European Film Festival 2017 in South Africa

European Film Festival 2017 in South Africa

Treat yourself to the best of European Cinema

The European Film Festival is back for the 4th time at Cinema Nouveau theatres in Johannesburg, Pretoria, Cape Town and Durban from 5 to 14 May.

The lineup of films represents 12 countries, including Ireland and Croatia for the first time. Each film reflects the skills and take on the world of filmmakers who are not limited by national borders. American Honey, an award-winning British-made road movie set in America’s mid-west, is as much a magical mystery tour into Americana as it is a coming-of-age drama. King of the Belgians is a comedic piece coming out of Belgium, which sees the Belgian king and his entourage crossing the Balkans in a madcap adventure, after learning of a coup back home. Acknowledged by the Rotterdam International Film Festival, this movie is a road trip with a difference, at once thoughtful, hilarious and wild.

Strike a Pose is a Dutch documentary exploration of “Madonna’s men”, the male dancers who served to consolidate the pop icon’s message and status as an outspoken advocate for LGBT-rights. This winner of a jury award at the Key West Film Festival is an unrelenting documentary which exposes new aspects of a well-known story. Germany’s Toni Erdmann is the outlandish tale of how the passing of a family dog sets off a series of events with a major impact on a father-daughter relationship. Touted as an academy award winner for best foreign film in 2017, this is a must see, by all accounts.

Festival Director Katarina Hedrén who returns as the curator for the second time is delighted with the pickings: “With this year’s selection which includes films of different genres, textures and moods, the aim is to entertain, amuse and offer opportunities for reflection, new discoveries and recognition,” she says. “The theme binding the films together is cinematic excellence through acclaimed and award-winning films from 12 European countries.”

The 2017 selection is a mixed pot in terms of film themes, which span from animal rights to family dynamics. Dramas and documentaries, comedies, tales of grief and a children’s adventure sit side by side on this eclectic and exciting programme. 

“The films are new, but the commitment remains the same: to offer audiences in South Africa an opportunity to experience acclaimed and award-winning European cinema,” adds Hedrén.

Motheo Matsau, Chief of Marketing and Sales at Ster-Kinekor Theatres, adds: “Our Nouveau cinemas are synonymous with the screening of the very best in art-house and foreign language films from across the globe, and the European Film Festival content certainly delivers on that promise.”

“European filmmaking has seen another year of highly creative output, and filmmakers continue to produce works that challenge and uproot. We are happy that Festival Director Katarina Hedrén’s 2017 film selection has given even more variety to the European Film Festival.”, says Norbert Spitz, Director of the Goethe-Institut, on behalf of the European partners.

The European Film Festival is coordinated by the Goethe-Institut South Africa, hosted by Ster-Kinekor Cinema Nouveau, and organised in partnership with the Delegation of the European Union to South Africa and 12 other European cultural agencies or embassies in South Africa: the General Representation of the Government of Flanders, the French Institute, the Italian Cultural Institute, the Camões Institute, the British Council, and the Embassies of Austria, Belgium, Croatia, Ireland, the Netherlands, Poland and Spain. The European Film Festival is part of the EuropeFest, presenting in South Africa in May 2017 a diverse range of EU Member States cultural events.

For more information, visit www.eurofilmfest.co.za or join the conversation on Twitter and Facebook: #EuroFilmFestSA.

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April 2 is Autism Awareness Day: Pledge to be Non verbal

Action in Autism:

April 2 is Autism Awareness Day: Pledge to be Non verbal

People with autism experience difficulty with verbal and non-verbal communication and social interaction. Over 50 % of people with autism struggle with verbal communication and spoken language. For people who cannot express their basic needs or experiences in a way that the rest of the world understands, life can be isolating and extremely lonely. 

Action in Autism has committed to acknowledging World Autism Day on April 2 by asking people to make their pledge to be non-verbal for 2 hours – from 10am to 12pm. To respect, acknowledge and accept difference, the public is asked to join the organisation and thousands of our people with autism, and pledge to use an alternative means of communication – signs, gestures, pointing, typing or drawing – during this time. 

“The Action in Autism family will be at the Botanic Gardens in Durban from 10am to 12 noon on April 2, and we invite everyone interested to pack a picnic basket and blanket and join us,” says Chairperson of the organisation, Liza Aziz. “We invite people to be part of a meaningful activation that tangibly demonstrates that speaking is not the only form of communication. In this way we are able to honour those who experience their worlds and means of communication in a different way to most.”

Action in Autism, which does not receive any funding from government,  invites all people who would like to support the organization through cash or kind or through volunteering time. A fundraiser will be held on 22 April at 7pm at St. John’s Hall.  Tickets are only R80 and are available from their offices.  For more information about Action in Autism and the support to parents and families provided by the organisation, please call 031 207 4858 or email info@actioninautism.org.za.

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Interview with Captain of the Durban Girls’ College First X1 Hockey team, Lori Niemand

Captain of the Durban Girls’ College First X1 Hockey team, Lori Niemand, is looking forward to leading her team out onto the 3 Schools’ Trust Astroturf as they attempt to retain their Durban Central regional champion title in the SPAR KZN Schoolgirls’ Hockey Challenge on Sunday, March 26.

The DGC link, who lives in Durban North, has full colours for hockey and plays for KZN, seems to be as much at home on the turf, as she is in water, on stage and in the classroom. The busy 18 year old has received rewards for her efforts with special honours for synchronized swimming having competed for SA five times, half-honours for art and full honours for academics. 

Her passion for the game started when she began playing hockey in Grade R at DGC and says that the thing she most loves about hockey is “the close bond you form with your team members and the excitement of matches.”

With supportive parents, she has been able to pursue her many sporting interests. “My dad is such a good role model and sports idol,” she enthuses. “He has taught me to always be determined and to have a good work ethic. I really admire him for the effort and hard work he puts in to accomplish such a huge achievement of completing 21 Comrades. He continues to train despite the weather or the early mornings, he has showed me how to be motivated and that you can do anything you put your mind to.”

"My mother has always been there to support both me and my sister at every possible event,” says the sports star, whose sister, Tayla, was also captain of the 1st team at DGC in 2012, and “still plays hockey and is running in marathons.”

“Our coaches are amazing, and guide us so well and that helps create this bond within the team. They encourage us to play hard and do our best. And no matter what the outcome is, always show good sportsmanship.”

Niemand says that while art is her favourite subject, she hopes to become a chiropractor one day, and intends studying Chiropractics at Durban University of Technology when she leaves school.

With the SPAR KZN School Girls’ Hockey Challenge coming up this weekend, the captain says “We always enjoy the SPAR tournament, and we all love those fabulous hampers. I’m really looking forward to the hockey season this year with my awesome team and coach, Ms Meek. Ashleigh Thomas (vice-captain) and I are very excited for the season ahead.”

With all these activities and commitments how does she manage. “My motto is “Keep it simple, but significant. And always remain humble”  and that helps a lot!”

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SPAR KZN School Girls’ Hockey Challenge Durban Central Regional 3 Schools Trust: Sunday 26 March

SPAR KZN School Girls’ Hockey Challenge

Durban Central Regional

3 Schools Trust: Sunday 26 March

The sixth regional of the SPAR KZN School Girls’ Hockey Challenge sees nine Durban Central Schools’ battling it out for the honours at the 3 Schools Trust Astroturf on Sunday, March 26,

Winners of last year’s central regional, Durban Girls’ College will no doubt be going all out to defend their title, having owned this space since the inaugral tournament in 2011 and have won gold in the Grand Finals three times in a row in 2013, 2014 and 2015, with two silvers in 2012 and 2016 and a bronze in 2011.

Joining them on the astro next Sunday will be Maris Stella, St Henry’s, Durban Girls’ High School, Hoërskool Port Natal, Inanda High School, the INK team, a combined team of players from the Inanda, KwaMashu Ntuzuma districtsand two newcomers to the tourney, Durban Girls Secondary and Rossburgh High.

The regional, which is hosted by Durban Girls’ High, will be played in two pools, with each game lasting 20 minutes.

“This is always an exciting regional to watch, as there are some strong teams with healthy competitive spirits determined to claim the title.” says Tournament Director Les Galloway.  “We are particularly pleased to welcome both the INK and Inanda teams back, and we welcome the Durban Girls’ Secondary and Rossburgh High teams to their first regional. This tournament is a fantastic example of how the enthusiasm of the game can spill over to other schools and encourage them to offer hockey as an extra-curricular sport and help to grow the sport.”

“We are always thrilledto welcome new blood to the tournaments, as it provides an opportunity for the teams to meet with new schools, new styles of playing and new challenges,” says Max Oliva, MD of SPAR KZN. “This tournament promises some exciting games, and if any of the other regionals are anything to go by, we are not only in for a fantastic sporting festival, but a wonderful opportunity to meet with like-minded sports lovers, and enjoy the social connections these tournaments offer.”

The winners of this regional will go through to the Grand Finals at St Mary’s DSG in July and will join Amanzimtoti winners of Durban South regional, St John’s DSG (Pietermaritzburg Central) and St Anne’s (Pietermaritzburg North), Ferrum (Northern KZN) and the winner of the Durban North regional which takes place at Crawford La Lucia on Saturday, March 25.

For more info like our Facebook page.

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Flatfoot Dance Company in association with The Playhouse Company presents SADHANA

Flatfoot Dance Company in association with The Playhouse Company presents SADHANA
23 – 26 March 2017
Drama Theatre – Playhouse Complex
 
 
The Flatfoot Dance Company presents Sadhana at the Drama Theatre, Playhouse from March 23 to 26.
 
This newest offering from the same acclaimed team that brought the award winning Bhakti to Durban is choreographed by Lliane Loots, who once again, steps boldly into Eastern mystical philosophy and its confluence with African rhythms and dance, to create a dance theatre feast for the senses.
 
 “it is a rare and very precious moment for me to make dance work that allows for a more inward and contemplative artistic journey,” says Loots, “and so I am relishing this creative process that allows me to collaborate with Durban’s finest dance and musical talent. The very make-up of the cast of dancers and musicians tells a story of multiple histories and identities and so the chance to explore what being South African means to all of us in our own divergent artistic ways, is the very fabric of Sadhana.”
 
Loots joins forces with the six Flatfoot Dance Company dancers, Sifiso Khumalo, Tshediso Kabulu, Mthoko Mkhwanazi, Jabu Siphika, Kim Mccusker-Bartlett and Zinhle Nzama, who bring their own brand of contemporary African dance that is seeing this company being invited all over the world. For Sadhana, they are joined by Kathak aficionado and master, Manesh Mahara, known for his intrepid Kathak solo work.  This is his third performance collaboration with Loots who says, “Manesh is probably one of South Africa’s finest dancers at the moment and both myself and Flatfoot have been graced to work collaboratively with him over the past 3 years. His ability to share his own Kathak style so generously with us and his ability to cross borders into contemporary dance, makes him the biggest jewel in the Sadhana ‘crown’. Sometimes, in rehearsal, I get so mesmerised by his beauty as a dancer that I completely forget my role as choreographer!”
 
Sadhana is a Sanskrit word that means (in loose translation) a journey towards enlightenment that honours both intellectual, emotional and spiritual seeking. Sadhana is a term rooted in Eastern mystical philosophy and Loots, as choreographer, comes to this to encompass a type of journeying we all do as South Africans as we fight for memory and the promises of our own ‘enlightenment’. Sadhana is about what we are prepared to shed in our own voyages to decolonising both the mind and body. Politically powerful and deeply beautiful to watch.

It works on a kind of fusion/trans-cultural dance language that uses the rhythms of classical Indian dance styles (specifically Kathak) overlaid on the African contemporary dancing body – be these ballet or contemporary trained. The work itself has the aesthetics of a long pilgrimage that is taken by both dancer and audience as we journey into the heart of what defines us as African – as both social and spiritual beings.
 
Stalwart South African musician Madala Kunene whose unique African guitar rhythms set up the sound score of the work, integral to the piece . He is accompanied by djembe drummer Mandla Matsha and tabla player Revash Dookhi.
 
Filmmaker and long-time collaborator with Loots and Flatfoot, Karen Logan creates the video installations for Sadhana and continues her keen attention to creating insightful and visually beautiful landscapes that echo Loots’s choreographic visions.
 
Lighting is by award winning designer Wesley Maherry whose creations have found a base in Flatfoot’s work over the past 14 years.  
 
Sadhana runs as an ‘in association production’ with the Playhouse Company from 23 to 25 March at 7.30pm and on 26 March at 3pm at the Drama Theatre (Playhouse Complex). Tickets are R85, with students, scholars, pensioners at R65, and can be purchased through Computicket.

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SPAR KZN School Girls’ Hockey Challenge Northern KZN Regional: Pongola, Saturday 25 February

SPAR KZN School Girls’ Hockey Challenge

Northern KZN Regional: Pongola, Saturday 25 February

The SPAR KZN School Girls’ Hockey Challenge moves north this weekend when the first regional of the seventh annual tournament takes place in Pongola on Saturday, February 25.

Hosted for the second time by Pongola Akademie, the regionals sees nine first team girls’ schools battling it out for the prized title in what promises to be a strong regional. Schools participating including defending champions Sarel Cilliers (Glencoe, Umzinyathi), Newcastle High School, Ferrum High School and St Dominics also from Newcastle, Utrecht High School, Dundee High School, Vryheid High School, Pionier High School (Vryheid) and Pongola Akademie. 

Defending champions Sarel Cilliers, who made their maiden appearance at the finals in Durban last year, having scooped the honours from five times northern regional champions Ferrum High, will no doubt be determined to hold onto their title, with Ferrum eager to claim it back.

Twenty-five minute games with two pools will be played on two fields with the winners of the pools going into a semi-final format. In Pool A are Pionier, Ferrum; Vryheid, Sarel Cilliers and Newcastle, and in Pool B Utrecht, Dundee, Pongola and St Dominics.

The tournament not only aims to support the development of the players, but also that of the umpires. Each school brings their best umpire to represent them on the day and at the end of each regional, one umpire is recognized as the “Most Promising Umpire”.

“Seven years down the line, and we continue to enjoy watching the impact that this tournament has on developing the game in the province,” says Tournament Director, Les Galloway. “There is definitely an increased interest in the game not only from the players perspective but also from the schools and the supporters point of view. We have seen more astroturfs being installed in the province, and a growing spectator base – all boding well for the increased support on all levels for the game.”

New Managing Director for SPAR KZN, Max Oliva said, “With this being the first tournament of my tenure as M.D, I look forward to the fantastic hockey that will be on display throughout the respective tournaments. We are proud to be associated with our sponsorship of girls hockey within our province and these events have grown into something we are particularly proud of. At SPAR we encourage our customers to enjoy a healthy lifestyle, so what better way to do this than providing a platform for a competitive yet super-friendly sporting engagement. We wish all our competitors and their supporters a great day on and off the field.”

Winners of the Northern KZN Regional will participate in the Grand Finals of the SPAR KZN School Girls Hockey Challenge that takes place at St Mary’s DSG over the weekend of 28 and 29 July.

For more info like the Facebook page.

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South African film, The Wound to open the Panorama programme of the Berlin International Film Festival

South African film, The Wound to open the Panorama programme of the Berlin International Film Festival

South Africa / Germany / Netherlands / France

By John Trengove

European premiere

Just after celebrating its selection to have its world premiere in competition at the Sundance Film festival in the USA, the film-makers of the South African film The Wound, have received news that the film has been selected to open the Berlin International Film Festival’s Panorama section in February 2017.

Produced by Urucu Media, directed by John Trengove and co-written by Trengove, Thando Mgqolozana and Malusi Bengu , The Wound stars multi-talented musician and novelist, Nakhane Touré in his acting debut, with Bongile Mantsai and Niza Jay Ncoyini.

The Wound tells the story Xolani, a lonely Xhosa factory worker who joins the men of his community in the mountains of the Eastern Cape to initiate a group of teenage boys into manhood. When a defiant initiate from the city discovers his best kept secret, Xolani's entire existence begins to unravel.

Speaking from Cape Town, producer Elias Ribeiro said “We could not have wished for a stronger start for The Wound. We will have the spotlight in the two top festivals in North America and Europe, and that bodes well for its future, as Pyramide, our International Sales Agents will be representing the film at their booth inside the European Film Market in Berlin in February.”

The Berlin International Film Festival website describes the Panorama programme as a showcase of “new films by renowned directors, debut films and new discoveries. The selection of films provides insight on new directions in art house cinema. Traditionally, Auteur Films – movies with an individual signature – form the heart of the programme, and aims to take quality independent film out of its niche into the spotlight of the international market.”

“The fabrication of masculinity has long been a consistent theme in Panorama,” said the statement from the festival. “Producer Elias Ribeiro previously delighted festival audiences in Panorama 2015 with Necktie Youth.”

John Trengove commented: “I was interested in what happens when groups of men come together and organize themselves outside of society and the codes of their everyday lives. I wanted to show the intense emotional and physical exchanges that are possible in these spaces and how repressing strong feelings leads to a kind of toxicity and violence. As an outsider to this culture, it was important that I approach this story from the perspective of characters who are themselves outsiders, who struggle to conform to the status quo of which they are part.”

The Wound is a co-production between South Africa, Germany, The Netherlands and France and was shot on location in the northern region of South Africa. The film was developed with the assistance of The Hubert Bals Fund and ARTE International Prize. The Department of Trade and Industry and The National Film and Video Foundationas well as The World Cinema Fund supported production and the film pre-sold to broadcasters ARTE France and ZDF in Germany. The film’s intended release in South Africa is July 2017.

For more information about The Wound, visit www.urucumedia.com/thewound

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Sharlene Versfeld

Versfeld & Associates

Public Relations and Communications

Email: sharlene@versfeld.co.za

Twitter: sharlvers

Website: www.versfeld.co.za

Memorial for award-winning Durban filmmaker Junaid Ahmed - December 14 at 7pm

Memorial for award-winning

Durban filmmaker Junaid Ahmed

The family and friends of the award-wining Durban film-maker Junaid Ahmed who passed away on November 1 this year, extend a warm invitation to all who knew him to join them in a celebration of his life at the Suncoast Cinecentre on Wednesday, December 14 at 7pm. 

Born in Durban in 1959 Junaid went to Southlands High School and graduated from the University of Durban Westville in the 1980’s with BA (Honours) degree in Drama.

Junaid’s passion was always in the creative industries and he had a varied and prolific career in the arts.  He produced, workshopped, acted in and directed many theatre productions at various community venues including the Asoka Theatre, the Market Theatre and at the National Arts Arts Festival. He also wrote and directed the acclaimed musical, Bombay Crush, which starred well-known SA actress Kajal Bagwandeen.

A former board member of the National Interim Film Fund Board (now the National Film and Video Foundation), the international award winning director and producer also had a string of successful film projects to his name. His short film highlights include directing The Vow for Miramax and Channel 4 Films. He also produced the short film Lucky, which was screened at over 80 international festivals in 2006 and was nominated for the 2006 British Academy of Film and Television Arts (BAFTA) Best Short film award, and it won Best Short Film at over 40 international film festivals.

He directed the feature film More Than Just A Game for which Sony Pictures International (SPI) acquired the international distribution rights and was broadcast in over 40 countries. Together with Helena Spring, Junaid was, at the time of his death, producing a slate of nine films supported by the NFVF. The first of these - Hard To Get opened the 2014 Durban International Film Festival, and was released in cinemas later that year. Then in February this year their co-produced film Happiness is a Four Letter Word  (with Khanyi Mbau, Renate Stuurman and Mmabatho Montsho in lead roles) was the best performing film of all new releases, in South Africa on its opening weekend. They were currently working on their next film Keeping up with the Kandasamys directed by Durban’s Jayan Moodley, which is in post-production.

Prior to his filmmaking career, he spent ten years as the secretary general of the Congress of South African Writers (COSAW) for some time, he edited poetry anthologies and his articles on arts and culture related issues were published in a number of international publications. 

He is survived by his wife Liza, sons Tariq and Jarred and daughter Taegen.

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Action in Autism’s Year End Social

Media Release

Action in Autism’s Year End Social

Action in Autism is hosting its annual Year End Social on Saturday, 3 December from 10am to 2pm at the George Campbell School Grounds. This event is free to all people with autism and their families and there will be snacks and refreshments, a jumping castle, fun and games for all.

Action in Autism, based in Sydenham, houses an early learning intervention centre for children ages 2 to 6 years, and provides free support, advice, research and information to people with autism and their families. A free monthly diagnostic clinic is offered to families who do not have access to medical aid, and Action in Autism runs bi-annual training workshops, hosted by a team of professionals, that aims to share information and transfer skills and techniques for communication to parents and professionals.

Anyone wishing to attend this social, to make a donation to help cover costs or for more information about Action in Autism,  can call 031 2074858, or email info@actioninautism.org.za.  The webiste address is www.actioninautism.org.za for more info on the organisation.

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Train of Salt and Sugar – wins Best Film at Joburg Film Festival

Media Release

Train of Salt and Sugar – wins Best Film at Joburg Film Festival

The Mozambiquan Train of Salt and Sugar directed by Licínio Azevedo, which had its African premiere in competition at the Joburg Film Festival won the Festival’s inaugural Best Film Award on Saturday. This follows its Independent Italian Critics Award (Boccalini d’Ouro) for Best Film at the Locarno Film Festival at the Piazza Grande in Locarno, Switzerland in August this year.

Train of Salt and Sugar, which is due for a two week independent release in Johannesburg and Cape Town next week, is set in the civil-war-torn northern Mozambique during the late 80’s. It has been hailed by some critics as the first “great African Western”.

The film has been produced by Ukbar Filmes (Portugal), Ébano Multimédia (Mozambique), Les Films de l’Étranger (France), Panda Filmes (Brazil), and avant-garde South African company Urucu Media with the support of M-Net and M-Net’s Portuguese channel Jango Magic in Africa.

“We are completely overwhelmed by this fantastic acknowledgement,” says Elias Ribeiro of Urucu Media. “This movie has been an incredible labour of love for all of us. This harrowing story based on true facts revealed such fascinating complexities of the human lot and mixed with a dose of magic realism, the director has managed to capture the imagination of audiences to provide us with a riveting story that engages and fascinates. Thanks to the Joburg Film Festival for providing us with the opportunity to present this film at its first edition.”

Train of Salt and Sugar, a selected project at the 2014 Durban FilmMart, will have a  short theatrical release in Johannesburgand Cape Town from the 11th of November for two weeks only. Joburg screenings will be at the Bioscope, check their website for schedule (www.thebioscope.co.za), and in Cape Town at the Labia with a daily screening at 6:15 pm.

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Train of Salt and Sugar – a film by Licínio Azevedo for Joburg Film Festival

Media Release

Train of Salt and Sugar – a film by Licínio Azevedo for Joburg Film Festival

 In a harrowing revelation of a particular time and place, comes a universal story of mankind’s extraordinary collective ability to survive and press-on against all odds.  This is the latest film by celebrated Brazilian-born, Mozambiquan-based auteur Licínio Azevedo: Train of Salt and Sugar which will have its African premiere in Competition at the Joburg Film Festival on October 29, 2016.

Set in the civil-war-torn northern Mozambique during the late 80’s, the film has been hailed by some critics as the first “great African Western”, when it premiered in August this year on the 300-square metre screen in at the Locarno Film Festival at the Piazza Grande in Switzerland to a crowd of more than 7000 people. The film won the Independent Italian Critics Award (Boccalini d’Ouro) there for Best Film.

With script by the director together with Teresa Pereira, adapted from the book of the same name written by Azevedo, the story unfolds in Mozambique in the midst of civil war. A single train connects Nampula in Mozambique to Malawi. No civilians are allowed and yet hundreds risk their lives through 700km of sabotaged tracks. Salomão and Taiar are two soldiers who don’t get along. Rosa is a young nurse on her way to her first job, who soon becomes an object of desire. Mariamu, her close friend, only hopes to trade salt for sugar. Amongst bullets and laughter, life goes on and stories unfold as the train advances under attack, ever so slowly, towards the next stop.

“I was in Cuamba, the capital of the province of Niassa in the north, the last train stop before the border to Malawi, its final destination,” says Azevedo.  “The city was isolated from the rest of the country by road. The train’s arrivals got increasingly spaced in time and a large crowd would gather in the station to meet them. I had the chance to see one of the arrivals and see the terrible state of those who disembarked, weeks after starting the journey in which they risked their lives.”

“I was interested in the people that travelled on this train taking salt from the coast to exchange for sugar in Malawi. Then they returned to Mozambique and sold the sugar. This was to support their families. But is was a hellish journey.”

Produced by Ukbar Filmes (Portugal), Ébano Multimédia (Mozambique), Les Films de l’Étranger (France), Panda Filmes (Brazil), and avant-garde South African company Urucu Media with the support of M-Net and M-Net’s Portuguese channel Jango Magic in Africa. Internationally the film won production awards from Ibermedia, CNC, Fundo Setorial, Euroimages to name a few. Urucu Media previously produced best South African Film Award winner at DIFF, Necktie Youth by Sibs Shongwe La-Mer in 2015 and will release in early 2017 the anticipated feature debut by John Trengove The Wound, which won two awards at the Venice Film Festival for work-in-progress.

Train of Salt and Sugar was filmed in southern Mozambique and stars Matamba Joaquim as Taiar, Melanie de Vales Rafael as Rosa, Thiago Justino as Salomão, António Nipita as Sete Maneiras and Sabina Fonseca as Mariamu.

Getting permission from the government to film was not easy says Azevedo “The authorities finally gave us the go ahead when we had already started shooting. We were grateful that the Ministry of Defence, actually supported the production and ended up giving us thirty soldiers who trained our actors.”

The film, shot over 7 weeks on 13 wagons of a train, was a challenge for the production and creative team. Describing the process, Azevedo says “It was practical and infernal. It would have been impossible without the unconditional support from the Mozambican Railways. During the shooting, the sound engineer did an amazing job, sieged by the sounds of wheels creaking, the engine running… back then they couldn’t ever turn off the engine because if they did so, the engine wouldn’t start. That’s a little piece of realism we brought into the movie. The train’s cacophony is permanent, a fundamental sound track that was punctuated by Schwalbach with traditional African instruments, drums and using the mbira to punctuate the love scenes.”

Although the film is set in a specific period, South African producer Elias Ribeiro, of Urucu Media believes that it tells a story that speaks to many realities of conflict around world, and moves beyond its specific locale. “Its tangible tension, terrifying cruelty, yet inspiring and heart-warming humanness is what will speak to any audience across the world.”

Train of Salt and Sugar, which was a selected project at the 2014 Durban FilmMart, has it’s SA premiere at the Joburg Film Festival on 29 October at 4 pm. Entrance is free of charge on a first comes first basis at the iconic Alexander Theatre in Braamfontein. Melanie de Vales Rafael (Rosa), the director and Urucu Media team will be in attendance at the premiere in Johannesburg. It will play again at 4 pm on the 2nd and the 5th of November at Nouveau Rosebank as part of the festival, patrons will need to buy tickets for these screenings in Rosebank.

Following the festival run the film will have a limited theatrical release in Johannesburg  and Cape Town from the 11th of November for two weeks only. Joburg screenings will be at the Bioscope, check their website for schedule (www.thebioscope.co.za), and in Cape Town at the Labia with a daily screening at 6:15 pm.

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Sharlene Versfeld
Versfeld & Associates
Public Relations and Communications
Mobile: +27 (0) 83 326 3235
Tel: +27 (0) 31 811 5628
Post: P O Box 30547, Mayville, 4058
Email: sharlene@versfeld.co.za
Twitter: sharlvers
Website: www.versfeld.co.za

ISEA2018 INTERSECTIONS - 24th International Symposium on Electronic Art - for Durban

Media Release

ISEA2018 INTERSECTIONS - art, science and technology for empowerment and change
The 24th International Symposium on Electronic Art to be held in Durban, South Africa

The world’s most prominent nomadic international arts and technology event - the International Symposium on Electronic Art - ISEA2018 is coming to Durban in 2018. This was announced at the opening of the 3rd Annual DUT DigiFest  in Durban this weekend. This is the first time in the 24 years of annual festivals around the world ISEA will be taking place on African soil.

 Durban University of Technology’s Faculty of Arts and Design, The Trinity Session, eThekwini Municipality and Durban KwaZulu-Natal Convention Bureau will be hosting this prestigious symposium in July 2018, and they are collectively looking at how the DUT DigiFest could be used as an important catalyst for the development of creative content, thought and ideas for the event.

 Following the international announcement of Durban as the host for ISEA2018 in Hong Kong earlier in 2016, September 9 and 10 saw the local announcement of the plans to come at the DUT DigiFest. This was coupled with a coming together of interested parties from different disciplines, industries, research and government to exchange ideas on what a locally relevant program and direction for ISEA2018 could be.

As partners in ISEA2018, DUT’s deputy vice chancellor Prof Thandi Gwele and Executive Dean of Arts and Design and DigiFest Festival director Dr René Alicia Smith welcomed ISEA2018. 

Head of International and Governance Relations of Ethekwini Municipality, Eric Apelgren expressed the municipality’s enthusiasm and support for this prestigious event and how ISEA2018 and DigiFest can manifest new opportunities for Durban and its people.

Marcus Neustetter, co-director of The Trinity Session and executive director of ISEA2018 presented the opportunity of locally relevant, engaged and cross-disciplinary projects for empowerment and affecting change in Durban and South Africa. “In this sense, the theme INTERSECTIONS of the symposium, events and exhibitions in 2018 positions creative technological innovation as an activist engagement into public space and public practice,” he explained. “Creative collaboration between artists, artisans, designers, technologists, entrepreneurs, engineers, scientists and inventors will take place in a context where survival is the most basic instigator for solutions. In such a scenario, technological developments follow and support these solutions. In addition, the role of the artist is essential in providing opportunities to build new and exciting interactions between people and place.”

 A formal call for expressions of interest for ISEA2018 will be made in early 2017. The committee also welcomes engagement from interested parties – for further information contact the committee via Isea2018@onair.co.za

http://www.isea-web.org/2016/02/isea2018/

Vincent Mantsoe concludes JOMBA! Next Stop The Wits Theatre

Vincent Mantsoe concludes JOMBA! Next Stop The Wits Theatre

After premiering with sold out houses and standing ovations in Germany and his African premiere receiving standing ovations at the JOMBA! Contemporary Dance Experience in Durban this weekend, dancer and choreographer South African born Vincent S.K Mantsoe brings his new solo work KonKoriti home to Johannesburg, with a one night only performance at The Wits Theatre on 8 September 2016 at 8:00pm.

Like much of this award-winning choreographer’s work, KonKoriti has a spiritual core, made tangible in physical expression. It is a return to Mantsoe’ original solo format, with him at helm of the choreography, costuming and light design. The music is by Kayhan Kalhor with The Brooklyn Rider and The Master Drummers of Burundi. KonKoriti is described as; ‘a state of being’ a tireless pursuit, for self-righteousness. , inspired by the physicality, spirituality, power, pride of a “person”.

Mantsoe premiered the work in Germany in June this year, and had his African premiere at JOMBA! 2016 this Saturday. Now in collaboration with The Wits Theatre, and with support from Institut Francais South Africa (IFAS), Mantsoe concludes his South African visit with this special performance of KonKoriti at The Wits Theatre.

“It is with great honour and excitement that I will be performing here. The Wits Theatre has been my stage professionally since I started dancing. First presenting my work during the FNB Dance Umbrella, then winning most of my awards there and premiering my work together with Moving into Dance. Beautiful, exciting memories. So I am looking forward to presenting my new work at Wits,” said Mantsoe.

Based in France, Mantsoe is acclaimed for his unique choreographic style, which has evolved on his early Afro-fusion dance training under the mentorship Sylvia “Magogo” Glasser and Moving into Dance and draws on African, Contemporary and Asian movements. His work is strongly focused on preserving cultures, particularly his own South African culture, in the 21st century. He has been commissioned to perform around the world, garnered multiple dance awards, and has been involved in residencies and collaborations in Australia, Canada, the USA, Denmark, Japan, Germany, South Korea, France and South Africa.

“I was honoured that Vincent wanted to perform his new solo show at the Wits Theatre. He is a dancer and choreographer who I have enormous respect for and staging his work at the theatre is an affirmation of the theatre being a place of innovation and excellence, “said Gita Pather: Director of Wits Theatre.

Tickets are R 200:00 and can be purchased through www.webtickets.co.za or R230:00 at the door.

Facebook: Wits Theatre

Twitter: @Witstheatre1

https://www.wits.ac.za/witstheatre

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info@buz.co.za / buz@buz.co.za

18th JOMBA! Contemporary Dance Experience 24 August to 4 September 2016

MEDIA RELEASE

18th JOMBA! Contemporary Dance Experience

The University of KwaZulu-Natal’s Centre for Creative Arts, presents its 18th annual JOMBA! Contemporary Dance Experience, at the Elizabeth Sneddon Theatre, Pieter Scholtz Open Air Theatre and KZNSA Gallery from 24 August  to 4 September.

This year’s JOMBA! is an international and national delight for dance and theatre lovers with dancers, dance companies and choreographers making their way to Durban from all corners of the globe for 12 full days of some of the world’s best dance theatre work that promises to provoke, entertain, delight, challenge and leave audiences breathless with the sheer joy of dance in all its various contemporary manifestations. This year’s festival hosts dancers and dance companies from Switzerland, Austria, India, Madagascar, Mozambique, Reunion Island, France and South Africa. 

JOMBA! opening night in partnership with the Swiss Arts Council, Pro Helvetia, features one of Europe’s hot tickets in the form of a duet created by MAMAZA; a young Swiss company that are winning awards throughout the world. They bring a tender and viscerally challenging duet that places these two ex-Forsythe dancers in a reflecting stage space that sees their lives connect and re-connect in an endless algorithm of what two people can be with visions and echoes of themselves.

France’s Company Ex Nihilo, also features on opening night, offering a site responsive dance work for the audience as they leave the theatre. Ex Nihilo, based in Marseille, create dance ‘interventions’ around a desire to regard shared public spaces as a work place, as they embrace spatial history, never excluding the passer-by and  spectator. “We are particularly proud to host dance companies like Ex Nihilo who are breaking down the traditional barriers that often exist in theatre spaces,” says Artistic Director of JOMBA!, Lliane Loots.

Honouring the long term vision of JOMBA! to shine a light on the African continent and to make artistic connection with the rest of Africa, this 2016 festival will premiere a collaboration between three exceptional Southern African female dance-makers who come together to share their vision in dance. Desiré Davids (South Africa), Gabi Saranouffi (Madagascar) and Edna Jaime (Mozambique) present a work called “Lady, Lady” that is a result of various short residences over 2015/16 where they were able to meet and work together. These artists share, explore and exchange their realities in order to give voice to various commonalities, challenges and images as they move towards a commentary on current issues facing women in the African context. Full of wit, irony and spirited dance this is sure to be a talking point of the festival. 

Continuing the festival’s connection to its continental history, Reunion Island’s Company Soul City returns to JOMBA! to present their newest work “Priyèr Si Priyèr” (fresh from a sold out tour in Germany). The company is best known for the innovative ways in which it uses the genre of Hip Hop and its confluence into contemporary dance. “Priyèr Si Priyèr” is a quest of the sacred through ritual. Based on Hip Hop’s unique energy, this dance work uses Reunion Island and its people as the source of inspirations.

Hip-Hop and the power of the urban dance Bboyz and BGirlz is further highlighted at the festival with the collaboration between Austrian choreographer Daniel Renner and Durban’s inimitable Flatfoot Dance Company. Renner comes to Durban with two of Europe’s most prolific breakdancers, Bilal Bachir (Germany) and Maarten Krielen (Holland), to join forces with Durban’s Preston ‘Kayzo’ Kyd, as they meet the fluid grace and technical prowess of Flatfoot Dance Company in a new creation. Titled “IDHRA/breath”, Renner returns to the sanctity of the “in and out breath”, the life force of all of us, and the very essence of dance, to create a mesmerising invocation to beauty.  “This is Renner’s third collaboration with Flatfoot (all have premiered at the JOMBA! festivals) and he comes to Durban not as a guest but as family as he shares his unique dance vision with us.” explains Loots.Over his 4 week residency, Renner will also spend time training and choreographing with the Flatfoot trainees to create a small new work for the JOMBA! Fringe programme. Break-dancers Bachir and Kreilen will also spend time exchanging and skills sharing with various eThekwini dance development programmes in Umlazi, Newlands, KwaMashu and Waterloo. 

Another coup of JOMBA! 2016 is the African premiere of acclaimed South African born dancer/choreographer Vincent Mantsoe’s new solo work, “KonKoriti”. Meaning “a state of being”, “KonKorti” returnsto the original solo format of Mantsoe’s award-winning and globally acclaimed style of dance making. Enthralling audiences with his vision of African contemporary dance and the meeting of Asian, African and contemporary styles, Mantsoe’s solo is a prayer to the power of self and is inspired by Mantsoe’s own physical, spiritual and emotional growth as both a dance maker and as an African. “Mantsoe performed at the very first JOMBA! festival in 1997 and it is an honour for Durban to play host to him again,” says Loots. “As part of the festival, he will also be teaching a master class while in Durban so I would advise that interested dancers book early to learn from one of our continent’s great artists!”

JOMBA! 2016 will also present a programme at the KZNSA Gallery in Bulwer Road, Glenwood on Monday, August 29. “The gallery space offers an alternate kind of challenge to dance makers and for artists who work outside of the traditions of the proscenium arch,” says Loots.  France’s Ex Nihilo continue their exploitation of everyday open space at this event with a dance performance work called “Calle Obrapia #4”. JOMBA! @ KZNSA Gallery will also host to one of India’s most controversial contemporary dance makers Preethi Athreya. Moving away from the classism and over-romaticisation of tradition, Athreya has created a solo that explores the reframing of notions of classism and beauty. Her solo, “Across, not Over” is created for, and performed by, Kathak dancer Vikram Iyengar and is, in the end, a tender and evocative meeting of two incredible dance talents and two dance styles; Baratha Natayam and Kathak. 

JOMBA! @ KZNSA Gallery is rounded off with a new work by Durban’s Lliane Loots, who partners again with spoken word maestro, Iain ewok Robinson, Durban’s Kathak expert Manesh Maharaj, filmmaker Karen Logan, and the ADD Flatfoot dancers. Loots has crated “MIGRATIONS (at the feet of Kali)” for the main gallery space. This is the second part of Loots’s newest trilogy that looks at issues of ‘home’. The work can be viewed independently or in context to the first part “HOMELAND (security)” which was performed in April 2016 by Flatfoot Dance Company. It is an ‘in situ’ physical journey into the heart of colonial and post-colonial rememberings around the movements and/or migrations of people. Using personal memory as the starting point, this work interfaces with the convergence of Indian and South African histories, and will tackle some challenging notions around issues that will no doubt stir some controversy.

New to JOMBA! this year is “KZN ON THE EDGE” a curated platform that seeks to support fresh and innovative contemporary dance work coming out of the KZN region. For this inaugural “KZN ON THE EDGE”, three innovative selections have been made. The first is a collaboration between lighting designer Michael Broderick and David Gouldie called “one man, one light”, the second is the consistent excellence of past JOMBA! Fringe work being made by Tegan Peacok and her Pietermartizburg based ReRouted Dance Company. They will premiere a new work called the “Paraphernalia of suffering”. The final performance place has been given to the newest “kids on the block”, Phakama Dance Company. Choreographer Sandile Mkhize will also premier a new work called “take me back home”. “This platform ensures that JOMBA! continues to mentor and support new and established KZN-based dance makers who are proving their mettle by consistently putting work of excellence into the public domain despite funding cuts,” says Loots.

JOMBA! hosts its Fringe on Tuesday 30 August with 10 new works of 10 to 15 minute each, and the Youth Fringe on Sunday 28 August. With over 40 entries for a coveted place in this year’s JOMBA! Fringe, the selection of only 10 works was a difficult task but means that the final selection offers a standard of dance theatre that is growing. The JOMBA! Youth Fringe takes place at the UKZN Open Air Theatre (entrance is free!) and is a celebration of over 20 KZN based youth dance groups and the incredible dance work that they are doing. 

JOMBA! also offers a full programme of workshops and master classes by all of the participating dancers and choreographers. For a full listing go to www.cca.ukzn.ac.za and go to the JOMBA! page. These workshops and classes are offered free of charge (dancers must be 16 years and older) but booking is essential.

Performances are from 24 to 27 August, and 30 August to 4 September at the Elizabeth Sneddon Theatre at 7.30pm, at the Pieter Scholtz Open Air Theatre is on 28 August at 2pm and the @KZNSA Gallery on 29 August at 6pm.

Tickets are R60 or R45 (scholars/students/pensioners) for the Sneddon Theatre and bookings can be done through Computicket (or at venue from one hour before). Tickets for the KZNSA Gallery are R50 (no concessions) and available at venue only – from one hour before the performance . The JOMBA! Youth Fringe at the Pieter Scholtz Open air Theatre is free.

For more information, please go to www.cca.ukzn.ac.za and join us on Facebook (JOMBA! Contemporary Dance Experience) and Twitter (Twitter@Jomba_dance).

The 18th JOMBA! Contemporary Dance Experience is under the artistic direction of Lliane Loots and is organised and hosted by the Centre for Creative Arts (University of KwaZulu-Natal), and is supported primarily by the eThekwini Municipality. 

Media Enquiries

For more Information, interviews and pictures please contact:

Sharlene Versfeld / Ayanda Mabanga

18th JOMBA! Contemporary Dance Experience

MEDIA RELEASE

18th JOMBA! Contemporary Dance Experience

The University of KwaZulu-Natal’s Centre for Creative Arts, presents its 18th annual JOMBA! Contemporary Dance Experience, at the Elizabeth Sneddon Theatre, Pieter Scholtz Open Air Theatre and KZNSA Gallery from 24 August  to 4 September.

This year’s JOMBA! is an international and national delight for dance and theatre lovers with dancers, dance companies and choreographers making their way to Durban from all corners of the globe for 12 full days of some of the world’s best dance theatre work that promises to provoke, entertain, delight, challenge and leave audiences breathless with the sheer joy of dance in all its various contemporary manifestations. This year’s festival hosts dancers and dance companies from Switzerland, Austria, India, Madagascar, Mozambique, Reunion Island, France and South Africa. 

JOMBA! opening night in partnership with the Swiss Arts Council, Pro Helvetia, features one of Europe’s hot tickets in the form of a duet created by MAMAZA; a young Swiss company that are winning awards throughout the world. They bring a tender and viscerally challenging duet that places these two ex-Forsythe dancers in a reflecting stage space that sees their lives connect and re-connect in an endless algorithm of what two people can be with visions and echoes of themselves.

France’s Company Ex Nihilo, also features on opening night, offering a site responsive dance work for the audience as they leave the theatre. Ex Nihilo, based in Marseille, create dance ‘interventions’ around a desire to regard shared public spaces as a work place, as they embrace spatial history, never excluding the passer-by and  spectator. “We are particularly proud to host dance companies like Ex Nihilo who are breaking down the traditional barriers that often exist in theatre spaces,” says Artistic Director of JOMBA!, Lliane Loots.

Honouring the long term vision of JOMBA! to shine a light on the African continent and to make artistic connection with the rest of Africa, this 2016 festival will premiere a collaboration between three exceptional Southern African female dance-makers who come together to share their vision in dance. Desiré Davids (South Africa), Gabi Saranouffi (Madagascar) and Edna Jaime (Mozambique) present a work called “Lady, Lady” that is a result of various short residences over 2015/16 where they were able to meet and work together. These artists share, explore and exchange their realities in order to give voice to various commonalities, challenges and images as they move towards a commentary on current issues facing women in the African context. Full of wit, irony and spirited dance this is sure to be a talking point of the festival. 

Continuing the festival’s connection to its continental history, Reunion Island’s Company Soul City returns to JOMBA! to present their newest work “Priyèr Si Priyèr” (fresh from a sold out tour in Germany). The company is best known for the innovative ways in which it uses the genre of Hip Hop and its confluence into contemporary dance. “Priyèr Si Priyèr” is a quest of the sacred through ritual. Based on Hip Hop’s unique energy, this dance work uses Reunion Island and its people as the source of inspirations.

Hip-Hop and the power of the urban dance Bboyz and BGirlz is further highlighted at the festival with the collaboration between Austrian choreographer Daniel Renner and Durban’s inimitable Flatfoot Dance Company. Renner comes to Durban with two of Europe’s most prolific breakdancers, Bilal Bachir (Germany) and Maarten Krielen (Holland), to join forces with Durban’s Preston ‘Kayzo’ Kyd, as they meet the fluid grace and technical prowess of Flatfoot Dance Company in a new creation. Titled “IDHRA/breath”, Renner returns to the sanctity of the “in and out breath”, the life force of all of us, and the very essence of dance, to create a mesmerising invocation to beauty.  “This is Renner’s third collaboration with Flatfoot (all have premiered at the JOMBA! festivals) and he comes to Durban not as a guest but as family as he shares his unique dance vision with us.” explains Loots.Over his 4 week residency, Renner will also spend time training and choreographing with the Flatfoot trainees to create a small new work for the JOMBA! Fringe programme. Break-dancers Bachir and Kreilen will also spend time exchanging and skills sharing with various eThekwini dance development programmes in Umlazi, Newlands, KwaMashu and Waterloo. 

Another coup of JOMBA! 2016 is the African premiere of acclaimed South African born dancer/choreographer Vincent Mantsoe’s new solo work, “KonKoriti”. Meaning “a state of being”, “KonKorti” returnsto the original solo format of Mantsoe’s award-winning and globally acclaimed style of dance making. Enthralling audiences with his vision of African contemporary dance and the meeting of Asian, African and contemporary styles, Mantsoe’s solo is a prayer to the power of self and is inspired by Mantsoe’s own physical, spiritual and emotional growth as both a dance maker and as an African. “Mantsoe performed at the very first JOMBA! festival in 1997 and it is an honour for Durban to play host to him again,” says Loots. “As part of the festival, he will also be teaching a master class while in Durban so I would advise that interested dancers book early to learn from one of our continent’s great artists!”

JOMBA! 2016 will also present a programme at the KZNSA Gallery in Bulwer Road, Glenwood on Monday, August 29. “The gallery space offers an alternate kind of challenge to dance makers and for artists who work outside of the traditions of the proscenium arch,” says Loots.  France’s Ex Nihilo continue their exploitation of everyday open space at this event with a dance performance work called “Calle Obrapia #4”. JOMBA! @ KZNSA Gallery will also host to one of India’s most controversial contemporary dance makers Preethi Athreya. Moving away from the classism and over-romaticisation of tradition, Athreya has created a solo that explores the reframing of notions of classism and beauty. Her solo, “Across, not Over” is created for, and performed by, Kathak dancer Vikram Iyengar and is, in the end, a tender and evocative meeting of two incredible dance talents and two dance styles; Baratha Natayam and Kathak. 

JOMBA! @ KZNSA Gallery is rounded off with a new work by Durban’s Lliane Loots, who partners again with spoken word maestro, Iain ewok Robinson, Durban’s Kathak expert Manesh Maharaj, filmmaker Karen Logan, and the ADD Flatfoot dancers. Loots has crated “MIGRATIONS (at the feet of Kali)” for the main gallery space. This is the second part of Loots’s newest trilogy that looks at issues of ‘home’. The work can be viewed independently or in context to the first part “HOMELAND (security)” which was performed in April 2016 by Flatfoot Dance Company. It is an ‘in situ’ physical journey into the heart of colonial and post-colonial rememberings around the movements and/or migrations of people. Using personal memory as the starting point, this work interfaces with the convergence of Indian and South African histories, and will tackle some challenging notions around issues that will no doubt stir some controversy.

New to JOMBA! this year is “KZN ON THE EDGE” a curated platform that seeks to support fresh and innovative contemporary dance work coming out of the KZN region. For this inaugural “KZN ON THE EDGE”, three innovative selections have been made. The first is a collaboration between lighting designer Michael Broderick and David Gouldie called “one man, one light”, the second is the consistent excellence of past JOMBA! Fringe work being made by Tegan Peacok and her Pietermartizburg based ReRouted Dance Company. They will premiere a new work called the “Paraphernalia of suffering”. The final performance place has been given to the newest “kids on the block”, Phakama Dance Company. Choreographer Sandile Mkhize will also premier a new work called “take me back home”. “This platform ensures that JOMBA! continues to mentor and support new and established KZN-based dance makers who are proving their mettle by consistently putting work of excellence into the public domain despite funding cuts,” says Loots.

JOMBA! hosts its Fringe on Tuesday 30 August with 10 new works of 10 to 15 minute each, and the Youth Fringe on Sunday 28 August. With over 40 entries for a coveted place in this year’s JOMBA! Fringe, the selection of only 10 works was a difficult task but means that the final selection offers a standard of dance theatre that is growing. The JOMBA! Youth Fringe takes place at the UKZN Open Air Theatre (entrance is free!) and is a celebration of over 20 KZN based youth dance groups and the incredible dance work that they are doing. 

JOMBA! also offers a full programme of workshops and master classes by all of the participating dancers and choreographers. For a full listing go to www.cca.ukzn.ac.za and go to the JOMBA! page. These workshops and classes are offered free of charge (dancers must be 16 years and older) but booking is essential.

Performances are from 24 to 27 August, and 30 August to 4 September at the Elizabeth Sneddon Theatre at 7.30pm, at the Pieter Scholtz Open Air Theatre is on 28 August at 2pm and the @KZNSA Gallery on 29 August at 6pm.

Tickets are R60 or R45 (scholars/students/pensioners) for the Sneddon Theatre and bookings can be done through Computicket (or at venue from one hour before). Tickets for the KZNSA Gallery are R50 (no concessions) and available at venue only – from one hour before the performance . The JOMBA! Youth Fringe at the Pieter Scholtz Open air Theatre is free.

For more information, please go to www.cca.ukzn.ac.za and join us on Facebook (JOMBA! Contemporary Dance Experience) and Twitter (Twitter@Jomba_dance).

The 18th JOMBA! Contemporary Dance Experience is under the artistic direction of Lliane Loots and is organised and hosted by the Centre for Creative Arts (University of KwaZulu-Natal), and is supported primarily by the eThekwini Municipality. 

Media Enquiries

For more Information, interviews and pictures please contact:

Sharlene Versfeld / Ayanda Mabanga

SPAR KZN School Girls' Hockey Challenge on 23 and 24 July

SPAR KZN School Girls’ Hockey Challenge

Grand Finals at St Mary’s DSG: 23 & 24 July

With two weeks to go until the Grand Finals of the SPAR KZN School Girls’ Hockey Challenge, ten teams are hard at work preparing for the tournament on 23 and 24 July. 

The teams that have made it through to the Grand Finals, having won their regionals, are Amanzimtoti High School (Durban South); Ashton International College (Durban North); Durban Girls’ College (Durban Central); Grantleigh College (Northern Coastal); King Edward High School (Southern KZN); Pietermaritzburg Girls’ High School (Pietermaritzburg Central); Sarel Cilliers (Newcastle); St Anne’s College (Pietermaritzburg North); St Mary’s DSG (Highway) and Wartburg Kirchdorf (Umvoti, uThukela and Umzinyathi).

“The fixtures for the finals have been consolidated into one venue i.e. St Mary’s DSG as opposed to two venues in previous years.” stated Tournament Director, Les Galloway.

Continuing, she said, “With only one venue being used, the vibe should be great with all the 10 teams being able to watch and support all matches and, together with all of their supporters, it should make for a very festive weekend!”

The finals will kick off with pool games on Saturday and cross pool games, play-offs and the medal games on Sunday. A new scoring system will be used to calculate positions on the logs. A win will be awarded four points, a draw with goals equates to two points, a goalless draw amounts to one point and a loss zero points. Pool games will be 20minutes long and the play-offs will be half an hour with a change of sides at fifteen minutes. 

In Pool A, defending champions Durban Girls’ College take on host school, St Mary’s DSG, newbies Sarel Cilliers High School, King Edward High School and Grantleigh High School. In Pool B, last year’s silver medalists Pietermaritzburg Girls’ High School make their sixth appearance and this year will take on St Anne’s DSG; Ashton International College; Amanzimtoti High School and Wartburg Kirchdorf High School. 

MD for SPAR KZN, Rob Philipson said, “We look forward to the finals this year, welcoming both old and new players and teams. We are in for a cracker of a weekend, with some high quality skills being expected on the turf. I would like to officially wish all teams, coaches and umpires the very best of luck for the big weekend!”

Umpires who have been invited to officiate are Angelique Kellerman; Ansie Joubert; Grant Bowles; Nuduzo Martin Mchunu; Sibu Ndlovu; Marie-Lee Visser; Michelle Cogle; Nonhlanhla Shezi; Pam Daniel and Xolani Majola.

The first game is St Mary’s vs Grantleigh, followed by two out of towners with King Edward High School taking on newcomers, Sarel Cilliers High School. 

For more info like the Facebook page.

-end

Camera roll on Khalo Matabane's 28's in KwaZulu Natal

FOR IMMEDIATE RELEASE

Cameras roll on Khalo Matabane’s 28’s in KwaZulu Natal

Award-winning director, Khalo Matabane (State of Violence, Conversations on a Sunday Afternoon and Nelson Mandela: The Myth and Me), acknowledged as one of South Africa’s leading talents has begun shooting his latest feature, 28’s, a gritty exposé of life inside prison. The film, inspired by Jonny Steinberg's award-winning non-fiction novel, The Number, its big screen adaptation by Paul Ian Johnson reveals the origins of the fearsome numbers gangs that operate in prisons throughout South Africa.

Harking back to a sketchy 200-year-old tale, it's said that the 27s and 28s originate from group of highwaymen. These robbers, under the guidance of an elder, escaped the misery of the mines and white oppression only to roam the Zululand hills plundering colonial outposts and relieving travellers of their goods. Fast forward two centuries and we encounter Magadien, hardened repeat-offender whose life is his loyalty to his brothers in the 28’s. But something stirs his rebellion, a life-threatening move as there's no way out, of prison or from the sworn bloody oaths of his brotherhood.  This is a hard-hitting tale of the reality of South African prisons and near-impossible redemption.

Casting Director, Moonyeenn Lee and Matabane have assembled a strong cast which include Mothusi Magano (Of Good Report, Hotel Rwanda, Tsotsi) who leads as the conflicted Magadien, and is supported by Warren Masemola (Eye in the Sky, Machine Gun Preacher), and Sibusiso Msimang (Vaya); Presley Chwenegyagae (Tsotsi); Lemogang Tsipa (Eye in the Sky, Black Sails and Wallender); Kevin Smith (Isidingo, The Gospel According to St Matthew) and Deon Lotz (Mandela: Long Walk to Freedom, Shepherds and Butchers, Skoonheid). Renowned South African story-teller Gcina Mhlophe plays Magadien’s mother. 

The production team is headed by award-winning producers Carolyn Carew and Tsholo Mashile (90 Plein Street and When We Were Black.)  Carolyn Carew says that the process of making this film has been long time in the making with Khalo spending the last few years with the real Magadien Wentzel in Cape Town and afterwards with ex-prisoners in KZN to fully grasp the language and culture of the gangs. 

Creative talents include Cinematographer Dewald Aukema (Skin, Angus Gibson & Jo Menell’s Mandela); Editor Megan Gill (Tsotsi, Miners Shot Down and Shepherds and Butchers);Production Designer Willie Botha (Kite; Art Director: Mandela: Long Walk To Freedom; Special Effects: Black Dahlia, The No. 1 Ladies' Detective Agency). 

Durban based Anant Singh's Videovision Entertainment are co-producers, and will also distribute the film. Anant Singh commented, “I have been an admirer of Khalo’s work for a long time and we are delighted to have the opportunity to work with him.  With his talent and creative vision for the project, he will certainly craft an amazing film.”

The production also marks the first co-production between South Africa and Reunion Island’s Tiktak Productions.  The film also received funding support from the KZN Film Commission, the National Film and Video Foundation and the Department of Trade and Industry.

-ends

Caption to picture material attached:  Pictured in the prison courtyard China Boy (Presley Chweneyagae) and Buttons (Warren Masemola) decide on Magadien's (Mothusi Magano) fate in Khalo Matabane’s 28’s 

Notes for Editors

BORN FREE MEDIA    

BFM is an award winning South African film and television production-company specializing in fiction and non-fiction storytelling. They pride themselves on creating original and innovative content for the African continent and beyond. They have produced some of South Africa’s seminal documentaries and dramas. 

BFM was formed in January 2005, with three shareholders, Khalo Matabane as Creative Director, Carolyn Carew as Executive Producer and Tsholo Mashile as the Financial Manager.

KHALO MATABANE

Khalo Matabane is an award-winning director who directed and produced the part-doc part-fiction Conversations on a Sunday Afternoon which won the Lionel Ngakane Prize at Sithengi (Cape Town); Best South African Film at the Durban Film Festival; the Ecumenical Prize New York African Film Festival.  It screened in the Official Selection of the Toronto Film Festival, the Berlin International Film Festival, Miami Film Festival, Flaherty Film Seminar 2007 (NYC), and London Human Rights Film Festival. It was broadcast on the Sundance Channel (USA) and SABC (South Africa).

His documentary Nelson Mandela, the Myth and Me, a BC/Arte Germany co-production won the Jury Special Prize at the International Documentary Film Festival of Amsterdam (IDFA). His first dramatic feature film State of Violence was shown to critical acclaim at the Toronto and Berlin Film Festivals.

His television drama series When We Were Black, a coming-of-age story of a young boy on the eve of student uprisings in 1976, went on to win 7 awards including Best TV Drama Series and Best Director at 2007 SAFTAS; Best Drama at Fespaco and the Reims International Film Festival and had special screenings at INPUT 2007 in Switzerland and the Durban International Film Festival. It was broadcast on Canal+ and SABC 1.

 -end

For further information please contact:

Joy Sapieka e- joyls@mweb.co.za  or Sharlene Versfeld  sharlene@versfeld.co.za c- 083 3263235

Oliver Hermanus' Latest Film Makes SA Debut at DIFF

Media Release

The Endless River 

Oliver Hermanus’ Latest Film Makes SA Debut at DIFF

Award-winning South African director Oliver Hermanus’ new film, The Endless River, will have its first South African screening at the Durban International Film Festival this month.

Having made history by being the first South African film to be invited to participate in competition at the Venice International Film Festival and picking up the Silver Tanit at the 25th Carthage International Film Festival in Tunisia, The Endless River will be screened for the first time in South Africa at the Durban International Film Festival at Ster-Kinekor Musgrave on 19 June at 18:30. It will also be screened at Nu Metro Pavilion on 22 June at 20:30 and at The Playhouse on 25 June at 12:00.

In The Endless River, a young waitress welcomes her husband home to Riviersonderend after his four-year jail sentence. At first it appears their plans for a new life together are finally being realized, but when the family of a foreigner living on a nearby farm is brutally murdered, the young woman and the grieving widower begin gravitating towards each other. Trapped in a cycle of violence and bloodshed, the two form an unlikely bond seeking to transcend their mutual anger, pain and loneliness.

The Endless River stars French actor Nicolas Duvauchelle and a strong South African cast in Crystal-Donna Roberts, (who will be attending the DIFF on June 19 an 20), Darren Kelfkens, Carel Nel and Denise Newman. It was produced by Swift Productions and Moonlighting Films.

Oliver Hermanus is a multi-award winning, South African-born film director, writer and photographer. He has written and directed three feature-length films since his debut in 2009. His first feature, Shirley Adams, premiered in competition at the 62nd Locarno Film Festival and his second, Skoonheid, in the Un Certain Regard competition at the 64th Cannes Film Festival. The Endless River is his third film.

Details of the screening schedule can be found at www.durbanfilmfest.co.za.

The Endless River will be released in South African cinema on 1 July by Black Sheep Films. For more about the film, visitfacebook.com/blacksheepfilms1.

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NOTE TO MEDIA: Crystal-Donna Roberts (Tiny) will be attending DIFF and available for interviews on 19 & 20 June.

Caption to supplied photo: The Endless River stars French actor Nicolas Duvauchelle with Crystal-Donna Roberts.

SA Release Date: 1 July

Rating: 16 S V, 110min

Trailer: https://www.youtube.com/watch?v=ybZQx_d38O4

Images: https://www.dropbox.com/sh/b0vqwo702r3sqwd/AAAsc7uwFWZkDxgbC-JMxfy2a?dl=0

Production Notes: https://www.dropbox.com/sh/5v35qft3wbxcuh2/AACNA6mJ-sWv7zQFdE-7EO5sa?dl=0

Issued on behalf of Black Sheep Films by:

Trevor Crighton

trevor@syntegrate.co.za

083 652 7713

 FOR DURBAN INTERNATIONAL FILM FESTIVAL/ DURBAN FILMMART

Sharlene Versfeld
Versfeld & Associates
Public Relations and Communications
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