spain) and how little white lies can make for hilarious complications with grandma on your wedding day ('THE MARRIAGE' from Spain)!

With 7 feature films, 11 documentaries and almost 30 short films from 14 countries globally, including South Africa, the DGLFF expects to speak to the interests of many different audiences. Fiddler encourages mainstream audiences who love good cinema to participate: "Ours is an inclusive Festival. You don't have to be gay, or lesbian, or otherwise to appreciate these well made films. You just need to be open minded, and make the effort to discover new stories."

Further information is available on the Festival Website: www.dglff.org.za

South African & KZN Talent to Shine at this year’s JOMBA!

MEDIA RELEASE

South African and KZN Talent to Shine at this year’s

19th annual JOMBA! Contemporary Dance Experience

23 August – 3 September 2017

The JOMBA! Contemporary Dance Experience, hosted by the University of KwaZulu-Natal’s Centre for Creative Arts (situated in the College of Humanities), showcases a number of South African, and international choreographers, dancers and dance-makers at this year’s 19th edition which takes place at various venues in Durban from 23 August to 3 September.

Dance-lovers can expect to see a variety of contemporary styles speaking to a myriad issues from Johannesburg, Durban and Cape Town, and then further afield from Holland (INTRODANS), Germany (steptext dance projects) and the West African country of Benin (Marcel Gbeffa).

Opening night on August 23 features choreography by South Africa’s celebrated dancer and dance-maker Gregory Maqoma of Vuyani Dance Theatre in collaboration with Helge Letonja, of Germany’s steptext dance projects.

Benin dancer and choreographer Marcel Gbeffa, will not only perform his acclaimed solo work “Et Si ...”,  through the  support of Alliance Française (Durban), the Institut Français d’Afrique du Sud, but will also run JOMBA’s annual  festival residency with five local dancers: Bonwa Mbontsi, Tegan Peacock, Steven Banzoulu, Sibonelo “China” Mchunu, and Kim McCusker-Bartlett. The culmination of the residency will be given a showing at the JOMBA! @ the KZNSA event on Monday 28 August at 6pm.

Cape Town-based Mamela Nyamza, makes her JOMBA! debut this year. Often called the agent provocateur of South African contemporary dance, Nyamza’s outspoken and politically edgy dance theatre work has garnered a worldwide reputation. In her newest work, “DE-APART-HATE” Nyamza takes on the legacy of the “rainbow nation” and begins to question issues around religion, race, sexuality and gender. The work is a visceral engagement with the politics of decolonisation. Not for the faint-hearted but will definitely be the talking point for this year’s festival.

With a strong emphasis on looking at the key women choreographers making dance waves in South Africa, JOMBA! is proud to presents the 2017 Standard Bank Young Artist (SBYA) for dance, Thandazile “Sonia” Radebe. Considered, in 2013, by the Mail and Guardian, to be one of the top 200 young South Africans to look out for, Radebe has a long and illustrious career as both dancer and choreographer. As a 2003 graduate of Moving Into Dance Mophatong, Radebe spent over 15 years working with MIDM before heading off on her own. Her SBYA work commissioned for the National Arts Festival, “SABELA” is inspired by our names as human beings. Through “SABELA” Radebe explores the tension between these names and numbers that ultimately concludes that we do not have to be reduced to ID Numbers, Student Numbers, Employee Numbers, Prison Numbers, and Patient Numbers. It is a thoughtful and deeply beautiful dance work that defines a new lexicon of important dance works emerging in South Africa.

JOMBA! will to host its second venue partnership with the KZNSA Gallery for 2017 (Monday 28 August @ 6pm). The gallery space offers an alternate kind of challenge to dance makers and for those intrepid artists who work outside of the traditions of the proscenium arch. Not only will this event see the outcome of Benin’s Marcel Gbeffa’s JOMBA! residency, but the evening will host 3 new works by some of Durban’s most cutting edge voice. All three of the invited choreographers have opted to make site –specific or in sutu performance work and so this year the JOMBA! @ the KZNSA Gallery is also the JOMBA! KZN ON THE EDGE featuring new works by Sifiso Khumalo, Lorin Sookool and Mdu Mthsali. 

Sifiso Khumalo’s “Isifungo” (meaning oath) uses the extremities of the stairs of the gallery space as dancers defy gravity and leap on walls and ceilings in a textual and embodied attempt to look at how often we break the oaths we make in our lives. Dancers find themselves trapped in between the walls of commitment. Khumalo is one of the founding members of FLATFOOT DANCE COMPANY and has a long and celebrated Durban career as dancer, choreographer and dance educator.

Lorin Sookool performs her solo “BAD” in the main gallery space and it is a sharp and witty explorations of the notion of post-feminism in an image-obsessed, web-empowered generation. Through the portrayal of iconic sex symbol, Marilyn Monroe, “BAD” investigates the tension between the female body as object and the female body as sacred. Sookool , originally a Durban girl, is presently a company member at the Forgotten Angle Theatre Collaborative (FATC) based in rural Mpumalanga.

JOMBA!’S KZN ON THE EDGE, finishes off with a duet by veteran Durban dancer Mdu Mtshali called “Alive Kids”. Performed in the courtyard of the gallery, this virtuoso duet offers up the image of two disenfranchised street children finding grace despite so much. Described as a work about personal transformation, this work is danced by the two 2017 ‘poster boys’ for JOMBA! - Nqubeko Ngema and Njabulo Zungu.

The JOMBA Fringe features 10 new works of 10 to 15 minute each on August 29, and the Youth Fringe on August 27. With over 40 entries for a coveted place in this year’s JOMBA! Fringe, the selection of only 10 works was a difficult task but means that the final selection offers a standard of dance theatre that is growing. The JOMBA! Youth Fringe takes place at the UKZN Open Air Theatre (entrance is free!) and is a celebration of over 20 KZN based youth dance groups and the incredible dance work that they are doing.

JOMBA! also offers a full programme of workshops and master classes by all of the participating dancers and choreographers. These workshops and classes are offered free of charge (dancer over 16yrs only) but booking is essential via jombafestival@gmail.com.

For a full listings and the programme go to www.cca.ukzn.ac.za and link to the JOMBA! page. Follow on Facebook (JOMBA! Contemporary Dance Experience) and Twitter (Twitter@Jomba_dance)

The 19th JOMBA! Contemporary Dance Experience is under the artistic direction and curatorship of Lliane Loots and is organised and hosted and run by the Centre for Creative Arts (University of KwaZulu-Natal), and is supported primarily by the eThekwini Municipality

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In Conversation with German Film-Maker - Doris Dörrie by Peter Machen

In Conversation with Doris Dörrie by Peter Machen

Peter Machen spoke to leading German filmmaker Doris Dörrie about her remarkable film Fukushima, Mon Amour which screened at the Durban International Film Festival as part of the German Focus last week.

One of Germany’s leading filmmakers, Doris Dörrie has made several films set in Japan. Her latest film takes place in the evacuated zone of Fukushima where an older geisha has returned to her home in the company of a young German woman who has travelled to the area with a foreign aid organisation. Shot on site, in the aftermath of the nuclear meltdown and the 2011 tsunami that caused it, Fukushima, Mon Amour is remarkable for its fusion of fiction and reality and the way that it tenderly holds the one inside of the other.

I spoke to Dörrie’s about this beautifully judged film, beginning with her initial experience of visiting Fukushima after the meltdown. Dörrie, who has visited Japan many times and made several films in the country, felt a strong need to visit Fukushima in the wake of the devastating disaster. “I have so many friends there and I didn’t want to sit around and get all the information from the news. Everybody in Germany thought all of Japan was radioactively polluted and foreigners pretty much left Japan in those times and nobody wanted to go. So I figured, ‘well I should go’. So I did and I was very struck and overwhelmed by the enormity, the devastation, but also by how people tried to cope.”

“Back then refugees from Fukushima had just moved into these temporary housings and they were trying to come to grips with the fact that they had lost everything within 20 minutes. Which is a very basic human fear – to just lose everything in a moment.”

“And it reminded me so much of the experience my parent's generation had in World War II. Both my parents lost their place to live and everything in Hanover because of the bombing. I didn’t really know whether I wanted to write about Fukushima or make a documentary about it but I knew that I wanted to talk about it. And then it took a long time to come up with the story. I went back so many times and tried to figure out whether it would be possible to shoot at all in that region because it was still ‘the zone’.”

On January 1, 2016, the Japanese government decided to open the zone again because, says Dörrie, they did not want to pay the subsidies for the refugees. “People were being asked to move back, but there was nothing to move back to. So that became the nucleus of the film’s story – this old lady goes back to her destroyed house. And there’s nothing there. Nothing whatsoever. “

And was she concerned about the impact on her own long-term health and that of her crew?

“We shot in the former zone for six weeks and I was there for three months. But by then, we had done so much research. I had taken dust samples and I had gotten them analysed by the German Institute for Radioactivity and they had assured me again and again that it would be alright to take a crew there and spend several weeks there. I really tried very hard to be on the safe side because I didn’t want to take on the responsibility for the entire team. I couldn’t do that.”

“So we made very, very sure that it was going to be okay. We all wore dosimeters that keep collecting the accumulated radioactivity that you’re exposed to. And we sent them in after we got back to Germany and we were just lucky that the readings turned out to be totally okay. That was, of course, a bit of luck also. It’s of course not safe to dig in the ground, to sit under a tree, to eat berries. All of that is not safe, of course not.”

Talking about screenings of the film in Japan, Dörrie says that audiences were extremely emotional. “Everybody has a connection to Fukushima somehow. And people are so grateful to us – which really puts me to shame – but they are, because nobody ever shot a feature film in that region. Nobody. And that’s very, very touching to be thanked for. It is bizarre but sometimes it works that way – that foreigners can come in and they talk about traumas. Because they’re not affected by the trauma, sometimes it's easier to come in from the outside and talk about these things.”

But while cultural distance has its advantages, there are always dangers to telling other people’s stories. Which is why Dörrie says that she always insists on having her perspective in films that deal with other cultures. “Because I wouldn’t dare talk about Japan from a Japanese viewpoint. So that’s why I have the young German in the film, who goes to Japan, who doesn’t know anything about it, who is a fool, the traditional fool, who is very innocent on one hand but also quite ignorant. And I need to have that perspective because that’s, of course, my perspective. As much as I read up and I do research, I’m still ignorant about a lot of things. Because you can never get the inside perspective on a country. So I need to have that perspective from the outside in the story itself.”

o The German Focus at the Durban International Film Festival was presented by the Goethe –Institut, German Films and the German Embassy.

JOMBA! announces International Guests for this year's fest: 23 Aug - 3 Sept

JOMBA! announces International Guests for this year’s fest: 23 Aug-3 Sept

The annual JOMBA! Contemporary Dance Experience presented by the University of KwaZulu-Natal’s Centre for Creative Arts (within the College of Humanities) has announced its international guests for this year’s 19th edition which takes place in various venues around Durban from 23 August to 3 September.

This year’s festival promises a feast for dance and theatre lovers over 12 days with a programme featuring some of the world’s most innovative dance theatre work from South Africa, Africa and abroad, that promises to provoke, entertain, delight and challenge audiences. International companies featured include Germany’s steptext dance projects, Benin dancer and choreographer Marcel Gbeffa and INTRODANS from the Netherlands, who will also perform at the Baxter Theatre in Cape Town in September following their JOMBA! season.

The Festival opens with a stellar international partnership with the Johannesburg-based Vuyani Dance Theatre and Germany’s steptext dance projects. In a profound meeting of Europe and Africa, choreographers Gregory Maqoma and Helge Letonja (Bremen, Germany) join forces to create “Out of Joint”. Six dancers meet in a furious game of difference where the dance is a Babylon of physical co-existence with dancers exploding into centrifugal power, paralysis, fear and the rebellion of both the individual and the social body.

JOMBA!’s long term vision to honour the African continent and to continue to make artistic connection with the rest of Africa, manifests in this year’s hosting of Benin dancer and choreographer Marcel Gbeffa.  With support from the Alliance Française (Durban), the Institut Français d’Afrique du Sud, Gbeffa makes his first trip to South Africa and will perform his acclaimed solo work “Et Si ...”.

Gbeffa uses a repetition of animal movements, which he then adapts to his human dancing body before transforming the dance into involuntary and spontaneous animalistic reflexes. It is a bold and masculine work whose origins lie in the zeitgeist of West Africa. Gbeffa will also be conducting the annual festival residency with five KZN dancers: Bonwa Mbontsi, Tegan Peacock, Steven Banzoulu, Sibonelo “China” Mchunu, and Kim McCusker-Bartlett. The culmination of the residency will be given a showing at the KZNSA Gallery in Glenwood.

Dutch favourites, INTRODANS, join JOMBA! on a third festival visit to offer a programme (3 performances) of dance works from their award-winning repertoire. Considered one of Europe’s leading touring companies, INTRODANS works in a neo-classical ballet idiom that will delight both ballet and contemporary dance-lovers alike. They have titled their JOMBA! 2017 programme “WONDERLAND” which features a ‘wonderland’ of works by choreographers Hans van Manen, Ton Wiggers, Cayetano Soto and Alvin Ailey’s new artistic director, Robert Battle. Their work is always witty, technically supreme and full of beauty.

INTRODANS collaborates with Durban’s FLATFOOT DANCE COMPANY in a special work that premiers at the festival. JOMBA! has taken on the mandate to support disability dance practices in KZN and has done so in a bid toward inclusivity around dance. INTRODANS’s artistic manager, and celebrated choreographer, Adriaan Luteijn will be spending 3 weeks in Durban working with FLATFOOT and four specially auditioned dancers with Down Syndrome to create the Durban version of “Cardiac Output”.

The medical term “cardiac output” is used for the amount of blood pumped through the heart per minute. This choreography is about matters of the human heart which can influence the cardiac output. The first version of “Cardiac Output” premiered in March 2016 in Amsterdam. Lutejin has become world famous for his choreographic works that team up professional dancers with dancers who are often denied access to dance due tointellectual or physical disability.

Once again the KZNSA Gallery features in the programme, offering an alternate challenge to dance makers and for those intrepid artists who work outside of the traditions of the proscenium arch. Not only will this event see the outcome of Benin’s Marcel Gbeffa’s JOMBA! residency, but the evening will host 3 new works by some of Durban’s most cutting edge voices to be announced at a later stage.

JOMBA! hosts its usual platforms of the Fringe (August 29) with 10 new works of about 15 minute each, and the Youth Fringe (August 27), and a full programme of workshops and master classes by all of the participating dancers and choreographers.

The festival will take place at different venues around Durban: Pieter Scholtz Open Air Theatre on August 27 at 2:30pm (free entry), KZNSA Gallery on August 28 from 6pm (R50) and the Elizabeth Sneddon Theatre on all other days with tickets on sale at Computicket or one hour before the performance (R60 or R45 forscholars/students/pensioners).

For a full listing of the programme and workshops go to www.cca.ukzn.ac.za and go to the JOMBA! page.  Workshops and classes are offered free of charge (dancer over 16yrs only), booking is essential viajombafestival@gmail.com. Facebook (JOMBA! Contemporary Dance Experience) and Twitter (Twitter@Jomba_dance).

 The 19th JOMBA! Contemporary Dance Experience is under the artistic direction and curatorship of Lliane Loots and is organised and hosted and run by the Centre for Creative Arts (University of KwaZulu-Natal), and is supported primarily by the eThekwini Municipality.

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CAPTIONS TO PHOTOS

Et Si - photo credit Andreia Salame:

Benin dancer and choreographer Marcel Gbeffa, with support from the Alliance Française (Durban), the Institut Français d’Afrique du Sud, Gbeffa makes his first trip to South Africa and will perform his acclaimed solo work “Et Si ...” at this year’s JOMBA! festival in Durban.

Out of Joint - photo credit M. Menke:  In a profound meeting of Europe and Africa, choreographers Gregory Maqoma and Helge Letonja (Bremen, Germany) join forces to create “Out of Joint” - to be performed at this year’s JOMBA! 

festival in Durban.

Malasangre - photo credit Hans Gerritsen: INTRODANS from the Netherlands will feature a ‘wonderland’ of works by choreographers Hans van Manen, Ton Wiggers, Cayetano Soto and Alvin Ailey’s new artistic director, Robert Battle at this year’s JOMBA!  festival in Durban.

Black Cake - photo credit Hans Gerritsen: INTRODANS from the Netherlands will feature a ‘wonderland’ of works by choreographers Hans van Manen, Ton Wiggers, Cayetano Soto and Alvin Ailey’s new artistic director, Robert Battle at this year’s JOMBA!  festival in Durban.

DIFF Film Karl Marx City has messages for South Africa and the world

A Durban International Film Festival Film - Karl Marx City has messages for South Africa and the world.

By Wanda Hennig

German-born New York film-maker Petra Epperlein was at home in the United States with her co-director husband Michael Tucker when she received the devastating news. Her father was dead. He had hanged himself from an oak tree in the garden of the family home. The home her mom still lived in. The home that for the first 20 years of Epperlein’s life (and for 20 years before that) was in Soviet-controlled East German, the old German Democratic Republic (DDR).

There had been no warning signs that her dad was planning to end his life.

What Epperlein did know, however, was that after the Berllin Wall fell in 1989 and as the process of reunification was beginning, he had been mailed several veiled threats. Notes accusing him of having been in alliance with the sinister, controlling Stasi, the Ministry of State Security “secret police” that had created a society under constant “Big Brother” surveillance and in the grip of fear: even of thinking the wrong thoughts.

So was born the intimate and personal documentary Karl Marx City, the film that has brought Epperlein to the 2017 Durban International Film Festival. It is one of 10 “German Film Focus” films screening: a collaboration between the German Embassy, the Goethe-Institut, German Films and Berlinale Talents, with DIFF 2017. Epperlein, also part of DIFF’s women-led films focus, will share knowledge with aspiring film-makers while here.

Karl Marx City was the city of Chemnitz before the 40-year DDR period. With the name change came a 40-ton bronze monument of Marx’s head that still looms over the inner city skyline: even though the city is Chemnitz once more.

“My father’s suicide made me question my memories of him. Do we really know who our parents are? You live with them. You see them in a certain way. I had a perception of my father as a warm and loving person.”

But with his suicide she began to question her memories. Could her childhood have been an elaborate fiction? Could her father in fact have been an informant? The Stasi were known to have had neighbour spy on neighbour; children report on parents.

We are chatting at the Elangeni Hotel. Epperlein is just off the plane from New York City. The gaminesque architect turned film-maker is shiny-eyed from jet-lag but alert, curious about Durban (“what mustn’t I miss?) and happy to share both perceptions on her movie and the fact that Karl Marx City—the fourth film she and Tucker have made to premier at the Toronto Film Festival—has received fantastic reviews in the New York Times, the Los Angeles Times and elsewhere.

Epperlein was an architecture student at university in Dresden when the Berlin Wall fell. The revolution that saw the Cold War unravel started in Dresden. She was in the thick of it. Scenes from the time feature in her film. East Germans were trying to escape to the West in growing numbers. Many had sought refuge in embassies in Budapest and Prague. The DDR regime agreed to give passage to the unsustainably large numbers holed up there. They would be taken by train to (west) Berlin. The train would pass through Dresden. The aim was for Stasi officers to board the train in Dresden and take away passports “so they could never return”.

But riots erupted. You see footage of the riots is in the film. “It was the first riot against the regime. I was there and it was four weeks of true excitement.”

Within a month the wall came down.

Two years later, soon as she completed her degree, Epperlein moved to Berlin. “The city centre didn’t exist. It was unchartered territory,” she says. “There were clubs and parties and excitement. Young people moved in and claimed it as their own—until the capital came in and started claiming it.”

After two years in Berlin, where she worked as an architect, Epperlein booked a ticket to New York City. “The ultimate symbol of freedom. I went to check it out.” She found it lived up to its promises and cliches.

It gave her something else too. She met Michael Tucker, the guy who became her husband. He was a film-maker. They became not only partners but also film collaborators. “Film-making and architecture are pretty similar,” she says. “With both, you have to organize complex structures in time and place.”

Epperlein’s father suicide came shortly before the 2013 Edward Snowden National Security Agency (NSA) leaks in the US. “Inspiration for the film came via the NSA leaks. People started comparing the Stasi to the NSA. This bothered me. They were really not the same. The Stasi were a repressive communist regime. You were not permitted to express your view or dissent. The NSA operates within a democratic society.

“I realised how little people knew about the Stasi or what life was like behind the Iron Curtain. East Germans don’t want to talk about it 27 years after reunification. It hasn’t been processed. Questions, for example about complicity, haven’t been addressed. It’s complex. So many questions.

“I thought, before it slips away and is lost, we should make a film about it. The final decision came after we went to the Stasi archives and discovered the film and video archives. Endless hours of surveillance. Mind-blowing. So much of it banal. The banality of evil. Unsuspecting people unaware they were being watched. Almost perfect documentary material.”

At the start of their quest, to try and find answers via the Stasi files, Epperlein had to convice her mom and her twin brothers that addressing this via a doccie was a good idea. “It was my obsession, to try and find the truth about my father. I imposed it on them. They were at first opposed. But then they went along.” The experience, she says, has brought them closer.

This is a film that will resonate with many South Africans who lived through apartheid. Think Broederbond and the Bureau for State Security (BOSS). Even the recent revelations of the Bell Pottinger secret manipulations... On a more intimate level, the family relationships resonate.

Epperlein and Tucker sponsor their own movies. They make them, then set about selling them. One called Fightville about cage fighting—“some amateur fighters who think their way of fulfilling the American dream is to go into a cage and beat each other up”—made them a bunch of money a couple of years ago.

It supported the current film “about a world that doesn’t exist any more.” Yet has profound lessons in the world we live in now where constant surveillance is a given. “It’s good to be aware of what it feels like to live in a truly oppressive society.”

The Stasi, she laughs, would have loved Facebook.

Karl Marx City shows tonight ( July 17) at 5pm  (one screening only) at Gateway Sterkinekor during the Durban International Film Festival which runs until Sunday, July 23. Tickets for this screening at box-office or www.sterkinekor.com.  For more information about the DIFF go to www.durbanfilmfest.co.za.

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The Durban International Film Festival brings Germany to South Africa

The 38th edition of the Durban International Film Festival (DIFF) is set to captivate audiences with a German Focus, which features ten gripping films by some of Germany’s finest directors, a masterclass by German film industry professionals, as well as networking sessions with the cream of the international film industry crop.

 Curated by Alex Moussa Sawadogo, the variety of the films on the lineup is set to keep audiences enthralled. Films such as The People vs Fritz Bauer (which relates to German history after the WWII and the role of the attorney of law Fritz Bauer in confronting the state with its political shortcomings), Paula (which recounts the journey of a well-known early 20th century painter, who discovered her artistic freedom in a more traditional Germany), Goodbye Berlin (a depiction of how the German Democratic Republic and the Federal Republic of Germany merged into one state, taking two young children as the protagonists of a road movie through former East Germany) and Greetings From Fukushima (which breaks the common stereotypes that surround Germans) will leave audiences with a better understanding of German history, culture and people.

 While Goodbye Berlin ties in with this year’s overall festival theme, “Transit Tales”, All of a Sudden, Greetings From Fukushima, Paula and Karl Marx City speak to one of this year’s focus areas – women-led films.

 DIFF audiences will have the chance to meet key people behind the productions. Anand Batbileg and Tristan Göbel, two of the most promising talents in Germany’s film scene and the main actors of Goodbye Berlin will be in Durban for a Q&A following the German Gala screening of Goodbye Berlin at The Playhouse (Drama Theatre) on 16 July (time to be confirmed). The award winning and family friendly film was made by prominent film maker Fatih Akin who recently presented his last film in Cannes. Tickets for the Gala Screening are available at Computicket.

 Another confirmed DIFF guest is Doris Dörrie, director of Greetings From Fukushima. With her unmistakable way of storytelling, she has been one of the towering figures in German cinema since she stirred up the countries’ film scene in 1985 with the gender comedy Men. Christian Schwochow has been awarded for both his cinema and theatre work and will visit DIFF in his capacity as Director of Paula. Petra Epperlein will visit Durban as well to present the extraordinary documentary Karl Marx City, which is a highly personal cinematic journey into her childhood to find the truth about her late father’s suicide and his rumored past in the GDR’s secret service. Furthermore, Directors Karin Steinberger (The Promise) and Stephan Rick (The Dark Side Of The Moon) will be attending DIFF. 

 The German Focus at DIFF 2017 is presented by German Films, the Goethe-Institut and the Embassy of the Federal Republic of Germany in South Africa in cooperation with DIFF. 

Alex Moussa Sawadogo, director of the Afrikamera Festival and curator of the German Film Focus at DIFF elaborates: “Long considered as a highly politicized cinema that placed social and political criticism at the heart of its creation, today, German cinema is dominated by a new generation of directors. From diverse origins, free and gifted, these German directors are at the foreground of the vivacity of the production of German cinema, which is recognized all over the world. They bring the concerns of their generation in an intimate sphere on screen and discuss the tribulations of a new Germany that has opened itself to the world - particularly by receiving many people in distress. The German Film Focus at DIFF 2017 presents itself as a unique platform for the discovery of a program of new, diversified, exciting and engaging German films of all kinds – a cinema that places German people from all origins at the heart of its creation.”

Mariëtte Rissenbeek, German Films Service said: “The majority of the films we are presenting have been very successful at a large number of international film festivals. The kinds of stories they tell and the way in which they are told are relevant for a larger international audience, and the director’s handwriting has both a specific and an international element. The strength of German cinema at present is its diversity. Since the year 2000 a number of German films, about German history and personal stories, have been made which achieved international success.”

 Lien Heidenreich-Seleme, Head of Cultural Programmes at the Goethe-Institut, added: “The goals of the Goethe-Institut are to support film within the creative industries and to undo with stereotypes through visual storytelling. We do this with training and networking initiatives, through interdisciplinary and pan-African collaborations, and by increasing access to the variety of German filmmaking. In this light, and after our longstanding relationship with DIFF, we are excited about this year’s German focus.”    

 DIFF, the Goethe-Institut South Africa and Berlinale Talents have a decade-long partnership. This year marks the 10th anniversary of Talents Durban, a programme that began in 2008 as a result of the partnership between DIFF and Berlin International Film Festival’s Berlinale Talents, with the support of the Goethe-Institut and the German Embassy.   

 Talents Durban is an annual five-day training and mentorship programme that runs at DIFF, aimed at empowering emerging 27 African screenwriters and directors working on projects for film, television, web series and content for mobile platforms. The 10th edition will take place from 14-18th of July under the theme “Perspectives: Seeing things differently”, which is derived from the observation that film alone may not change the world but can show the world when it changes. Talents Durban looks to not only highlight the stories of Africa, but create a culture of Africans telling their own stories, and most importantly from their experience and perspective of cutting edge and modern cinematic technology. Talents Durban is happy to welcome the German directors Doris Dörrie, Petra Epperlein and the two main characters of Fatih Akin’s film Goodbye Berlin, Anand Batbileg and Tristan Göbel. As part of Talents Durban and in association with the Goethe-Institut and FIPRESCI (International Association of Film Critics), the Talent Press programme will provide again mentorship and hands-on training in the craft of film criticism to three emerging African journalists. 

Furthermore, the Goethe-Institut will present “New Dimensions – Virtual Reality Africa”, a brand new package of four VR productions from Kenya, Ghana and Senegal. The works were co-produced with Cape Town based Electric South. To be shown at the Durban FilmMart (DFM), they allow a glimpse into the fascinating new opportunities that technology provides for visual storytelling.

DIFF is one of Africa’s leading and longest running festivals, and runs from 13 to 23 July in Durban, South Africa. 

To find out more about the German Focus at DIFF, visit www.durbanfilmfest.co.za, or follow the Festival and the German Film Focus partners on social media: 

Twitter: 

@DIFFest (#DIFF2017) 

@German_Films #germanfilms

@goethejoburg 

@berlin_talents

@GermanEmbassySA

Facebook: 

Durban International Film Festival 

German Films

Goethe-Institut Johannesburg

Talents Durban

German Embassy Pretoria

Instagram:

@durbaninternationalfilmfest

@germanfilms #germanfilms

@goethe_jhb

@berlinaletalents

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Virtual Reality Showcase at DFM 2017

Virtual Reality Showcase at DFM 2017

An exploration of the possibilities of Virtual Reality (VR) will be one of the highlights of the 8th Durban FilmMart (DFM), Africa’s premier film finance and co-production forum, which takes place at the Tsogo Sun Elangeni Hotel from July 14 to 17 during the Durban International Film Festival.

Virtual Reality (VR) is one of the most exciting emerging technologies on the digital landscape and there is little doubt that it will ultimately have a massive impact on the ways that we consume media and engage with each other and society. At the same time, VR is still such a wide open frontier that there is little consensus as to what the future of this embryonic technology will be. This year’s DFM programme features a number of events that explore the possibilities of VR, particularly in terms of filmmaking and digital storytelling.

For those unfamiliar with VR – or who may not have experienced it for themselves – a VR demo session will take place on Sunday, July 16, from 10am-12noon, in the form of a Master Class presented by AFDA which will showcase the Pro VR 360 Headset. Then, on Monday, July 17, from 2pm-3pm, there will be a session entitled: ‘VR: What’s Happening in Africa and What Can We Make Happen?’ presented by Electric South and AFDA. Featuring VR experts Ingrid Kopp and Shmerah Passchier, the session will explore the possibilities for VR on the continent as well as present and discuss various projects that are currently underway in Africa. Kopp, who is one of the leading authorities on interactive media and virtual reality in the context of digital narratives, will talk about her experience with African-produced VR and the challenges facing the industry, while Passchier will discuss the notion of the cyborg filmmaker, in which virtual reality and the notion of the digital-human collide.

Passchier, who is at the leading edge of theoretical writing about VR, notes that “the cyborg filmmaker emerges from science fiction, specifically from afrofuturism, from Africa. It is the cinematic voice of the global south. The cyborg disrupts the boundary between human and machine because the tools of VR filmmaking are extensions of the cyborg self. The afrofuturist cyborg inserts itself into the global virtual reality narrative by splicing technology into the story-telling self. The virtual reality camera rig, with its multiple eyes, hybridises and multiplies the possibilities of new ways of seeing.”

She continues: “By harnessing the tools of the digital revolution, we transcend our race, our gender and our species. We splice the self with technology to form new identities, to tell new stories, to create new worlds of immersive story, to disrupt reality, to disrupt the human being, to become cyborg filmmakers.”

Talking about the African VR industry, Kopp is excited by the work that has emerged so far but also recognizes the financial challenges involved and warns that it’s vital that Africa, which has so much to offer the VR industry, does not get left behind because of a lack of funding and resources. “In many ways, the continent’s VR landscape is uncharted territory,” said Kopp. “While hubs of activity have emerged in places like Johannesburg, Cape Town, Nairobi and Accra, even those working in the industry struggle to get a clear sense of what works – and what doesn’t – in different cities and outside the urban hubs”. She points out that everything, from how to get equipment in and out of countries to skill-building to camera setups that are rugged and don’t overheat, is part of a growing conversation about what form the African VR industry will take as it establishes itself.

But even with the availability of accessible gear, other technological and economics constraints will make it difficult for widespread consumer adoption to take off in many African countries. For producers, though, an industry is emerging that might, in time, satisfy global demand for African content. It is vital, says Kopp, that African VR content is made by Africans.

As well as the masterclass demonstration and the VR discussion session, Electric South, together with the Goethe Institut, will also be showing VR films in the industry lounge for the duration of DFM, including The Other Dakar by Selly Raby Kane, Spirit Robot by Jonathan Dotse, Let This Be a Warning by The Nest Collective and Nairobi Berries by Ng’endo Mukii.

So don’t miss this opportunity to explore this cutting-edge technology and the endless possibilities that it presents.

Ingrid Kopp is a co-founder of Electric South, a non-profit initiative that aims to develop virtual reality and mobile storytelling projects across Africa. Kopp is also a senior consultant in the Interactive Department at the Tribeca Film Institute where she works at the intersection of storytelling, technology, design and social change. Along with MIT’s Open DocLab, she leads the Interactive Media Impact Working Group, exploring how emerging media engages audiences, and recently launched Immerse, a new publication for Medium, as an extension of this work. Having spent 10 years in New York, Kopp is currently based in Cape Town.

Shmerah Passchier has worked in the film and television industry as a writer, director and producer. She has travelled extensively around Africa, directing magazine, reality shows and documentaries for the SABC and DSTV. Passchier has a Master’s degree in film from AFDA and a Master’s degree in Anthropology from Wits University. She is currently reading for a PhD in Cyborg Filmmaking and Virtual Reality at Wits University.

The 8th Durban FilmMart takes place in Durban, at the Tsogo Sun Elangeni from 14 to 17 July 2017, during the 38th edition of the Durban International Film Festival (13-23 July 2017).

For more information on the Durban FilmMart and to register as a delegate visit www.durbanfilmmart.com

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Grantleigh claims their third SPAR KZN School Girls' Hockey Tournament Regional Title

A monumental tussle between two rival schools, saw Grantleigh College reclaim their title in the Northern Coastal regional of the SPAR KZN School Girls’ Hockey Challenge which took place at their school on Sunday, May 28. 

Having previously twice won this regional Grantleigh were not going to relinquish their title without a good fight. Faced with a tight-knit outfit representing Felixton, the two teams came head to head in a dramatic, fast-paced and energetic gold/silver finals.

Felixton dominated the majority of the game, powerfully surging forwards countless times but encountered a firm solid defense from Grantleigh’s backline, and were unable to penetrate. In the last three minutes, Grantleigh secured a short corner, and Chene van Wyk managed to convert it into a point to steal the hopes of a win from their opponents.

Both Felixton and Grantleigh won their pool games and met Empangeni High School and Richardsbaai Skool respectively in the semi-final playoffs. The semis ended with both finalists going one-up against their opponents. Then Empangeni met Richardsbaai for third position in the bronze game, with Empangeni winning 1-0.

Danielle van Onselen, Captain of Grantleigh who was ecstatic about the win said, “It was a fast and tense final and there was a lot on the line going up against Felixton. At half time we really decided that we wanted this win very badly, and we went for it.”

Winning the award for the Most Promising Umpire, fourteen-year old Brett Braithwaite from Grantleigh, exhibited fantastic control and knowledge of all the games he officiated and oversaw.

Nine teams participated in this year’s Northern Coastal regionals and the tournament was played in two pools, with games lasting 20 minutes one-way with the final game lasting half an hour going two ways.

Wrapping up the regionals for this year’s SPAR KZN School Girls’ Hockey Challenge, Grantleigh will meet St Mary’s winners of the Highway Regional, King Edward High School, winners of the Ugu and Sisonke Regional, Ferrum Skool (Newcastle), St Anne’s College (PMB North), St John’s DSG (PMB Central), Amanzimtoti High School (Durban South), Our Lady of Fatima (Durban North) and Durban Girls College (Durban Central) and Wartburg Kirchdorf (Umvoti, uThukela and Umzinyathi) at the Grand Finals at St Mary’s in Durban on July 29 and 30.

Jumpstart - Pitching programme for emerging South African filmmakers at Durban FilmMart

Ten South African emerging filmmakers will have an opportunity to hone their pitching skills at this year’s Durban FilmMart (DFM) Jumpstart – a compact programme that essentially provides a springboard for filmmakers new to the industry, which takes place in Durban from July 14 to 17 during the Durban International Film Festival.

Supported by DFM partner, Produire au Sud of Festival des 3 Continents, in Nantes, France, the programme aims to introduce emerging filmmakers to the art of project pitching, and will also provide participants with a guide on how to maximize festivals and markets, and expose them to the workings of local and international industry.  

This is also a way that they are provided with a professional introduction to the international co-production market,” explains Toni Monty, Head of the DFO. “Often for filmmakers, new to the scene, this is a very daunting task, and if they have never been exposed to how pitches are conducted would find it very intimidating doing so for the first time. So this programme provides a safe and engaging introduction for filmmakers to be exposed to the inner workings of the pitch.” 

Jumpstart begins on July 13 with an introduction and overview. The next day, participants will take part in a workshop conducted by Stefano Tealdi, seasoned producer and director who also tutors film development and production at universities and master courses, and film pitching for organisations, such as Biennale Cinema College, Cannes Film Market, Festival des 3 Continents – Produire au Sud, Media Business School, Med Film Factory, Scuola Holden, TFL-Torino Film Lab, ZELIG Film School. 

They will also participate in the edgy Restless Talent Pitch workshop and will be eligible to put their names forward for random selection to pitch their project at the Restless Talent Pitch at DFM. The workshop and pitch are hosted by Restless Talent Management, the first global management company to focus on African talent.

The candidates will have opportunities to discuss their projects with mentors, take part in a Virtual Reality workshop, attend a co-production workshop hosted by the NFVF and observe the Talents Durban Story Junction session – activities all aimed to further develop their pitching skills and confidence.

Interested filmmakers are invited to apply for this programme. Submissions are now open and will close at 5pm on June 16, 2017.

The programme is for emerging South Africa Filmmakers only. Applicants must submit their project synopsis and filmmaker profile.

To apply email info@durbanfilmmart.com and use Jumpstart Application in the subject line.

For further information about the Durban FilmMart or to register go to www.durbanfilmmart.com.

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