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Videovision Entertainment Premieres Six Films at the 2015 Durban International Film Festival

Media Release

Videovision Entertainment premieres Six Films

at the 2015 Durban International Film Festival 

Videovision Entertainment announced today that it will premiere six films at the 36th Durban International Film Festival, which takes place from July 16 to 26.

The films, which will all have either South African and African premieres at the festival, are Wolf Totem, Khalil Gibran’s The ProphetStrangerlandMommy Coming Home and White Bird in a Blizzard.

“As a proudly Durban based company, we are pleased to be continuing our partnership with the DIFF by bringing these great films by some of the world’s top film-makers to the festival.” says Sanjeev Singh, director of acquisition and distribution for Videovision Entertainment. “Of particular significance for Durban, is the attendance of the award winning director Jean-Jacques Annaud at the African premiere of his visually spectacular film Wolf Totem on July 20 and the selection of the animated adaptation of Khalil Gibran’s seminal work, The Prophet directed by Roger Allers, as the closing night film of the festival.”

The much-lauded Wolf Totem by the celebrated, award-winning French director Jean-Jacques Annaud is a visually beautiful adaptation of the Chinese best-seller by Jiang Rong. The film has received critical acclaim with Variety calling the film a ‘viscerally powerful drama,’ while The Hollywood Reporter said that the film was ‘spectacularly staged…stunning’ and Screen International pronounced the film to be ‘a proud throwback in look and spirit to a kind of filmmaking we don’t see much anymore.’ The film has also achieved box office success, reaping in US$ 111 million in China and US$9 million in France.  

“We are pleased that director Annaud who has a string of blockbusters to his name such as Seven Years in TibetQuest for FireThe Name of the Rose and The Bear, will be attending the festival.” says Sanjeev Singh. “This is great news for Durban, the festival and indeed the film industry as well, as his presence will stimulate the conversation around film-making in the country, on a global level. The French Institute in South Africa and ourselves look forward to hosting him in Durban and giving him a unique South African experience.”

“Jean-Jacques Annaud is one of the most internationally renowned French filmmakers and an Academy Award winner having worked with many stars like Brad Pitt, Sean Connery and Jude Law, to name a few.  The French Institute of South Africa is proud to have made it possible for him to attend the DIFF, together with UniFrance and Videovision Entertainment, as part of its efforts to strengthen the links between France and South Africa in the film industry”, says Frédéric Chambon, Film and Media Regional Attaché at the French Embassy in South Africa.

Inspired by the beloved classic Kahlil Gibran’s The Prophet, the film is a richly-animated tale of an unlikely friendship between a young, mischievous girl and an imprisoned poet. Interwoven with Gibran’s lyrical and inspiring words on the true nature of love, work, freedom and marriage, the film is written and directed by Roger Allers and features the voices of Liam Neeson, Salma Hayek-Pinault, Quvenzhané Wallis, John Krasinski, Frank Langella and Alfred Molina.  The film had its World Premiere in the Official Selection of the Cannes Film Festival this year.

White Bird in a Blizzard directed by Gregg Araki (Mysterious Skin), stars Shailene Woodley, Eva Green and Angela Bassett. This dramatic thriller, which premiered at the Sundance Film Festival, has been described as sexy and haunting, tells the story of a young woman discovering her own sexuality when her mother mysteriously disappears. At first she is not impacted by it, but on returning home on a break from college, finds herself confronted with the truth about her mother's departure, and her own denial about the events surrounding it.

The multi award-winning, Mommy, by acclaimed director Xavier Dolan (Heartbeats, Tom at the Farm), had its World Premiere at the Cannes Film Festival.  The film is set in a fictional Canada, where a new law allows parents to abandon their troubled children to the hospital system. Diane “Die” Despres (Anne Dorval), a feisty single mother, has to pick up her teenage son Steve (Antoine-Olivier Pilon) from the institution where he lives, because he's hurt a smaller boy and so sets into motion the events of Mommy.

Strangerland directed by Kim Farrant starring Nicole Kidman, Hugo Weaving and Joseph Fiennes, which premiered at the Sundance Film Festival, is about a family that finds their dull life in a rural outback town rocked after their two teenage children disappear into the desert, sparking disturbing rumours of their past.

Chinese director Zhang Yimou’s drama romance, Coming Home, which was in the Cannes Film Festival’s Official Selection, is an epic story of love and loss, is pitted to become a new classic in Chinese cinema. Coming Home is described as “a deeply affectionate film with great ideological power, a milestone for Chinese cinema by Mao Yu, Deputy Director of the China Film Bureau.

“We would like to thank Videovision Entertainment for their constant interest in, and contribution to, the festival by providing top-end films from celebrated directors.” says Pedro Pimenta, Director of DIFF. “We have a vision to provide our audiences with films that are at once accessible and aesthetically pleasing, and to ensure that some of the films screened provide stimulation for the growth of the South African film industry, and these titles certainly speak to both of these notions.”

The 36th Durban International Film Festival is organised by the Centre for Creative Arts at the University of KwaZulu-Natal (a special project of the Deputy Vice Chancellor of the College of Humanities, Cheryl Potgieter) with support from KwaZulu-Natal Department of Economic Development & Tourism, KwaZulu-Natal Film Commission, City of Durban, German Embassy, Goethe Institut, Industrial Development Corporation, KwaZulu-Natal Department of Arts and Culture and a range of other valued partners.

For more information go to www.durbanfilmfest.co.za.

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Talents Durban 2015 Participants Announced

Media Release

TALENTS DURBAN 2015 PARTICIPANTS ANNOUNCED

The 36th Durban International Film Festival (DIFF) is proud to announce the participants of the 8th edition of Talents Durban, presented in cooperation with the Berlinale Talents an initiative of the Berlin International Film Festival. Talents Durban is a five day development programme made up of workshops and seminars for African filmmakers delivered by film professionals, academics and intellectuals. The Talents, who are selected through a rigorous application process, will also have the opportunity to attend screenings and events at the Festival.

Talents Durban is one of the 6 Talents International programmes formed by Berlinale Talents in Africa and around the world including Talents Beirut in Lebanon, Talents Buenos Aires in Argentina, Talents Sarajevo in Bosnia-Herzegovina, Talents Tokyo in Japan and Talents Guadalajara in Mexico.

40 filmmakers from 10 countries across the continent including South Africa, Kenya, Ghana, Uganda, Nigeria, Tunisia, Zimbabwe, Rwanda, Zambia and Cameron will be in attendance.

The following are the selected participants of Talents:

Oluwakemi Adesoye (Nigeria), Ssenkumba Adnan (Uganda), Lawrence Agbetsise (Ghana), Isabella Akinseye (Nigeria), Kassim Braimah (Nigeria), Bentley Brown (Tunisia), Lucky Nhlanhla Cele (South Africa), Karien Cherry (South Africa), Joanne Corrigall (South Africa), Angeline Dimingo (Zimbabwe), Daniel Ecwalu (Uganda), Daniella Esua (Nigeria), Polani Fourie (South Africa), Mehluli Hikwa (Zimbabwe), Benjamin Johnson (South Africa), Njata Joseph (Rwanda), Andrew Kaggwa (Uganda), Joel Kapungwe (Zambia) Godisamang Khunou (South Africa), Trent Kok (South Africa), Makundi Lambani (South Africa), Sheetal Megan (South Africa), Theoline Maphutha (South Africa), Francisca Meyer (South Africa), Ali Mwangola (Kenya), Samantha Nell (South Africa), Simphiwe Ngcobo (South Africa), John Nyoka (South Africa), Roselidah Obala (Kenya), Agbor Obed (Cameroon), Temotope Ogun (Nigeria), Olawale Oluwadahunsi (Nigeria), Kennedy Omoro (Kenya),Osei Owusu Banahene (Ghana), Davashni Rajoo (South Africa), Charne Simpson (South Africa), Samson Ssenkaaba (Unganda), Tendai Charles Tshuma (South Africa), Amy Van Den Houten (South Africa), Mark Wambui (Kenya).

Presented under the theme Start Motion, Talents Durban aims to boost the already rising flow of current filmmaking in Africa, and to encourage filmmakers on the continent to share their stories through their own cultured lense. Participants interact with over 600 delegates of DIFF and Durban FilmMart, the co-production and finance forum which takes place from July 17 to 20 at the festival. Selected participants get to be part of numerous project-oriented, hands on skills development programs. Practical development programmes within Talents Durban include Talent Press, Script Station and Doc Station.

Script station is a script development programme for short films which pairs four writers with script editors who assist in clarifying story and getting to an advanced draft of their script. Our participants this year are John Nyoka, Mark Wambui, Quwakemi Adesoye and Polani Fourie. The mentors for the programme are Tracey Dearham-Rainers and Karima Effendi.

Talent Press is presented in cooperation with Fipresci, an association of national organizations of professional film critics and film journalists from around the world which lobbies for the promotion and development of film culture. The programme invites four critics to cover the films and events of the Durban International Film festival for online and print publication. Talent press has four participants and they are Andrew Kaggwa, Oluwale Oluwadahunsi, Isabella Akinseye and Kennedy Omoro. They will be mentored by film writers/reviewers Sarah Dawson, Oris Aigbokhaevbolo, Debashine Thangevelo and Shaibu Hussein.

DOC station selects three documentary projects in development for coaching and mentoring towards participation in a public pitch at the DFM’s pitching forum, The African Pitch. Participants are given mentoring prior to the pitching and during preparations at the festival. Doc Station participants are Bentley Brown, Sheetal Megan and Tendayi Tshuma and the producer mentor is Odette Geldenhuys. They will receive additional mentorship from Andy Jones, Jihan El Tahri and Khalo Matabane.

Talents Durban is supported by the KwaZulu-Natal Film Commission, Goethe Institute SA, German Embassy in South Africa and Gauteng Film Commission.

The 36th Durban International Film Festival is organised by the Centre for Creative Arts at the University of KwaZulu-Natal (a special project of the Deputy Vice Chancellor of the College of Humanities, Cheryl Potgieter).

For more information about Talents Durban at the DIFF go to www.durbanfilmfest.co.za, or call Sandile Gumede on (031) 260 3586.

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SA Film Ayanda announced as DIFF's opening night film

Media Release

SA Film Ayanda announced as DIFF’s opening night film

The highly anticipated South African film Ayanda, directed by Sara Blecher and produced by Real Eyes in association with Leading Lady Productions, has been announced as the opening night film of the 36th The Durban International Film Festival (DIFF) which takes place from 16 to 26 July this year.

Set in the vibrant, Afropolitan community of Johannesburg’s Yeoville, Ayanda is a coming-of-age story of a twenty-one year old Afro-hipster, who embarks on a journey of self-discovery when she has to fight to save her late father’s legacy – a motor repair shop - when it is threatened with closure. She’s thrown into a world of greasy overalls, gender stereotypes and abandoned vintage cars once loved, now in need of a young woman’s re-inventive touch to bring them back to life again.

The film stars Fulu Mugovhani (of Scandal fame) and Nigerian actor OC Ukeje, with a star South African cast including Ntathi Moshesh, Kenneth Nkosi, Jafta Mamabola, Thomas Gumede, Sihle Xaba and veteran star of stage and screen Vanessa Cooke.

“We are pleased that this feel-good film will open this year’s festival,” says Pedro Pimenta, Director of the DIFF. “The opening film of this, the most prestigious international film event in SA, needs to reflect a clear priority established by the festival to reach and develop local audiences.”

“The recently published NFVF report on audiences in this country, is very informative and revealing in that while the industry has been successfully structured and supported from all quarters to allow a regular flow of SA content, much still needs to be done for this content to reach local audiences. By once again opening the DIFF with a strong SA film, we endorse this objective.”

This is the second opening night film at DIFF for director Sara Blecher. Her film Otelo Burning opened the 2011 edition of DIFF to critical acclaim. “We are very proud of Ayanda and are thrilled to have it selected as the opening film at this year’s festival.    The film had a very successful screening in Cannes last month and we look forward to screening it to festival-goers in Durban,” says Blecher.

Ayanda offers an interesting and positive convergence of talents style , resources and distribution potential for the film market.” says Pimenta. “There is a real sense that reaching an audience has been the most important motivation equally shared by the filmmakers and their financiers in its creation.”

“Ayanda celebrates the diversity of our country and revels in the fact that we are a multi-cultural, colourful and exciting melting pot of Africa,” says co-producer Terry Pheto.  “With this film we have tried to capture the Afropolitan nature of our country and the energy of its people.”

“What is also particularly encouraging in terms of the South African film industry is that the film, originally titled, Andani and the Mechanic, was a project in the 2013 Durban FilmMart, the co-production and finance forum of the DIFF and the Durban Film Office.”  says Pimenta. “The film is one of five titles that have been part of the DFM process over the years that will be screened this year at DIFF.”

The festival includes more than 200 theatrical screenings and a full seminar and workshop programme, as well as the Wavescapes Film Festival, and various industry initiatives, including the 8th Talents Durban (presented in cooperation with the Berlinale Talents) and the 6th Durban FilmMart co-production market (presented in partnership with the Durban Film Office).  For more information go to www.durbanfilmfest.co.za.

The 36th Durban International Film Festival is organised by the Centre for Creative Arts at the University of KwaZulu-Natal (a special project of the Deputy Vice Chancellor of Humanities, Cheryl Potgieter) with support from the National Film and Video Foundation, KwaZulu-Natal Department of Economic Development & Tourism and Environmental Affairs, KwaZulu-Natal Film Commission, City of Durban, German Embassy, Goethe Institut, KwaZulu-Natal Department of Arts and Culture and a range of other valued partners.

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The Smoking Dragon Adrenalin Festival - It's more than just a festival

My Smoking Dragon Adrenalin Festival Experience 

By Ayanda Mabanga

I had never been to Northern Drakensberg until this past weekend (May 22 – 24), and I must admit that the Smoking Dragon Adrenalin Festival was a perfect way to be introduced to this part of KwaZulu-Natal’s magnificent world heritage site.

The festival, which was hosted by the Amphitheatre Backpakers and Lodge is a unique event that merged music with adrenalin packed activities such as sky-diving, mountain biking and hiking to the highest waterfall in Africa.

Mornings are not everyone’s friend, especially me! But on Saturday, I had to dust myself up early before sunrise. From Durban to Drakensberg I took what is known as the Bazbus, a mini bus tailored for backpackers that want to explore our beautiful country. Oh boy! did I feel like royalty since I was the only passenger on that day. The 2 hours spent on the bus gave me rare moments for introspection, living in a bustling city, I hardly get to do that.

It was my first experience being at a backpackers and Amphitheatre was quite impressive with its friendly staff and grand facilities. I had the opportunity to meet people from different parts of the world.  Stefan, a twenty-two year old from Germany was on his way to Durban when he caught the festival. “I wish this experience could go on for another week,” he said. Boutie and Margie a couple from Midlands near Pietermaritzburg attended the festival in celebration for their fifteenth year annivesary over the weekend and they couldn’t find a better place to do so.

I was a lone traveller with a book to keep me company, just in case nobody wanted to talk to me. Well, I forgot about my book the moment I stepped out of the bus. I was allocated to a dorm[SV1]  , sharing it with a few other people, I murmured a short prayer. “At least I am not in a tent, I am a city girl afterall,” I thought to myself.  “Hey buddy, welcome to the jollers heaven,” were the first words I heard when I met my dorm mates. The flamboyant Dr Pachanga with the chilled out Reece and quirky Lisa were an interesting bunch to be bunking with I joined them on the lawn as they recovered from the previous night’s activities.

Later in the day the music started. I plunged myself onto a comfy couch, just to take in the scene. While the music pumped, a bonfire gleamed in the middle of the camp site, kids lined up excitedly to ride an automatic bull and people kept dropping from the sky. I was in ore of their daring nature and thought I would summon up my courage for later.

Earlier in the day the ‘jollers’ and I went on a drive to the nearest town. With the hippies I was with, we stuck out like a sore thumb. My most memorable moment was when we drove to a supermarket that was blasting music and we just started dancing on the road. The town was at a stand still for a few minutes and then it was back to the festival.

In the midst of adrenalin pumped festivities I bumped into Hezron Chetty. Born in Durban and based in Cape Town, Hezron is a violinist and a member of The Accidentals. “I have been coming to the Smoking Dragon New Year’s festival for the past few years, I just can’t get enough of it,” said Hezron. Other performances included the soulful Stelth Ulvang of The Lumineers, melodic sounds of Tidal Waves and The Meditators. DJ Invisible with his band had everyone in a trance with their captivating performance.

The morning after was like no other. I woke up early, with coffee on one hand and my book in the other while watching the sun rise over the eye-catching foothills,  I could have locked myself forever in that moment of that scene. 

It was fascinating to see people jumping out of planes, running around mountains while others simply relaxed by the pool with kids playing games. It is not often that we get to witness such a combo of fun. Lisa from Durban said she came up to the Drakensberg to enjoy nature. “This is my way of reconnecting with nature and rejuvenating my spirit. The music and outdoor activities are icing on the cake,” Lisa said.  

The diversity that was represented in the contained space of Amphitheatre was simply amazing and showed a glimpse of how people can coexist peacefully. I look forward to attending the festival again next year, and maybe I will venture to tandem jump….or hot air balloon…or quad bike…or maybe just maybe I will attempt the hike to the Tugela Falls the highest falls in Africa, right here on our doorstep. Now that will be after I have finished my book!


Photo credits: Alastair Fraser

 


Official Project Selection for the 6th Durban FilmMart Announced in Cannes

Media Release

Official Project Selection for the 6th Durban FilmMart Announced in Cannes Yesterday

Nineteen documentaries and fiction feature film projects from around Africa have been selected for this year’s Durban FilmMart (DFM) which takes place in Durban, South Africa from July 17 to 20, 2015. The details of the selection were announced at a networking function held at the South Africa Pavilion at the Cannes International Film Festival last night.

The Durban FilmMart, now in it’s it 6th edition has selected these projects from 120 submissions by African filmmakers who wished to participate in the continent’s premier finance and co-production market. 

A joint initiative between the Durban Film Office and the Durban International Film Festival, the Durban FilmMart aims to raise the visibility of African cinema, stimulate production on the continent, and facilitate project collaboration between African filmmakers. The DFM creates an optimum platform for African filmmakers, financiers, broadcasters and top film experts to converge, network and spark creative thinking around current and future projects.

“This year, we are pleased to welcome projects from a diverse range of countries on the continent, including Ghana, Cote d’Ivoire, Uganda, Nigeria, Kenya, Zimbabwe and South Africa,” says Toni Monty, of the Durban Film Office. “The DFM has become an important springboard for projects that have been conceptualized by African filmmakers, to support them as the projects move from the idea to exhibition. Over the last five years we have seen many projects go on to be awarded further opportunities to develop at various other markets, and eventually be screened in cinemas and festivals around the globe. In previous years, past DFM projects have been selected for the Durban International Film Festival, testimony to the value this market adds to the development process.”

A Reader Panel, comprising of African and international film professionals had to moderate and score submissions, culminating in a rigorous selection discussion over shortlisted projects in both the documentary and fiction section.

These feature and documentary film-makers will be attending the DFM for one-on-one meetings with potential investors and co-producers in the Finance Forum. The projects will also have an opportunity to pitch to a panel of commissioning editors from local and international funders and financiers.  The selected project participants will also be given opportunities to network and meet industry professionals during several scheduled industry sessions.

Selected Projects:

9 Documentaries

After Marikana – The End of Democracy  (South Africa), Producer Anita Khanna, Director Rehad Desai

Amal (Egypt) Producer Sara Bökemeyer, Director Mohamed Siam

Life and Times of John C (South Africa) Producer Neil Brandt, Director Francois Verster

Truck Mama (Kenya) Producer Zipporah Nyaruri, Director Zipporah Nyaruri, Co-director Peggy Mbiyu

Not in My Neighbourhood (South Africa) Producer and Director Kurt Orderson

Project Delight (South Africa) Producer and Director Karin Slater

Terre Jaune (Togo) Producers Sitou Ayite and Madje Ayite with Elisabeth Guthmann, Director Bouna Cherif Fofana and Sitou Ayite

The Other Half of the African Sky (Zimbabwe) Producer and Director Tapiwa Chipfupa

The Rainbow: Jazz for the Struggle, and the Struggle for Jazz (South Africa) Producer Antoinette Engel, Director Niren Tolsi

10 Fiction

Cactus Flower (Egypt) Producer Hossam Elouan, Director Hala Elkoussy

Inkabi (The Hitman) (South Africa) Producer Anco Henning, Director Norman Maake

Laughter is the best Colour (Nigeria) Producer  Mohammed  Musulumi, Director Chike Ibekwe

On the Way to Paradise (South Africa) Producer Imraan Jeeva, Director Sara Blecher

One More Night in Lagos (Cote d'Ivoire) Producer Tosin Coker, Director Marina Niava

Riot Waif (South Africa) Producer Jean Meeran, Director Zinaid Meeran

Selma and Charlize (South Africa) Producer Junaid Ahmed/Helena Spring, Director Robyn Aronstam

Sunflowers Behind a Dirty Fence (Uganda) Producer Nathan Magoola, Director Simon Mukali

The Tall Assassin (South Africa) Producer Carolyn Carew, Director Roy Zetisky

Unbalanced (Ghana) Producer Akosua Adoma Owusu, Director P. Sam Kessie

The DFM also invites filmmakers who do not have projects selected for the market and industry professionals, to attend as delegates for the programme of  masterclasses, forums and networking events during the four-day market.  Registration is now open and early bird rates apply until 27 June 2015. Delegates who register within the early bird window, get discounted registration rates and inclusion in the DFM’s Industry Manual, a valuable networking tool during and after the market.

The 6th Durban FilmMart takes place in Durban, at the Tsogo Sun Elangeni from 17 to 20 July 2015, during the 36th edition of the Durban International Film Festival (16-26 July 2015).

For more information on the Durban FilmMart and to register as a delegate visit www.durbanfilmmart.com

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Issued on behalf of The Durban FilmMart by:

Sharlene Versfeld & Ayanda Mabanga

Versfeld & Associates

 031-8116528/ 083 326 3235

Sharlene@versfeld.co.za/ info@versfeld.co.za

 

Note to Editors:

The Durban FilmMart (DFM) is a co-production and finance market and is a joint programme of the Durban Film Office (DFO) and the Durban International Film Festival (DIFF). DFM provides filmmakers from across Africa with a valuable opportunity to pitch projects to financiers, distributors, sales agents and potential co-producers, and to participate in meetings, project presentations and a series of master classes and workshops on the latest industry trends.  www.durbanfilmmart.com

The Durban Film Office (DFO) is the film industry development arm of the eThekwini Municipality, mandated to position Durban as a world-class film production destination and facilitator for the development of the local film industry. The DFO drives activity and development in the sector in order to boost tourism, job creation and the development of core skills and SMMEs in the region.  www.durbanfilmoffice.com

 The Durban International Film Festival (DIFF) presents over 250 screenings from different countries and cultures with a special focus on Africa. The festival includes development programmes such as Talents Durban and a rich schedule of workshops. DIFF is a flagship project of the Centre for Creative Arts, University of KwaZulu-Natal, which facilitates creative platforms and economic opportunities for artists and related industries, intercultural exchange and network development, training, audience development and strategic Pan-African and international cooperation in the cultural sectors.  www.cca.ukzn.ac.za

SPAR Women’s 10/5km: Durban: Sunday 7 June

Glamour and fun ahead of the SPAR Women’s 10/5km  -  South Africa’s most Beautiful Road Race  with (from left) Kirsten Sayers (musician), Kirsty Ndawo (dancer), Julia Hosmer (dancer), Ayanda Shabangu (dancer), Ella Mari (dancer) and Charlotte Marshall (musician). The SPAR Women’s 10/5km is set to take place in Durban on 7 June 2015 Fashion by by Karen Monk-Klijnstra. Hair by Fay Abdulla from Hoi Polloi. Make up by Jackie Jetnarayan. Photography by Val Adamson.

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Awesome Africa International Arts Festival

Media Release

Awesome Africa International Arts Festival – April 26 and 27, 2015

As a fitting finale to the Celebration of 20 years of Freedom and Democracy in South Africa, the KwaZulu-Natal Department of Arts and Culture, in partnership with Awesome Africa Festival Productions, is set to host the Awesome Africa International Arts Festival featuring a host of world-renowned performers across a number of genres. The festival will take place over two days in different venues, kicking off with a Gala Concert at The Playhouse on Sunday, April 26 and followed by a full day at the Sibusisiwe Community Hall and Lovelife Centre in Mandeni, iLembe District on the North Coast on Monday, April 27.

For the Playhouse concert, doors open at 5pm and the concert begins at 6pm. Headlining the festival is the legendary Salif Keita from Mali, the “Golden Voice of Africa”  whose place in the pantheon of African music has been well documented and revered. He performs with his dynamic 13 piece band from Dakar.

The award winning South African hip hop artist Khuli Chana in collaboration with MuzArt will also perform at both venues.  Khuli is a multitalented musician well known for his ‘Motswako’ rap style which includes street-talk and highly influential messages in Setswana, English and other South African languages. MuzArt is a five piece musical collective that has collaborated with noteworthy musician. The group was nominated for South African Music Awards, Metro FM Music Awards and UK’s Soul Survivor Awards

Awesome Africa has become known for its unique collaborations in the past, and this year’s festival is no exception. The “Freedom Suite” collaboration, which will perform at both venues, brings together the extraordinary talents of South African living legend Ray Phiri together with the “Jimi Hendrix of the kora” N’Faly Kouyate from Guinea in West Africa, who besides fusing storytelling, jazz, dance and traditional griot music is also known for his collaborations with the Afro-Celt Sound System which blend Irish Celtic music with that of West African countries. The powerful and trance-like Drummers of Burundi from Central Africa will also form part of this unique collaboration.

Other featured artists are Christine Salem, the maloya superstar from Reunion Island, award-winning guitar maestros Nibs van der Spuy and Guy Buttery, the alluring maskandi duo Qadasi and Maqhinga Radebe, and a 72nd birthday homage to Steve Fataar who will perform with master Cape Town guitarist Errol Dyers. Pride of the Zulu will also serenade the audience with their accapella styled traditional melodies.

The Mandeni festival kicks off at 11am on Monday April 27 with a free Business Management Workshop for up and coming artists as well as relevant arts practitioners. Topics that will come under the spotlight include; performing platforms and funding, contracts and copyright, studio etiquette and the value of quality sound, the digital freeway and international marketing and identity.

A broad spectrum of genres will be represented and the illustrious visitors to Mandeni will include Ray Phiri, N’Faly Kouyate, The Drummers of Burundi, the ground breaking DJ Websta, Holly - known for her “Kasi” vibes, house music and crowd rocking stage performances, Christine Salem, Existing Consciousness and the sizzling Afro-Latino sounds from Napalma (Brazil / Mozambique),

In keeping with the theme of showcasing talent from the Mandeni, KwaDukuza, Ndwedwe and Maphumulo regions of iLembe, artists include traditional Indian sounds from Kalakara featuring Keeran Eshwarlall, traditional Zulu dancing with Amasokemvelo, popular gospel band Mandeni Soul Healers, choral accapella from Central Voices, maskanda star Sgora, kwaito sensations GS, Ndwandwe Sister and Ukujabula Kuyashiyana the winners of Ndwedwe’s Isigekle Competition. Comedian Siyanda Maphumulo, DJ Dope and Groutville’s Uhuru Poets Society will keep the audience entertained between sets. Festivities close at 9pm.    

Besides many pro-active socio-economic elements, the Festival commemorates Freedom Day by linking a concert in Durban with a project to take the music and the arts back to the people - in essence straight into the communities who have supported our fight for freedom and democracy.” says MEC for Arts & Culture Mrs Ntombikayise Sibhidla-Sapetha.  “This important synergy also addresses the vital aspects of social cohesion and nation building in our country. No longer will iconic events and artists be the domain only of the big cities.  Whilst offering our local artists a platform to showcase their talents on an international stage, this event also serves to bring a signature event to Durban as well as helping to boost tourism levels and create jobs in the Mandeni area.”

Tickets for both the Playhouse and Mandeni events are R150 per person available via Computicket and Shoprite Checkers. Tickets will be available at the door but it is preferable to book early.

For more information go to www.awesomeafrica.co.za, or call Gabi on 081 419 4509.

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Sharlene Versfeld/Ayanda Mabanga

Versfeld & Associates

sharlene@versfeld.co.zamabanga.ayanda@gmail.com

031-8115628 / 083 326 3235

Time of the Writer - Day Programme

Time of the Writer - Day Programme

A select group of writers from South Africa and Africa will gather together for a week of thought provoking literary dialogue and exchange of ideas at the Time of the Writer Festival. Presented by the Centre for Creative Arts (University of KwaZulu-Natal) and made possible by the National Department of Arts and Culture, the City of Durban, the French Institute (IFAS) and the Goethe-Institut, this 18th edition takes place in Durban between 16 and 21 March. The festival features a host of free events as part of the day programme that are spread across Durban and the surrounding areas as part of the festival’s ongoing efforts to promote and creative expression through reading and writing. This includes school visits, a publishing forum and a range of seminars and workshops.

Writers in Media

Hosted by the School of Journalism at the Durban University of Technology, this seminar explores the role played by writers in shaping popular media. To lead discussions will be Mzilikazi wa Afrika, Margaret Von Kempler and Futhi Ntshingila at the Durban University of Technology, City Campus, Room 149, on Tuesday 17 March between 11:00 and 12:30. 

Schools Writing Forum

The Schools Writing Forum connects teachers of literature with festival writers to discuss the teaching of literature in the classroom, and in particular, creative and engaging teaching approaches. This important interface will see writers ZP Dala, Dilman Dila and Charlotte Otter present their views and engage with teachers at the Chatsworth Education Centre, 219 Florence Nightingale Drive, Westcliff, Chatsworth, on Tuesday 17 March between 12:30 and 14:30.

 Writers visit Luthuli Museum

The Luthuli Museum is responsible for managing the safeguarding of Nobel Peace Prize-winner Chief Albert Luthuli’s life, history and philosophy. Festival writers Sue Nyathi and Nthikeng Mohlele will visit this national monument and share their experiences as writers with learners and community members at the Luthuli Museum, 3233 Nokukhanya Luthuli Street, Groutville, on Wednesday 18 March between 10:00 and 12:00.

Writers visit Workers College

The Workers College provides the opportunity for adult learners to engage festival participants Jacob Dlamini and Mzilikazi wa Afrika, who will share their insights and perspectives on the intellectual processes that direct their writing. This invaluable discussion will take place at the Workers College, 127 Magwaza Maphalala Street, on Wednesday 18 March between 12:00 and 13:30.

Coffee Conversations

A discussion with MJ Mngadi and Ousmane Diarra will take place at Alliance Française- 22 Sutton Crescent, Berea Wednesday 18 March between 15:30 and 16:30

 Writers Speak Out

Festival writers will speak out to University students and offer insight into their philosophies, writing processes and literary works. Writers will be visiting the following tertiary institution campuses:

  • English Studies (UKZN Howard College)
  • isiZulu Studies (UKZN Howard College)
  • Mangosuthu University of Technology
  • Gcina Mhlophe Studio (UKZN Edgewood Campus)

Book Day

Time of the Writer will host Time of the Writer “Book Day” at the Open Plan Studio on Saturday 21 March. This day-long event will be featuring a whole range of publishing forums, book launches, a creative writing workshop and a storytelling programme for the young readers, presented by the Gcinamasiko Arts and Heritage Trust.

                                          

See programme or website for details: www.cca.ukzn.ac.za.

Organised by the Centre for Creative Arts (University of KwaZulu-Natal) the 18th Time of the Writer, festival is made possible by support from our funders; the National Department of arts and Culture, eThekwini Municipality's Parks, Recreation and Culture Unit, the Goethe-Institut, the French Institute of South Africa (IFAS) and Adams Booksellers as well as support from our partners; Pan Macmillan, Daily News, Computicket and the Elizabeth Sneddon Theatre. The Centre for Creative Arts is housed in the College of Humanities at the University of KwaZulu-Natal and is a special project of the Deputy Vice-Chancellor, Professor Cheryl Potgieter.

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Time of the Writer Festival Evening Panels and Programme

Media Release

Time of the Writer - Evening Panels - Programme

A select group of 20 writers from South Africa and Africa will gather together for a week of thought provoking literary dialogue and exchange of ideas at the Time of the Writer Festival from Monday (March 16)the opening night  untilSaturday (March 21) next week.

Audiences can expect to hear the opinions of multiple award winning writers, from a wide variety of political and social contexts, on the creative and technical processes and perspectives which shape their writing. Evening readings and discussions will take place at the Elizabeth Sneddon Theatre (Howard College Campus) beginning at 7pm each evening.

 

Tuesday, 17 March

Female Narratives

The first panel of the festival pairs two South African authors as they discuss with the challenges and opportunities faced by female authors in the modern landscape and unpack the female narratives in their writing.

Z.P Dala (South Africa) is a therapist and full-time writer. Dala has been included on the 2015 Goodreads Sunday Times list of Top Novelists to look out for in 2015.

Kirsten Miller (South Africa) has published short stories in six collections, a short play, a children’s book, and was a finalist in the SA PEN literary award three times. She held a dual career as a freelance writer and in early intervention for Autism for many years. She also worked as a Drama lecturer, a Creativity lecturer and a dolphin trainer early in her career.

The panel will be facilitated by UKZN research and PhD student Alan Muller.

 

Writing Without Permission

In the face of growing censorship across the world, Time of the Writer brings together two fearless authors with reputations for tapping into hard truths no matter the consequences.

Jacob Dlamini (South Africa) holds a PhD from Yale University. Having previously worked as a journalist and was the political editor of Business Day newspaper. He is the winner of the University of Johannesburg’s Creative Writing Debut Prize for his book Native Nostalgia.

Mzilikazi wa Afrika (South Africa) is a multi-award winning journalist working for the SundayTimes investigations unit in Johannesburg, South Africa. The Bushbuckridge born scribe was awarded two international scholarships to study in the UK and USA for the recognition of his outstanding achievements in the field of journalism.

Scholar and activist Jackie Shandu will facilitate the panel.

 

Wednesday, 18 March

Telling Stories, Bridging Divides

This panel highlights the power of literature to transcend borders and cultures, Telling Stories, Bridging Divides highlights two authors who have reached audiences beyond their regions through their stories being translated as well as the telling of stories that transcend borders.

Born in Bassala, Ousmane Diarra (Mali) is a storyteller, poet, novelist and author of many children’s books.

M.J Mngadi (South Africa) was the recipient of the SALA (S.A.) Lifetime Achievement Award in 2009 for lifelong dedication to African and World literary excellence. Whilst employed at the Commissioner’s office as an Interpreter/Clerk Mngadi spent his spare time reading books and learning Authorship and Freelance Journalism.

Head of the French Department of University of KwaZulu-Natal Bernard De Meyer will facilitate the discussion.

 

Murder, She Wrote

With the rise in popularity of crime novels coming out of South Africa, this panel brings together two established female authors with the focus on this burgeoning genre.

Charlotte Otter (South Africa) is a writer living in Germany, where she works as a corporate communicator in the IT industry. Otter’s first novel, Balthasar’s Gift, which is crime fiction set in her home town of Pietermaritzburg, was published to critical acclaim.

Books editor for the Witness Margaret von Klemperer (South Africa) was arts editor of the newspaper for 16 years until she decided to give up full time work and see whether she could write a publishable book. She was born in Britain but has lived in Pietermaritzburg for more than 40 years.

This panel will be facilitated by PhD student Olivier Moreillon.

 

 Thursday, 19 March

Letters From Zimbabwe

The festival shifts its gaze north bringing together two of Zimbabwe’s new generation of authors to provide insight and perspective on the stories of Zimbabwe, often told from the diaspora.

Multiple award winner, NoViolet Bulawayo (Zimbabwe) shortlisted for the Man Booker prize for her novel entitled We Need New Names.

Sue Nyathi (Zimbabwe) began writing at the tender age of 10 and nurtured this passion through her teenage years.  Holder of a Master’s Degree in financeNyathi is a freelance writer, scriptwriter and a novelist.

Poet, author and activist Menzi Maseko will facilitate the panel.

 

Blurring the Lines- Memoir and Fiction

This panel brings together two prolific authors who sometimes channel real life experiences, to create honest pieces of work that tread the fine line between reality and fiction.

Nthikeng Mohlele (South Africa) was listed by Bloomsbury Publishing, Hay Festival and Rainbow Book Club among the 39 most promising authors under the age of 40 from sub-Saharan Africa and the diaspora.

Growing up in the streets of Makhado town, reformatory school and maximum security prisons,Tshifhiwa Given Mukwevho (South Africa)was released from prison on 11 November 2010, He went on to become  a writer, poet, freelance journalist and has also authored a novel, The Violent Gestures of Life.

This panel will be facilitated by Sunday Tribune senior journalist Nathi Olifant.

 

Friday, 20 March

Written in the Margin

Written in the Margin; highlights the untold stories of marginalised South Africans often forgotten in classic and popular literature, taking an audience into worlds overlooked.

Author and journalist Carol Campbell (South Africa) has worked in print media for 24 years and during that time covered South Africa’s transition to democracy in 1994 going on to win a British Council award for education reporting the following year.

Futhi Ntshingila (South Africa) is a former Sunday Times journalist and recipient of the 2004 Vodacom Journalist of the Year Editor’s Choice Award, with a Postgraduate Diploma in Journalism at Rhodes University and Master’s Degree in Conflict Resolution at the University of KwaZulu-Natal. Her work deals with women who are in the peripheries of society whose stories have been historically ignored.

Senior Sunday Times journalist Matthew Savides will facilitate the panel discussion. 

 

Words Weaving Worlds

This panel focuses on the power of words to create in-depth pieces of fiction that mirror the complexities of real life experiences.

Ekow Duker (South Africa) is an oil field engineer turned banker turned author with a heartfelt passion for writing. He is the author of two novels White Wahala and Dying in New York whichwere published simultaneously in July 2014.

Thando Mgqolozana (South Africa) is a novelist and screenwriter. His novel A Man Who Is Not a Man was long-listed for the International IMPAC Dublin Literary Award, and was adapted for screen into Ibhokhwe (The Goat), which won the Best Short Film and Best Director of a Short Film awards at the Independent Mzansi Short Film Festival in 2014.

Publisher and photographer Russell Grant will facilitate the panel.

 

Saturday, 21 March

Shapeshifting- Form and the Modern Writer

The festival brings two chameleon-like authors who aren’t hampered by the boundaries of traditional mediums. Both panelists are known for their ability to produce work across platforms and genres – theatre, screen and novel - to bring their stories to the world.

Author and filmmaker Dilman Dila (Uganda) has been shortlisted for the prestigious Commonwealth Short Story Prize (2013), twice long listed for the Short Story Day Africa prize, and nominated for the 2008 Million Writers Awards.

Internationally acclaimed author and playwright Craig Higginson (South Africa) was born in Zimbabwe and has lived in London, Stratford-upon-Avon, Paris and currently resides in Johannesburg. He is the recipient of the Sony Gold Award for the Best Radio Drama in the UK, the UJ Award for South African Literature in English and the Naledi Award for Best South African play.

The panel discussion will be facilitated by writer and critic Sihle Mthembu.

 

The Writer is the Witness

The final panel of the festival brings together two respected South African writers as they journey through our past, bringing a fresh perspective on well-known realities told through fiction.

Imraan Coovadia (South Africa) is a writer and director of the creative writing programme at the University of Cape Town. His novel The Institute for Taxi Poetry (2012) is the winner of the M-Net Prize.

Growing up in KwaMashu Township, Mandla Langa (South Africa) received his BA at the University of Fort Hare. In 1991, he became the first South African to be awarded an Arts Council of Great Britain Bursary for Creative Writing. His diverse work includes penning an opera, Milestones, with music composed by jazz musician Hugh Masekela.

The Writer is the Witness, will be facilitated by City Press KwaZulu-Natal Bureau Chief and investigative journalist Paddy Harper.

 

Ticket prices are R25 for the evening sessions and R10 for students on presentation of a student card. Workshops, seminars and book launches are free of charge. Book through Computicket Tel: 0861 915 8000 or 011 340 8000 or online at online.computicket.com or at the Elizabeth Sneddon Theatre from 18h00.

Organised by the Centre for Creative Arts (University of KwaZulu-Natal) the 18th Time of the Writer, festival is made possible by support from our funders; the National Department of arts and Culture, eThekwini Municipality's Parks, Recreation and Culture Unit, the Goethe-Institut, the French Institute of South Africa (IFAS) and Adams Booksellers as well as support from our partners; Pan Macmillan, Daily News, Computicket and the Elizabeth Sneddon Theatre. The Centre for Creative Arts is housed in the College of Humanities at the University of KwaZulu-Natal and is a special project of the Deputy Vice-Chancellor, Professor Cheryl Potgieter.

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For more information contact:

 Centre for Creative Arts, University of KwaZulu-Natal

 Tel: +27 31 260 2506/1816

Fax: +27 31 260 3074

Email: info@cca-ukzn.co.za

 

 

 

 

18th Time of the Writer - Schools Short Story Competition

18th Time of the Writer - Schools Short Story Competition

The 18th Time of the Writer, International festival of writers, hosted by the Centre for Creative Arts, University of KwaZulu-Natal invites South African high school learners to submit their short stories for the annual Schools Short Story Competition section of the festival, by Friday 27 February.

Held in conjunction with the Time of the Writer festival, the Schools Short Story Competition section is open to all South African high school learners and aims to encourage creative expression in young people while functioning as a springboard for the future writers of South Africa. With the festival's long standing commitment toward nurturing a culture of reading and writing, this competition has received a wide appeal that continues to grow with each edition of the festival.

Winners will be awarded cash prizes, book vouchers and complimentary tickets to the festival.

The Time of the Writer takes place from 16-21 March 2015. As one of the country's longest running literature festivals, Time of the Writer brings together some of the best authors, publishers, and editors from around the world, while focusing on providing a platform to KwaZulu-Natal talent.  In addition to the nightly showcases at the Elizabeth Sneddon Theatre the festival alsoorganisesa broad range of free daily activities including an educational and entertaining programme of workshops, reading sessions and panel discussions. This includes the Educator's Forum with teachers, on the implementation of literature in the classroom; the Community Writing Forum with members of the public interested in literature as well as visits to schools by the festival participants. The 18th Time of the Writer will also include a Storytelling Focus in partnership with Gcinamasiko Arts & Heritage Trust.

For more information on the festival or the competition, contact the Centre for Creative Arts on 031 260 2506/1816 or email:schools@cca-ukzn.co.za

The competition is open to all South African high school students.Terms and Conditions

  • There is no particular topic for the short stories.
  • The short stories can be written in English, Afrikaans or isiZulu.
  • Illegible entries will not be considered (Typed entries preferred).
  • Short stories are to be a maximum of 5 pages in length.
  • Deadline for submissions is 27 February 2015.

How to Enter

Entries can be submitted by one of the following methods:

Email:  schools@cca-ukzn.co.za

Fax: 031 260 3074

Hand Delivery: Centre for Creative Arts, University of KwaZulu-Natal, Howard College Campus, Mazisi Kunene Avenue, Durban, 4041, South Africa

All entries must include:

  1. Name of School (Contact and physical address)
  2. Name of submitter (Grade, age and contact details)

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Durban International Film Festival calls for entries for 2015

            Durban International Film Festival calls for entries for 2015

Durban, South Africa: The Durban International Film Festival (DIFF) will celebrate its 36th edition from 16 to 26 July 2015. Presenting over 250 screenings of cutting-edge cinema from around the world, with a special focus on films from South Africa and Africa, the festival exhibits films in a diversity of venues around the city. DIFF is the premiere platform for the launch of African films and a key gateway to the African film industry. The festival also includes a local and international awards component.

Only films completed in 2014 and 2015 will be considered, and there is no charge for entry. Submissions will be accepted with either a DVD SCREENER or an ONLINE SCREENER. All submissions must be entered via the DIFF Visitor Page online at vp.eventival.eu/cca. In order to submit a film, an account needs to be created if this has not already been done in previous years. The deadline for all entries (short films, documentaries and feature fiction films), including delivery of screeners, is 20 March 2015.

The extensive seminar and workshop programme featuring local and international filmmakers and industry professionals will include the 8th Talents Durban programme (17 to 21 July), in cooperation with Berlinale Talents, and the 6th Durban FilmMart (17 to 20 July), in partnership with the Durban Film Office, as well as various other streams of programming.

Specific streams of programming for 2015 will include a focus on climate change, as well as films that explore our relationship to the earth’s changing ecology. “We are very excited about receiving a wealth of challenging and high quality films from around the world,” says festival manager Peter Machen. “We also welcome engagement with current and potential partners who support the development of cinema in Africa and beyond. Such collaboration is a major part of the festival and helps to provide filmmakers and the public with a programme of brilliant films and a solid development programme.”

For more information check out the festival Submission FAQs or visit: www.durbanfilmfest.co.za or email diff@ukzn.ac.za

Follow the festival on Twitter (@DIFFest) and on Facebook.

The festival is hosted by the Centre for Creative Arts, University of KwaZulu-Natal and is supported by the National Film and Video Foundation, the KwaZulu-Natal Department of Economic Development and Tourism, the KwaZulu-Natal Film Commission, the City of Durban and other valued funders and partners. 

Janet’s shot at her big time!

 

Janet's shot at her big time!

In the beginning was the Word. Without it, there is nothing! These are words to live by for the award winning short filmmaker, screenwriter and AFDA Durban scriptwriting lecturer, Janet van Eeden. She recently returned from the UK where she attended and participated at the London Screenwriters Festival (LSF) 2014 that was held October. Last year she was invited to the LSF to the Meet the Experts panel for which she pitched her feature film A Shot at the Big Time. The short promo for the feature secured a number of nominations and won at eThekwini Film Awards 2013 for Best Cinematography. The short film was chosen to be screened at the Cannes Film Festival 2014 which took place in May and support and mentorship was offered to Janet during this process by Anant and Sanjeev Singh.

This year, Janet went to the LSF to represent AFDA along with other international film schools, and to pitch her new feature project The Hyena in Petticoats. “At the London Screenwriters’ Festival, writers have just a few minutes at the Pitch Fest to convince high-ranking producers to take on their project. explained Janet.  It is no easy task but for the South African writer, it was enough to leave tears trickling down one of the producer’s faces after pitching her new project. “It’s a very topical subject and it has resonance around this world right now more than any other film I’ve pitched before. Within one minute of me pitching to her she was in tears. She couldn’t stop crying. When our five minutes were up she told me to wait after the whole session was over and to talk to her more” Janet explained.

The AFDA Durban lecturer was selected to participate in a number of sessions that included the Legal Clinic at which she had a one-on-one discussion with the Legal Expert, Julian Wilkins, regarding copyright issues which many filmmakers fall victim to. This particular issue involved someone assuming credit for a project which was all Janet’s work.

Regarding the position of writers, “there tends to be a lack of recognition of screenwriters within the film industry”, Janet elaborated. “Directors are given full credit for making a film and the screenwriters are often not even mentioned. I think this is remiss and those directors and producers who give credit to the writers usually have an incredible film as a result”.

The biggest challenge facing South African filmmakers is funding. To produce Shot, Janet opted for crowd - funding which is a relatively new concept in the country. “Making my short film A Shot at the Big Time with crowd-funding finally made people realise that I was serious about becoming a filmmaker. Before then I’d been told by many men who were older than me at the time that “a woman your age” should not be interested in making films she said.

This goes to show that if one has a vision and is driven by passion, boundaries are limitless. With over 18 years of experience in the industry and still going strong, telling stories on film and changing people’s lives one film at a time is what keeps Van Eeden inspired. South African filmmakers have the expertise to match anything produced internationally in all areas. Janet stresses that our audience needs to be encouraged to value local productions before watching Hollywood’s outpouring. Also there need to be ways to fund filmmakers in a more equitable manner.

There was never a moment to be idle for this talented writer at the LSF. After all she was surrounded by the likes of Ted Tally, the screenwriter of Silence of the Lambs, William Nicholson, the screenwriter of Shadowlands and Gladiator and David Reynolds, one of the writers of Finding Nemo. She recalls her best moment being a full hour spent with Paul Bassett-Davies, who has co-written many British Comedies such as Have I Got News For You, Spitting Images and many more. She described it as both useful and inspirational. “After talking through the concept of my new project, I realised the best way forward to writing the script in the most engaging way possible, thanks to his suggestions”, she said.

Janet shares her experience of working with world class talent with her students at AFDA. As part of their sessions, students have had the opportunity to skype with Lucy Hay, a writer, script editor, blogger and trained teacher who helps writers as well as Chris Jones who is a filmmaker and author of the iconic Guerrilla’s Guide to Filmmaking and the organisers of the London Film Festival. 

International festivals such as the London Screenwriters Festival grant talented people like Janet an opportunity to meet and establish relationships with like-minded individuals from different walks of life. They also present a rich foundation to gain invaluable experience coupled with a pool of networking prospects. It truly is a meeting of true minds.

For more info about the LSF go to www.londonscreenwritersfestival.com and for more info about AFDA go to www.afda.co.za.

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RED EYE RETURNS

RED EYE RETURNS!

Initiator and creative director of Red Eye Durban, Suzy Bell, is bringing Red Eye back to Durban. Red Eye, a legendary arts project born in Durban, originally took place at the Durban Art Gallery back in 1998 and attracted record crowds who flocked to the gallery to celebrate art. It is now returning to Durban as #REDEYEDURBAN every first Friday of the month, kicking off on Friday November 7 at The Bakery in the cultural precinct of Khuzimpi Shezi Road in Umbilo from 6pm to midnight.

“There is a beautiful big fat building on the top floor of a bakery, just across the road from acclaimed artist, Andries Botha’s art studios and opposite the iconic Sugar Terminals on Durban’s harbour in downtown Umbilo. This historic building was home to the Durban Rickshaw Pullers where they originally set-up shop in the early 1900s and the original traditional Zulu Beer Hall is in nearby Dalton Road. It’s a culturally historical and wonderful, culturally-diverse community for Red Eye Durban,” said Suzy Bell, cultural activist and creative director  of this highly successful, multi-media, art-soaked project.

For the upcoming relaunch of Red Eye Durban on November 7, Bell says we can expect a celebration of art and music with Squeaky Takkie Studios doing Red Eye sound for the music line-up which includes “sublimely talented brothers and crunching hip-hop heads,” MINDCOAST ISA from Equatorial New Guinea. Also performing are THE SISTERS [of famed Black Math] with their “messy Garage-Stoner” grooves,the “super-sonic all-girl band,” THE VOLSUNGA SAGA and SATMA isicathamiya nominees, THE KHOLWA BROTHERS.”

Bell says it will get further: “flicked up” with the talented LOUD LUNGS , DJ RAWS and MVSTVBV as well as the dance crews  Amaguyz, The Goodfellas and Zoey Dudumashe.”

For Red Eye Performance Art, there’s a dark and funny performance in Mr Skaireeeee (Sibo Masondo), devised by Durban theatre legend Gisele Turner. There’s fresh comic art with Red Eye Youth from the up-and-coming talents of: Findlay ‘Rapscallion’ Atkinson,  and the well-known Deon Lange.

“There will be live graff-bombing,  light painting, and  photography and graphic art for sale. There’s kick-ass poetry and arty T-shirts and jewellery on sale as well as  fashion photography , digital films and video installations,” –enthuses Bell.

Bell’s grand idea back in 1998 was for a monthly, full-on, multi-media, culturally-diverse arts experience taking place in one space, on one night only.. Red Eye  has since travelled as a creative concept around the country and has attracted international attention as well as emulation as far afield as Chicago and Fort Lauderdale. 

“The aim now is to further stimulate Durban’s creative community into a creative economy,” said Bell. “In 2015 we want to run creative and arts marketing workshops under Red Eye mentors and then create a Red Eye App as a tool to market ourselves professionally.. The idea is to empower young emerging artists to create their own creative projects, brand more professionally and generally offer a higher standard of art as merchandise to the buying public,” she added. 

“Red Eye , together with numerous arts activations happenings in the city, will actively work towards Durban becoming one of the most creative and liveable cities in the world,” concludes Bell. 

RedEyeDurban takes place on Friday 7 November 2014 from 6pm to midnight at The Bakery, 106 Khuzimpi Shezi, formerly Williams Road. Tickets: R100  Webtickets.co.za  or R100 at the door / students with card: R80.Children 12 and under enjoy free entrance. Family-friendly time: 6 - 8pm. Early bird parking for 80 vehicles inside. Security provided. Food on sale and The Winston run a cash bar. HOW TO GET THERE: Taxi: The Workshop catch Umbilo 7 taxi. Hop off on Blake Road, walk down towards the Harbour, turn right into Khuzimpi Shezi, formerly Williams Road and The Bakery is 20 metres down on the RHS.

 For more info online: Facebook: RedEyeDurban Twitter: @RedEyeDurban   Google Plus: RedEyeDurban Instagram: RedEyeDurban  Artists may send their artist bios for future Red Eye Durban participation or to become a member to: suzybell@redeyedurban.com

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Flatfoot Dance Company Summer School

Flatfoot Dance Company Summer School

The award winning Flatfoot Dance Company will host its second annual four day dance Summer School from 16-19 December 2014. This intensive Summer School is aimed at pushing the technical skills of dancers in the contemporary idiom and will allow dancers (still training or already professional) to work in an environment with skilled choreographers, teachers and workshop facilitators.

“This is an opporutnity for dancers to have great fun, get themselevs into shape and open up to a life changing dance experience.” says  Lliane Loots, Artistic Director of the company. Dancers will be nurtured and supported as they take on the challenge of dancing for four full days with Flatfoot Dance Company. The Summer School is designed for dancers from the age of twelve and upwards, and “all levels of ability are welcome”, assures Loots. All dancers will receive a certificate of attendance and participation on completion of the 2014 Summer School.

The technical dance training will work in Flatfoot’s own ‘African Release Technique’, which is “a confluence of Graham, Hawkins, Horton and the American Skinner Release Technique”, explains Loots. Dancers who participate in the full programme will also work on choreography towards a performance at the end of the four days. The Summer Intensive Teaching Team from the Flatfoot Dance Company includes Lliane Loots, Clare Craighead, Sifiso Khumalo, Sifiso Majola, Julia Wilson, Jabu Siphika and Zinhle Nzama.

There are two levels at which dancers can participate in the programme. The first option is the full four day Summer School Programme which will run from 9:30am to 3pm across the four days. There is also a second option to partake only in the four morning technique classes which will run each day from 9:30am – 11:15am.

The Summer School will take place at the Flatfoot Dance Studio and Square Space Theatre, both of which are on UKZN’s Howard College Campus, Durban. The cost of the full programme is R520 and the option of only the four technique classes is R320. Applicants must contact Clare Craighead on 082 875 6065 or craighead@ukzn.ac.za (in the subject line type “summer school”) to secure their place for either Option 1 or 2 in Flatfoot’s Intensive Summer School.

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18th Poetry Africa Festival - Line-up announced


18th Poetry Africa Festival - Line-up announced

The Centre for Creative Arts (UKZN) is excited to announce the main line up for the 18th Poetry Africa festival which takes place from 13 to 18 October at the Elizabeth Sneddon Theatre (UKZN) and numerous other venues in and around Durban and KwaZulu-Natal. Twenty-four poets and spoken word artists from twelve countries will meet in Durban to celebrate a diverse mix of traditions in oratory and storytelling.

The 18th Poetry Africa festival will feature the following poets:

Mak Manaka (South Africa), Makhafula Vilakazi (South Africa), Kyle Steven Allan (South Africa), Page Ngwenya (South Africa), Quaz Roodt (South Africa), Thuli Zuma (South Africa), Croc E Moses (South Africa), Nakanjani Sibiya (South Africa), Sithembiso Khwela (South Africa), Napo Masheane  (South Africa), Vangile Gantsho  (South Africa), Raya Wambui (Kenya), Q.Malewezi  (Malawi), Black Pearl  (Zimbabwe), Lydol (Cameroon), Stone Karim Mohamed (Cameroon), Aziz Siten'k  (Mali), Dagga Tolar (Nigeria), Ombr Blanche (Burkina Faso), Féling Capela (Mozambique), Bee Joe (Ivory Coast), Seleshe Demessae (Ethiopia), Akeem Lasisi (Nigeria) and Buddy Wakefield (USA).

As usual,  the festival will have an extensive community outreach programme with poetry readings, performances and workshops in community centres, campuses and schools across Durban and surrounding areas.

A highlight of the festival’s daytime programme will be a closed conference of spoken word organisers from across the continent hosted by the Goethe Institut, South Africa. This conference is a culmination of a project that began in 2013, that saw the Goethe Institute documenting spoken word communities across the continent on the website www.goethe.de/spokenword. The conference will explore ways to promote spoken word as an art form throughout the continent.

Poetry Africa will also collaborate with Harare-based arts festival Shoko Festival and Johannesburg-based spoken word festival WordNSound to host American spoken word artist Buddy Wakefield’s first Southern African tour. Cape Town audiences will get a first look at the second instalment of Insurrections, an Indian-South African poetry and musical ensemble that wowed audiences at last year’s festival in Durban. Together these three performances will form part of Poetry Africa Tour events organised by the Centre for Creative Arts.

Finally, the Centre for Creative Arts (UKZN) is pleased to be part of the inner city’s urban regeneration initiative in the Rivertown Precinct where this year’s festival finale will be hosted. The programme for Saturday 18 October will kick off with workshops and the Open Mic event, which are free to the public. In the afternoon the doors open for the Poetry Africa Slam Jam, followed by a presentation from all the festival participants give a short presentation of their work, thereafter the finale will conclude with a performance by HHP and his band.

For more information go to www.cca.ukzn.ac.za or contact 031-2602506.

The 18th Poetry Africa festival is presented by the Centre for Creative Arts (UKZN) with support from eThekwini Municipality; the Goethe Institut, South Africa; the French Institute of South Africa and the KZN Department of Arts and Culture. The Centre for Creative Arts is a special project of the office of Professor Cheryl Potgieter, Deputy Vice Chancellor of the College of Humanities, University of KwaZulu-Natal.

 

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16th annual JOMBA! Contemporary Dance Experience - August 27 to September 7

 The Centre for Creative Arts and the College of Humanities of the University of KwaZulu-Natal proudly present the 

16th annual JOMBA! Contemporary Dance Experience 

The University of KwaZulu-Natal’s Centre for Creative Arts, is proud to present its 16th annual JOMBA! Contemporary Dance Experience from August 27 to September 7 at the Elizabeth Sneddon Theatre with one performance at artSpace (Durban) on 4 September.  This year’s JOMBA! is an especially focused MSANZI edition of the festival with attention being given to supporting some of South Africa’s top dance companies and dance makers. In an unprecedented move by one of Africa’s biggest and most prestigious contemporary dance platforms, JOMBA! 2014 has decided to give support and offer recognition to 5 of South Africa’s most awarded and cutting edge dance companies with a special invites to Vuyani Dance Theatre (JHB), Moving Into Dance Mophatong (JHB), Flatfoot Dance Company (DBN), First Physical Theatre Company (Grahamstown) and the Floating Outfit Project (DBN).

The festival opens with Vuyani Dance Theatre offering two works; Beautiful Us created by Gregory Maqoma and Dominion choreographed by Luyanda Sidiya. Maqoma’s Beautiful Us is a tour de force that has travelled the world to standing ovations and is a poetic invocation, as part of his renowned Beauty Trilogy, for humanity to pause to give our planet earth some space and, as Maqoma says, “to pause a while to give our traditions, our humanity space to find the much needed change we all feel must manifest”. Maqoma is one of South Africa’s most travelled choreographers and JOMBA! is delighted that he returns to our platform to share a unique dance vision.

Joining Maqoma, is Vuyani’s Luyanda Sidiya in his politically charged Dominion which, like Maqoma’s Beautiful Us that weeps and dances for a better world, Sidiya’s Dominion looks at how humanity has distorted its human to human notions of power. This work is sure to be one of the great talking points of this year’s festival.

Also featured is Durban’s inimitable Flatfoot Dance Company. Fresh from a tour to Chicago (USA), Lliane Loots and her incomparable 6 Flatfoot dancers will present a soulful and deeply personal collaboration with the musical genius of Durban’s singer/songwriter Shannon Hope. Entitled “HOPE”, Loots takes her inspiration from weaving Shannon Hope’s poignant torch song lyrics into a contemporary dance landscape. HOPE is an ironic and sometimes witty encounter with the quagmire of contemporary love relationships. This is new territory for Loots who, often known for the dissident social and political voice in her dance work, steps into a more interior and personal landscape with HOPE. Perhaps, in the end, Loots’s HOPE reminds us that our love relationships are the very fabric of our daily lives and as such become part of the deepest sense of understanding ourselves; both difficult and joyful?

No strangers to JOMBA! and Durban dance audiences, Moving Into Dance Mopathong, break new ground at JOMBA! 2014 with a collaborative dance theatre work between MIDM’s own Sonia Radebe and Canadian choreographer Jennifer Dallas from Kẹmi Contemporary Dance Projects based in Toronto. Titled Ngizwise, Radebe and Dallas offer a meeting of two dynamic female choreographers and their search for what is common and what is unique in their different styles and cultural contexts. Ngizwise is a deft and moving meeting between choreographers and dancers – cross-cultural, cross continent -  as they begin to reveal the intimate stories of South Africa and the voices of the ‘born free generation’.

From an absence from touring South African dance, JOMBA! is extremely proud to present the magical and thought-provoking work of Grahamstown based First Physical Theatre Company. First Psychical –as they are fondly called – have been iconic over the last 20 years offering new idioms and new ways of thinking about dance and theatre, and they come to JOMBA! 2014 with an especially created programme of 3 works with an all-female company. Under the artistic directorship of Juanita Finestone-Praeg (one of the original founder members for First Physical), this programme for JOMBA! highlights the corporeal imagination in the making and performing of original South African choreographies. These performance ‘experiments’ continue First Physical’s legacy in questioning ways of making and creating dance theatre.

First Physical’s JOMBA! 2014 programme includes two works by the current company manager, and seasoned choreographer Athina Vachla, as well as an original work by company member, Nomcebisi Moyikwa.  Vachla’s Deadringer , combines the authentic language of boxing with dance, in a sport-theatre performance. Moyikwa, a new choreographic voice describes her work, Caught, as “a chapter of my choreographic autobiography as a young black female”.

Finally, on the main platform performance front, JOMBA! continues its long-standing relationship with artSpace (durban) Gallery where we host  Durban’s Boyzie Cekwana and his Floating Outfit Project. Cekwana’s own brand of deconstructed and highly evocative postcolonial dance making will baffle, delight and challenge audiences. His work, wittily titled Love Letters Locking Lips/5km of Marshmallows has been especially crafted for the art gallery and as he says, “Love songs, love letters, love bites, or is it bytes? This is an experimental performance poem in loving memory of the poetic love lyric, on paper, in the body or in cheesy love songs. It is an explorative experiment in the various expressions of love and loving, in tender or violent articulations. Welcome to the marshmallow sea”.

JOMBA! 2014 is also extremely proud to begin a new chapter in the festivals history with the start of a very special long term residency programme that began in June 2014. Hosted and facilitated by Boyzie Cekwana, Dialogues Africa invited KZN based choreographers to apply to participate and over a series of interviews and rigorous meetings, 8 dancer makers were selected; Sifiso Majola, Gcina Shange, Julia Wilson, Jabu Siphika, Sifiso Khumalo, Teagan Peacock and Mlekeleli Khuzwayo.  The residency is an on-going dedicated attempt to reboot and reload the space for thought, movement, dance making and ultimately, dialogue(s) towards the growth and survival of critical South African dance makers. Cekwana’s own style of facilitation is not shy of understanding that the mind is our biggest muscle and he is using this dialogue, as he says, “to create an evocative arts space, not only to dream, but also to re-activate, re-create, re-assess and re-consider that which passes as knowledge, in all its guises; technique, creativity and even choreography!”

JOMBA! alongside facilitator Cekwana and Loots, as artistic director of the festival, looks to this Dialogues Africa as a pit stop in our endurance race to create spaces in Durban, Johannesburg, Maputo, Kinshasa, Kisangani and elsewhere on the continent for dance and its makers to remember to speak. As Cekwana so poetically says; “this JOMBA! dialogue offers a place to speak our names and those names in danger of erasure under the power of arts and culture apathy. As dance makers we need to bring forth our courage to act, to speak… to be citizens. It is our attempt to learn to speak/dance and not be spoken for”.  The 2014 residency culminates on the last night of the festival (7 September) where audiences will be treated to a glimpse into working process and some of the dance making that has been generated.

For those who are interested in watching the final week of the residency unfold, artSpace (durban) will be hosting the final working week and audiences are encouraged (free of charge) to pop in over lunch time (1 – 2pm) to see what is unfolding from  2  to 6 September.

JOMBA! hosts its usual platforms of the Fringe (Monday 1 September) and the Youth Fringe (Saturday 31 August ). With over 40 entries for a coveted place in this year’s JOMBA! Fringe, the selection of only 10 works was a difficult task but means that the final selection offers a standard of dance theatre that is growing. The JOMBA! Youth Fringe takes place at the UKZN Open Air Theatre (entrance is free) and is a celebration of over 28 KZN based youth dance groups and the incredible dance work that they are doing.

JOMBA! also offers a full programme of workshops and master classes by all of the participating dancers and choreographers. For a full listing go to www.cca.ukzn.ac.za and go to the JOMBA! page. These workshops and classes are offered free of charge but booking is essential. The workshops are only open to dancers 16yrs and older. Call 082 875 6065 during office hours or e-mail (jombafestival@gmail.com)to book a place; at least 2 days in advance of the workshop.

Tickets are performances are R60 for adults and R45 for scholars, students and pensioners, and booking is through Computicket (or at the venue from one hour before). For more information, go to www.cca.ukzn.ac.za and like the Facebook  page (JOMBA! Contemporary Dance Experience) and follow on Twitter (Twitter@Jomba_dance).

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Durban International Film Festival Announces Award Winners for 2014

Durban International Film Festival Announces Award Winners for 2014

The Durban International Film Festival announced its award-winners last night at the closing ceremonof the festival’s 35th edition at the Suncoast CineCentre Supernova, prior to the screening of its closing film, Million Dollar Arm. The announcement comes as the festival rounds off a very successful year, with significant increase in attendance with many films screening to sold-out audiences. Festival Manager Peter Machen says of this year’s event: “I was extremely happy with the success of DIFF 2014, and it was very gratifying to witness both the large amount of sold-out screenings and also the huge enthusiasm for the festival, both from local audiences and from the hundreds of guests attending the festival from around the world.”

At the ceremony, the festival unveiled its new statuette, the Golden Giraffe, designed by Durban artist, Caryn Tilbury. Machen said of the new awards: “We are extremely that the festival finally has an iconic award. Venice has the Golden Lion, Berlin has the Golden Bear and now Durban has the Golden Giraffe. Caryn Tilbury’s beautifully idiosyncratic design is perfectly representative of the slick but edgy nature of the festival.” 

At the awards ceremony, the festival’s highest accolade of Best Feature Film went to Malian auteur Abderrahmane Sissako’s masterful Timbuktu, from a selection of competition films that the international jury described as having dealt with “individuals coping with ideological, social and political pressures whilst trying to find their own identity and humanity in a world increasingly under distress.” The Best Feature Film award carries a cash prize of R50 000.

The jury commended Sissako’s film for being “an impressively well-made film that makes us aware, in an extraordinarily human and gentle way, of the fight for dignity and freedom of individuals against oppression and violence. Beautifully crafted and showing mature accomplishment on all levels the film illustrates the absurdity of war and ideological dogmatism and offers humour, gentility and humaneness as a possible solution to the madness that seems to engulf so many regions in the world and on our continent. It embraces cinema as a weapon of love against violence and intolerance.”

The International Jury consisted of: Rémi Bonhomme, who heads Critics Week at Cannes Film Festival; Diarah N’Daw-Spech, the co-founder and co-director of the African Diaspora Film Festival in New York; Andrew Worsdale, writer, director and previous winner of Best South African Feature film at DIFF; and actress and activist Paulina Malefane, known for her role of Carmen in both the stage and film productions of U-Carmen eKhayelitsha, and co-founder of the Isango Ensemble.

The award for Best South African Feature Film, which carries a prize of R25 000 went to Jenna Bass’ exciting first feature Love the One You Love. The local jury stated that they chose the film “for its stylistic and narrative freshness”, calling it “a playful, quirky and idiosyncratic debut made with curiosity, warmth, heart and sensitivity.” Bass was also honoured with the prize for Best Direction in a South African Feature Film, with the jury describing the young director as “inquisitive, innovative and with a unique voice and luminous cinematic sensibility, who shows us a contemporary universe which is as imaginative as it is true”.

The accolade for Best Documentary went to Mahdi Fleifel’s A World Not Ours.  According to the jury, “This intimate, affecting and often humorous debut feature is a portrait of three generations of exile in a refugee camp in southern Lebanon, a Palestinian pocket of hemmed-in buildings and stifled hopes. Fleifel may have set out to tell a small domestic story about the loved ones he has left behind but the result is a powerful tale of the human cost of a political nightmare, the end of which seems very far away.”

Best South African Documentary was awarded to Rehad Desai’s Miners Shot Down. The film was also awarded the Amnesty International (Durban) Human Rights Award, which carries an award of R10 000 sponsored by the Artists for Human Rights Trust. The film was chosen “for its profoundly moving portrayal of the Marikana miners’ massacre. The human rights abuses so vividly portrayed include the right to life, the right to justice, the right to protection by the police, the right to know, the right to peaceful protest and the right to human dignity.” ­

The full list of awards is as follows:
BEST FEATURE FILM: Timbuktu by Abderrahmane Sissako

BEST FIRST FEATURE FILM: Salvation Army by Abdellah Taia

BEST DIRECTION: Noaz Deshe for White Shadow

BEST SCREENPLAY: Love is Strange written by Ira Sachs and Mauricio Zacharias

BEST CINEMATOGRAPHY: Sofian el Fani - Timbuktu

BEST ACTOR: Ibrahim Ahmed - Timbuktu & Tony Kgoroge - Cold Harbour

BEST ACTRESS: Chi Mhende - Love the One You Love

DURBAN INTERNATIONAL FILM FESTIVAL AWARD FOR ARTISTIC BRAVERY: Petter Brunner - My Blind Heart

BEST SA DOCUMENTARY: Miners Shot Down by Rehad Desai

Special Mention: Nelson Mandela: The Myth and Me by Khalo Matabane

BEST DIRECTION IN A SOUTH AFRICAN DOCUMENTARY: I, Afrikaner by Annalet Steenkamp

Special Mention: Fatherland by Tarryn Crossman

BEST DOCUMENTARY: A World Not Ours by Mahdi Fleifel

BEST SHORT FILM: Out of Place by Ozan Mermer

BEST SOUTH AFRICAN SHORT FILM: Keys, Money, Phone by Roger Young

AUDIENCE CHOICE AWARD:  To be announced on Monday

Sunday is the last day of screenings with film screenings at Suncoast CineCentre, Ster Kinekor Musgrave, Cinema Nouveau Gateway, Elizabeth Sneddon Theatre (University of KwaZulu-Natal) and Ekhaya Multi-Arts Centre (Kwa-Mashu). Please see www.durbanfilmfest.co.za for details of the remaining screenings.

Shield and Spear - doccie examining post-apartheid South Africa through its arts community #DIFF2014

 

‘SHIELD AND SPEAR,’ SCREENING AT DURBAN INTERNATIONAL FILM FESTIVAL

Film-maker Petter Ringbom’s “Shield and Spear” a documentary which examines post-apartheid South Africa through its exuberant, provocative and sometimes fractious arts community will be screened at the 35th Durban International Film Festival which takes place from July 17 to 27 at venues around the city.

In May 2012, a six-foot-tall painting ignited a firestorm of controversy in South Africa when the Goodman Gallery in Johannesburg mounted an exhibit of artist Brett Murray’s politically inspired work. The show included “The Spear,” a cheeky portrait of scandal-plagued South African president Jacob Zuma, which prompted a landmark lawsuit, death threats against the artist and massive street protests.

The passionate debate surrounding the painting inspired filmmaker Petter Ringbom to explore South Africa’s vibrant, exuberant and sometimes fractious community of artists in his feature-length documentary, SHIELD AND SPEAR. Coming exactly 20 years after the country’s historic first democratic elections in 1994, the film explores a constellation of stories about art, music, identity, race, and freedom of expression in South Africa by examining the lives and work of a diverse group of artists.

From bustling international metropolises like Cape Town and Johannesburg to the traditional townships of Soweto and Khayelitsha, Ringbom observes what it means to be an artist in a fledgling democracy and finds the indomitable creative urge burning brightly. In cafes, clubs and galleries, and at all levels of society, politically charged words and imagery fill the rooms and the streets of South Africa, and spill over onto the international stage.

“In an innately conservative country that still bears the scars of almost a half-century of apartheid, the brutal state-sponsored system of racial segregation, we discover that everyone—black, white or coloured, Afrikaans or English speaker, affluent or poor—is struggling to find their place in the new South Africa.” says Ringbom.

Ringbom interviews a wide array of visual artists, designers and musicians, starting with Murray, whose provocative portrait launched the filmmaker’s odyssey. A renowned social satirist, Murray, has addressed issues of race and politics in his work since the early 1980s. His work is collected by art lovers worldwide, including, recently, rapper and hip hop impresario P. Diddy. Murray recounts with some disbelief the furore that his exhibition created as the ANC sued to have the painting removed from the show, and others called for burning the painting and even publicly stoning the artist.

The “Spear” became a symbol of the deep divisions that remain in the country’s cultural landscape. In his film, Ringbom highlights the volatile fault lines that still zigzag across boundaries of race, economics, gender, class and sexual orientation while also celebrating the joy of the creative life in a “Rainbow Nation.”

Ringbom’s subjects have transformed their hard-fought freedoms into highly personal, nuanced and complex commentary that they hope will alter the future of their young democracy. Many are involved in activism that aims to bring about social and political change in big and small ways.

“We didn’t get here because someone was good to us,” says Siyabonga Mthembu, the charismatic front man of The Brother Moves On, a performance art ensemble and band based in Johannesburg. “We got here because we fought for something. That’s what Mandela kept trying to say. His whole thing that he was stressing was that you need to take ownership.”

 Ringbom also profiles photographer and activist Zanele Muholi, whose art documents the lives of the LGBT community in South Africa, where they are often ostracised and live in constant danger of violence. Her work has been exhibited in Europe and North America as well as in Africa. In 2013, Muholi won the Index Freedom of Expression Award for Arts, an honour for which the Russian collective, Pussy Riot, were also nominated.

 “I do what I do to present a visual history that speaks to us and to inform generations to come,” she says, adding, “I’d be lying to you if I said I was just taking photographs for fun. Photography is not a hobby to me. Photography is about politics. Whatever I am producing is to make sure that I push the political agenda. I’m paving the way for the next person who comes after me.”

In addition to creating sensitive portraits of gay and transgendered men and women, she has founded Inkanyiso (“one who brings illumination”), an organisation dedicated to exposing the multitude of hate crimes against women and the LGBT community that are ignored by the government and mainstream media. “We document our history and provide a platform for LGBT individuals to tell their stories without being judged,” Muholi says.

Interviewed in SHIELD AND SPEAR are some of contemporary South Africa’s most innovative artists, designers and musicians including Brett Murray, photographer Zanele Muholi, musicians BLK JKS, Gazelle, The Brother Moves On, Yolanda Fyrus, Fokofpolisiekar and design collective the Smarteez, with appearances by Ferial Haffajee, DJ Invizable, Motèl Mari and more.

SHIELD AND SPEAR is directed, written and shot by Petter Ringbom. Executive producers are Marquise Stillwell and Christophe Charlier. Producers are Alysa Nahmias and Ringbom. The film is edited by Ringbom. It will be screened on  July 21 at 20:30 at Suncoast Cinecentre, July 22 at 16:00 (free screening)  at the Elangeni Hotel and on 27 July at 2pm at  the Elizabeth Sneddon Theatre.

For more information about the Durban International Film Festival go to www.durbanfilmfest.co.za. 

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Khalo Matabane presents “The Films That Made Me” at the 35th Durban International Film Festival

Khalo Matabane presents “The Films That Made Me” at the 35th Durban International Film Festival

Returning to the Durban International Film Festival (17 – 27 July) for the second time, The Films That Made Me section presents a programme of five films selected by a prominent South African director to bear testament to the films that have shaped his or her directorial voice. This year, DIFF is delighted to announce that it has invited acclaimed South African filmmaker, Khalo Matabane (director of State of Violence and Nelson Mandela: The Myth and Me), to curate a selection of films he considers influential in his cinematic career to festival audiences. The films will screen at 09:30 every day from July 18 to 22 (venue details below). Matabane explains his selection:


Do the Right Thing directed by Spike Lee (1989) is a film that made a huge impact on me - the reason I became a filmmaker. It is personal for me – the race questions it raises are timeless, the humour and its stylistic approach; A Short Film About Killing directed by Krzysztof Kieslowski (1988) is a film that has haunted me for years - Mirosław Baka’s strong face, its strong anti-death penalty message and its artistic beauty. Kieslowski has made some other great films, such as Three Colours: Blue, but this film in particular has stayed with me; I am a big Scorsese fan. He is one of the few filmmakers whose early films I truly love with my head and heart. Raging Bull directed by Martin Scorsese (1980) is a film about broken men, about violence and, I would argue, is the director’s finest film; Hitchcock is one of the greatest filmmakers in the world - period. I love many of his films, like Psycho, but Rear Window (Alfred Hitchcock, 1954) is, for lack of better phrase, really a mind ****!; The title of the Decline of the American Empire (Denys Arcand 1986) I love because it captures the state of the world in which we live. Denys Arcand is truly an under-appreciated filmmaker.” 

Khalo Matabane was born June 18, 1974 in Ga Mphahlele, a village in Limpopo, South Africa. He has directed numerous documentaries, drama series, campaigns, commercials, taught about cinema and politics at schools. Along with his work as a filmmaker, Khalo Matabane also occasionally writes about cinema and politics. His first feature film State of Violence (2010) screened to critical acclaim at Toronto and the Berlinale. Set in Johannesburg, it is the story of a man who wife gets killed in what seems like a random act of violence. He goes on a journey searching for the killers only to find out that he is the son of a man he killed in the 1980’s during the struggle in the township.

Khalo’s newest film, Nelson Mandela: The Myth and Me will open the documentary section of DIFF on Friday,  18 July at 19:00 at the Elizabeth Sneddon Theatre.  The film seeks to find out if Mandela’s philosophies of forgiveness, reconciliation and freedom resonate currently in a world that is plagued with injustice and social inequalities. 

SCREENING DETAILS FOR “THE FILMS THAT MADE ME”:

·       Fri 18 July, Suncoast 7, 09:30: Raging Bull d. Martin Scorsese (United States, 1980, 129 min)

·       Sat 19 July , Elangeni, 09:30: Rear Window d. Alfred Hitchcock (United States, 1954, 115 min)

·       Sun 20 July, Suncoast 7, 09:30: Do the Right Thing d. Spike Lee (United States, 1989, 120 min)

·       Mon 21  July, Elangeni, 09:30: A Short Film About Killing d. Krzysztof Kieślowski (Poland, United States, 1988, 85 min)

·       Tues 22 July, Elangeni, 0930: The Decline Of The American Empire d. Denys Arcand (Canada, 1986, 101 min)

The Durban International Film Festival takes place from 17 – 27 July 2014. The festival includes more than 200 theatrical screenings and a full seminar and workshop programme, as well as the Wavescape Film Festival, the Wild Talk Africa Film Festival, and various industry initiatives, including the 7th Talents Durban (in cooperation with Talents Berlinale ) and  the 5th Durban FilmMart co-production market (in partnership with the Durban Film Office).  For more information go to www.durbanfilmfest.co.za

The 35th Durban International Film Festival is organised by the Centre for Creative Arts at the 
University of KwaZulu-Natal (a special project of the Deputy Vice Chancellor of the College of Humanities, Professor Cheryl Potgieter) with support from the National Film and Video Foundation, KwaZulu-Natal Department of Economic Development & Tourism, KwaZulu-Natal Film Commission, City of Durban, German Embassy, Goethe Institut, Industrial Development Corporation, KwaZulu-Natal Department of Arts and Culture and range of other valued partners.

 

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