FLATFOOT DANCE COMPANY’S NEW SEASON BODIES OF WATER 10-13 April

FLATFOOT DANCE COMPANY is set to dazzle audiences with its 2025 showcase premiere of BODIES OF WATER at Elizabeth Sneddon Theatre from 10 – 13 April 2025.

BODIES OF WATER 2025. Dancer Sbonga Ndlovu PHOTO Val Adamson

Award-winning choreographer, Lliane Loots joins forces with celebrated Durban musicians Refiloe Olifant on violin, and Mandla Matsha on percussion, to offer a beautiful, soulful and thought-provoking new season of contemporary dance.

BODIES OF WATER 2025. Dancers Siseko Duba and Sbonga Ndlovu PHOTO Val Adamson

Loots says, “BODIES OF WATER embraces a double meaning as the dance work negotiates the ecology of water alongside an awareness that the human body is made up of 70% water. Setting the dancing moving body as a breathing metaphor for climate justice, the six FLATFOOT dancers face what happens to bodies in times of personal and political crisis”. She goes on to say, “Set against our own African geopolitics, and a larger ‘body’ of social dis-ease, BODIES OF WATER comes back to the ideas of how we relate to ‘bodies of water’ as both artistic and political metaphors for survival. Even though the human body is made up of mostly water, this fluidity is not our daily reality as we see a world becoming more intractable. The remarkable thing about water is that it is always travelling back to source, back home”.

BODIES OF WATER 2025. Dancers Siseko Duba, Zinhle Nzama, and Sbonga Ndlovu. PHOTO Val Adamson

Loots always acknowledges the six FLATFOOT dances (Sifiso Khumalo, Jabu Siphika, Zinhle Nzama, Siseko Duba, Sbonga Ndlovu and Ndumiso Dube) as her co-creators. “In this work the dancers courageously face off with their own flow and sometimes immovability as BODIES OF WATER open space for all of us to examine the very beating of our own hearts and the (wished for) lightness of our footsteps on this Earth. BODIES OF WATER is a daring and deeply beautiful navigation of both the human condition and the ecology of our planet.”

Refiloe Olifant

BODIES OF WATER is performed to an original and live score jointly created in rehearsals with Refiloe Olifant (violin) and Mandla Matsha (percussion). Refiloe (aka Fifi) is a violinist who hails from Bloemfontein and is currently employed by The KZN Philharmonic Orchestra as a principal violinist where she also features as an assistant concertmaster with a baroque ensemble based in Durban called Baroque 2000. Loots says, “Her ability to improvise and create a score with the dancers is a unique talent and I am so grateful to have her beauty in the room when we are working. I consider her and her music to be the 7th dancer in BODIES OF WATER”.

Mandla Matsha

Fifi is joined by long time FLATFOOT collaborator Mandla Matsha. Loots says, “Mandla is a percussionist whose particular ability to score when working with dancers, is what hold BODIES OF WATER together. His range of instruments from djembe drums to the istolotolo (mouth harp) are truly phenomenal”.

BODIES OF WATER sees FLATFOOT partnering once again with lighting designer Wesley Maherry whose bespoke designs for this dance company has seen him win numerous awards. His lighting design is supported by his audio visual/cinematic stage projection designs that give BODIES OF WATER a unique performance landscape.

BODIES OF WATER only has four public performances at the Elizabeth Sneddon Theatre from 10 – 13 April. Performances are on 10 and 11 April at 7pm, and 12 and 13 April at 2.30m. Booking is via WEBTICKETS. Tickets cost between R95 and R120.

There is a special schools’ performance on Friday 11 April at 10.30am where learners can watch the show and engage in a special one-off Q&A with FLATFOOT after the performance. Scholars pay R60 and accompanying teachers get a free ticket. This is via prior booking only via Lootsl@ukzn.ac.za.

BODIES OF WATER is made possible by a partnership with the Elizabeth Sneddon Theatre (UKZN).

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Conservation to Benefit from SANParks Honorary Rangers’ Comrades Marathon Fundraising

Close to R1 million was raised for the SANParks Honorary Rangers (SHR), one of the Comrades Marathon Association's (CMA) six official AmaBeadiBeadi charities in 2024. 

A large portion of the net proceeds of this drive has gone to much-needed support for South African National Parks’ (SANParks) K9 anti-poaching units in the Table Mountain and Kruger National Parks, and support for SANParks rangers through “Project Embrace”.

Members of the SANParks Honorary Rangers in action at their Comrades water point in 2024. Photo: Carolien du Plessis.

This SANParks Honorary Rangers’ AmaBeadiBeadi charity drive enables runners and supporters to contribute directly to the conservation of South Africa's national parks, in what the organisation calls “a race to save our natural heritage”.

“The Comrades AmaBeadiBeadi Race4Charity drive has enabled us to contribute significantly to our K9 national project which supports the SANParks K9 anti-poaching units, and to our Embrace national project, which provides trauma counselling and support for field rangers and their families,” explains Ian Catt, Treasurer KwaZulu-Natal Region of SANParks Honorary Rangers and Chairman of the SHR Comrades organising committee.

“Poaching in our national parks remains a major conservation challenge in South Africa, and the SANParks K9 Unit is considered a game changer for anti-poaching initiatives."

“The support offered through Project Embrace supports field rangers whose demanding and often dangerous duties can lead to burnout and stress. This programme helps to promote ranger well-being and equips them to safeguard lives and wildlife effectively.”

Going forward, the SANParks Honorary Rangers is hoping that their 2025 CMA Amabeadibeadi Race4Charity drive will beat their 2024 target by exceeding R1 million.

Runners passionate about wildlife and nature conservation can enhance their Comrades experience by selecting the SANParks Honorary Rangers as their preferred charity through the Race4Charity platform. By doing so, they contribute to vital conservation projects within South Africa’s national parks.

To get involved, runners can register for the Race4Charity platform and select the SANParks Honorary Rangers as their chosen charity. This allows them to raise funds for conservation while participating in the marathon. It may also allow for a better seeding, should they raise more than R6000.

Supporters can contribute to the cause by donating to runners supporting the SANParks Honorary Rangers or donating directly to the organization. 

“It does not matter how small the donations are,” says Catt. “Every little bit helps.”

The 2025 Comrades Marathon will take place on June 8, 2025. "Our members across the country are ready to support runners who join our cause, and we look forward to encouraging all the runners as they make their way through our watering ‘hole’ on race day,” says Catt.

For more information, email comrades@sanparksvolunteers.org or visit www.sanparksvolunteers.org. 

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Durban FilmMart Institute (DFMI) announces animation project selection for the 16th annual DFM Pitch and Finance Forum.

Over the past 3 years, animation has become an integral part of the Durban FilmMart annual event in July, Animation@DFM includes both important conversations in the industry programme and the participation of animation projects at the DFM Pitch and Finance Forum. 

The online animation masterclass series and one-on-one mentorship offered to projects in development is the first element of the annual programme. The aim of the masterclass programme is to prepare the selected participants  to pitch in Africa’s leading film finance and co-production market. The 16th annual Durban FilmMart is scheduled to take place from the 18 to 21 July, in Durban, South Africa. 

“Over the years, we have noticed the increase in the quality of animation projects coming out of African continent”, says DFMI director, Magdalene Reddy,  “DFMI is honoured to witness the growth of the animation sector and celebrate the work that is been done by creators, both on the continent and in the diaspora. Animation@DFM is now a permanent strand of programming at the market, bringing together the worlds of animation and live action in one place creates richer conversations and deeper networks for industry.” 

DFMI received applications from animation professionals across the continent and the diaspora which made the selection of 8 projects by the  independent evaluation panel very competitive, challenging and exciting. All 8 projects will go through a 3-month period of training and development to ensure they are ready to meet investors in Durban. 

8 Official projects:

Animated fiction features:

Aisha Qandicha    

Producer: Alyssa Harden

Director: Fatima Mahdar

Morocco     

Au nom du Roi Njoya (In The Name of King Njoya)        

Producer: Claye Edou

Director: Claye Edou

Cameroon   

Crocodile Dance

Producer: Ingrid de Beer

Directors:  Shofela Coker, Nadia Darries

South Africa /Nigeria

 Kamaroza

Producer: Nouran Abdallah

Directors: Ahmad Abdelhameed, Islam Mazhar

Egypt 

KINTUADI: SIMON KIMBANGU 

Producer:  Giresse Kassonga

Director: Benny Lusakueno

Democratic Republic of the Congo

Tribe  

Producer: Debbie Crosscu

Director: Tendayi Nyeke

South Africa 

Animated fiction series:

Mboudgui   

Producer: Betty Sulty-Johnson, Lamissa Ouattara

Director: Bienvenu Wanso-Tissala

Cameroon /France 

Nunu Rhu/The Girl With Wings         

Producer: Ameera Faber, Sabrina Roc

Director: Clare Louis

South Africa 

Masterclass and Mentorship Programme

The 3-month online masterclass programme will feature script development, visual representation, finance planning, project packaging, pitching and much more while the one-on-one mentorship will allow individual mentors to assist animators with  project packaging and pitch preparation.

More details about the 16th Durban FilmMart will be announced in due course.

The Durban FilmMart 2025 is presented by the Durban FilmMart Institute with principal funding from the Durban Film Office and eThekwini Municipality.

About Durban FilmMart Institute

Durban FilmMart Institute is the business hub of the African film industry in a world where professionals and content are globally competitive and celebrated. The mission of the Durban FilmMart Institute is to provide appropriate and effective programmes and services to promote, support and facilitate investment in the African film industry.  The Durban FilmMart Institute runs year round developmental programmes and an annual market (Durban FilmMart).  The DFMI has recently launched Filmmart.africa which is an online tool for filmmakers to connect and which we hope will enhance visibility for African content.  

For more information about the DFMI programmes visit www.durbanfilmmart.co.za

For more information contact: info@durbanfilmmart.com

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SPAR KZN uplifts women in Sport 2025

SPAR KZN continues to proudly uplift women in sport in 2025 with their commitment to women’s athletics, schoolgirls’ hockey and netball in the province, celebrating incredible milestones,.

“We are referring to 2025 as our ‘big five’ year at SPAR KZN,” shared Menelisi Luthuli, Marketing Director for SPAR KZN. “The year is 2025 and we are applauding five years for our netball tournament, 15 years for our hockey challenge, and 35 years for our Durban Women’s race.”

Celebrations are in order. SPAR KZN applaud the milestones for their sports events this year. Pictured here are Brad Glasspoole (Race Director for SPAR KZN Women’s Challenge), Nozi Mkhize (SPAR KZN’s Advertising & Sponsorship Manager), and Les Galloway (SchoolGirlsSports Director for both the SPAR KZN Schoolgirls’ Hockey and Netball Challenges). Pic by Val Adamson

Celebrating 35, the renowned Durban SPAR Women’s 10/5km Challenge is diarised for Sunday 22 June. The inaugural race that began in 1990 had a small field of 2,200 participants. With the start on the then-NMR Avenue, outside Kings Park Athletic Stadium, saw Colleen de Reuk historically breaking the tape on the athletic track in an impressive time of 34.16. Currently, Namibian Helalia Johannes holds the fastest 10km time, blitzing her way around the new fast, flat Durban route in 31.18 in 2019. 

Over the 34 years, the women’s race has enjoyed encouraging 369,406 participants to share their morning running around Durban’s scenic spots. The biggest field competing in 2015 had a field of 17,607. Moulding the event into a top tier triumph that everyone looks forward to, Race Director, Brad Glasspoole and his team works tirelessly to create a smooth experience from start to finish. Preparations are well underway to make the 35th race a memorable one. 

Tipping off the sporting year for SPAR KZN, the first of ten hockey tournaments takes place at Curro Hillcrest with the Highway Regional on Saturday 8 March. The tremendously successful SPAR KZN Schoolgirls’ Hockey Challenge began in 2011, a vision of Tournament Director Les Galloway from SchoolGirlSport. 

Fifteen years later, the tournament has had 130 victorious teams hoist their trophies after their regionals. The tournament is split up into ten regionals with a Grand Final rounding off the annual challenge. 32 schools have participated in the Grand Finals with three schools being crowned the overall Grand Finals champions, St Anne’s College, St Mary’s D.S.G. and Durban Girls’ College. 

The newest addition to the KZN sporting stable, leading up to the 2023 Netball World Cup held in Cape Town, SPAR KZN and SchoolGirlSport created the only Fast 5’s tournament in the province for schoolgirls. In 2019 the SPAR KZN Schoolgirls’ Fast 5’s Netball Challenge was launched. Beginning with only four tournaments, it quickly grew to seven after its well-received inception. Expanding to eight tournaments in the challenge’s fourth year, the Fast 5’s Challenge is looking forward to continuing growing in its fifth year, and beyond. 

Eighteen teams have conquered their opponents in the 25 different regionals held since 2019 with Hillcrest High School; Durban Girls’ College and Dundee High School earning themselves double victories and Shayamoya Area Secondary School and Kingsway High School earning triple titles. Having wrapped up the 2024 season, Tournament Director, Marguerite Wagner is hard at work creating a memorable fifth year.

Luthuli concludes, ‘We worked out that over the 35 years, SPAR KZN has directly interacted and encouraged being healthier with just under 600,000 people through these three events – everyone from athletes to referees, coaches and managers and spectators. A truly phenomenal figure!’

For more info on all the events, please visit www.spar.co.za or find out more on the individual social media channels. 

ENDS

I heart Market - 2 November 2024

I heart Market - Saturday, 2 November 2024 - 9am - 2pm -Northlands Primary School, 20 Gleneagles Drive, Durban North

This month’s I heart Market which takes place on Saturday, 2 November 2024 at Northlands Primary School, in Durban North promises to be full of fun and flair and a great precursor to the ubiquitous festive season shopping.

The Market offers a dazzling variety of handmade treasures—from organic skincare, unique art, and fashionable finds to home décor, fresh flowers, kids' toys, jewellery and so much more providing an opportunity to find the perfect festive gifts or the coolest summer essentials.

“We invite Durbanites to join the shop local movement and experience the incredible difference it makes to Durban’s small creative businesses,” enthuses Tanith Molliere manager of the Market. “There is a delightful saying - “When you buy from a small business, someone does a happy dance” and it couldn’t be more true. Every rand spent keeps our creative economy thriving, supporting passionate artists and makers.”

The market offers a retail experience for the whole family. While adults browse, children can enjoy a fun, supervised play area, and there is a wide delicious array of artisanal food and refreshment stalls, including a new and popular addition - a gin bar with vibrant new flavours.

Families can enjoy a relaxing day out together, with a dedicated, supervised play area for the little ones, ensuring everyone has a great time. Most of the market is housed in an air-conditioned hall, which makes shopping in the warmer weather much more comfortable, come rain or shine. There is ample parking with car guards.

For further details email info@iheartmkt.com.

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Family Fun & Unique Finds at I heart Market Saturday, 5 October 2024

This month’s I heart Market takes place on Saturday 5 October at Northlands Primary School in Durban North, providing retail therapy that is always, fresh, exciting and surprising.

The market brings together like-minded “makers” and shoppers in a vibrant, safe, and caring space as some of the country’s finest artisans gather monthly to showcase their extraordinary handcrafted goods.

Whether one is in search of handmade treasures, artisanal foods, or eco-friendly items, the I heart Market has a range of carefully curated stalls featuring art, fashion, jewellery, homeware, and kiddies’ products, a perfect place to find those special, one-of-a-kind gifts as the festive season approaches.  The market also offers a selection of upcycled, recycled, and second-hand gems, each with its own unique story, and is particularly famous for its delicious array of food.

“The I heart Market isn’t just about shopping – it’s about creating memories,” says the manager of the market, Tanith Molliere. "By shopping here, one discovers unique products and supports local creatives and entrepreneurs who pour their passion and craftsmanship into each piece. Every purchase helps to grow and strengthen our community of talented artisans.”

Families can enjoy a relaxing day out together, with a dedicated, supervised play area for the little ones, ensuring everyone has a great time. Most of the market is housed in an air-conditioned hall, which makes shopping in the warmer weather much more comfortable, come rain or shine. There is ample parking with car guards.

Moliere welcomes traders to contact her if interested in joining this vibrant community of traders on the website iheartmarket.com/apply

For more information contact info@iheartmkt.com.

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SPAR KZN Schoolgirls’ Fast 5’s Netball Challenge Highway Regional Saturday 31 August

Host school, Hillcrest High School were on-song in the Highway Regional of the SPAR KZN Schoolgirls’ Fast 5’s Netball Challenge that took place on Saturday 31 August. 

They met Luthayi High School in the regional final, both schools have been one-time winners in the SPAR KZN Schoolgirls’ Fast 5’s Netball Challenge, with Hillcrest taking the honours of the Durban Regional in the inaugural tournament in 2019, and Luthayi winning the Highway Regional in 2022.

On the day, both teams were unbeaten going into the final. Hillcrest tipped off with the ball ziplining its way to Goal Shooter, Michaela Clegg who pocketed her teams first point after 20seconds. 18 seconds later, Luthayi responded with an equaliser by their captain, Sibahle Ngubane. At 68 seconds into the game, Hillcrest scorecard rolled over by another Clegg point. Knocking in their second point, the home team ignited, upping the pressure with spectacular all-round defence. Luthayi, seemingly rattled and a bit on the back foot, only managed to net a point to every two goals by Hillcrest. The half time score was 8 – 4. 

After a two-minute break, Luthayi’s Goal Attack opened up the second half scoring with an exceptional 2 pointer, a glimmer of a comeback was sparked. Hillcrest’s response was three individual points, with their Goal Attack Julia Cameron getting in on the scoring action, netting two of the goals. Noxolo Linda from Luthayi boldly tried a couple more times to sink some adventurous 2 pointers, but sadly didn’t manage to find the centre of the ring. Both teams increased their tallies by 4 points in the second half, with the final score sitting on 12 – 8. 

A few of the learners participating in this regional enjoyed a more flamboyant attack of attempting to float in 2 or 3 pointers, compared to the norm of slotting in the more reliable 1 pointer from just under the net. 

Playing for third place, a determined Kloof High School dominated the game against Curro Hillcrest taking the honours of third place with a 14 – 3 victory. In the semi-finals, Kloof met Luthayi in a vibrant game that Luthayi won 10-4. While the home team, Hillcrest met the other local team, Curro Hillcrest, ending with an impressive 15 – 3.

This weekend, the action heads to Curro Salt Rock for the Durban North Regional. If you are unable to get courtside, you can catch all the action on SuperSports Schools. 

Finals Result

Hillcrest High School 12 vs Luthayi High School 8

Third Place Playoff

Kloof High School 14 vs Curro Hillcrest 3

Semi-Finals Results

Luthayi High School 10 vs Kloof High School 4

Hillcrest High School 15 vs Curro Hillcrest 3

Pool Results

Pool A

1 Hillcrest High School 12pts; 2 Kloof High School 7pts; 3 Westville Girls’ High School 6pts; 4 Curro Hillcrest Seconds 4pts; 5 Waterfall College 0pts

Pool B

1 Luthayi High School Firsts 12 pts;2  Curro Hillcrest Firsts 9pts; 3 Gelofte Skool 4pts; 4 Hillcrest High School Seconds 4pts; 5 Sastri College 0pts

ENDS

Choreographer BreeH Cele’s work “uXinzelelo” wins Pick of the JOMBA! Live Open Horizons Platform

In the first time since COVID hit the globe in 2019, JOMBA’s popular Live Open Horizons made its way back live into the theatre to an appreciative audience, with Pietermaritzburg Choreographer BreeH Cele’s work uXinzelelo taking the honours receiving the “Pick of the Platform” award last night (29 August).

BreeH Cele (2nd from left) receiving the Pick of the Platform Award from Tammy Ballatyne (left) Jabu Siphika and Yaseen Manuel (Right) - Pic by Val Adamson

Jurors for the Open Horizons were dancer/choreographers Yaseen Manuel (Unmute Dane Company) and Jabu Siphika (FLATFOOT Dance Company) and dance writer and researcher Tammy Ballantyne.

uXinzelelo by BreeH Cele- Pic by Val Adamson

The jurors' citation read: “The Pick of the Platform was “uXinzelelo”, choreographed by BreeH Cele, with a carefully conceptualised work encompassing the weight of unique struggles faced by the black community when it comes to mental health concerns. Cele wove magic through the use of powerful, live vocals, strong voiceovers, evocative lighting choices, and disciplined, focussed performers. The stage was covered in white maize meal, which the performers became caked in as the strong choreography unfolded, with good use of the floor and imaginative partnering. At times, there was a sense of call and response between singers and dancers, as well as clever changes in pace and rhythm. An impressive work by a young woman who is using this research as part of her Master's studies.”

uXinzelelo  was performed by Nandile Khumalo, Sabelo Cele, Asanda S. Khathi, BreeH Cele, Slindile Mthethwa, Thulisile Sithebe, S'khona Mathenjwa, Pertunia Msani, Neo Dube and Nomthandazo Nxabela.

Accepting the award, which carries a small cash honorarium, BreeH Cele, said that she is looking to use it to further develop a short film on the work.

Inescapable, choreographed and performed by Siphesihle Vilakazi and Anneline Mazibuko- Pic by Val Adamson

Other works included Inescapable, choreographed and performed by Siphesihle Vilakazi and Anneline Mazibuko, from Durban, SA; SACRIFICIUM choreographed by Versatile Youth Company’  Thimna Sitokisi from Gugulethu, SA, and performed by Inam Dyonasi; Ndimphiwe Koloti; Sandile Dyushu; Buntu Anta and Simthembile Mampufo, and Giselle and me choreographed and performed by Sarahleigh Castelyn (SA/UK) .

SACRIFICIUM choreographed by Versatile Youth Company’  Thimna Sitokisi - Pic by Val Adamson

The jurors noted the common threads binding the four works on this platform – the deep, inner struggles with mental health and emotional trauma. All four found inventive ways to communicate their stories through well-rehearsed and conceived works, with attention to effective lighting and a variety of choreographic choices.

Giselle and me choreographed and performed by Sarahleigh Castelyn (SA/UK) - Pic by Val Adamson

JOMBA! continues until 8 September with performances workshops and discussions.

For more info go to jomba.ukzn.ac.za

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JOMBA! Digital Open Horizons Pick Of The Platform Announced

The 26th JOMBA! Contemporary Dance Experience, which is currently running in Durban, announced its JOMBA! Digital Open Horizons “pick of the platform” awards for 2024 on Wednesday 28 August. The programme was screened on the festival’s YouTube Channel and is available for the remainder of the festival until 8 September here

The Digital Open Horizons platform invites digital submissions of original works from new and established dance-makers across Africa. These works which last 3 to 8 minutes, were reviewed by an independent jury and seven selected for this platform at the festival: Lacuna by Louise Coetzer (South Africa, Darkroom Contemporary), Echoes by Femi Adebajo (Nigeria), As the Mountain Stood Still by Dave Gardner/Jacques Batista (South Africa), Internal Struggles by Diana Gaya (Kenya), Yolk by Skyla Buchanan (SA/Cyprus),Moments by Marcia Mzindle (South Africa) and Blue Funk by Louise Coetzer (South Africa, Darkroom Contemporary)

The jury selected Yolk in first place, Echoes in second and Lacuna in third as the “picks of the platform”.

Yolk by Skyla Buchanan (SA/Cyprus)

Yolk was selected in first place for its “innovation, beautiful cinematography and interesting settings as well as its subject matter”. Filmed by Beatrice Mariani, and choreographed, performed, directed and edited by Skyla Buchanan a contemporary trained dancer, practitioner and choreographer working with a multidisciplinary approach to performance. 

Yolk is set against the oppressive heat of summer, and explores the link between womanhood and fertility - where the sense of being a woman is derived from a "bioessentialised" maternal instinct: “A woman with no children is a wasted potential of a womb, wasted space, wasted time, wasted life- the wasted yolk of a fresh egg.”

Echoes by Femi Adebajo (Nigeria),

Nigeria’s Femi Adebajo’s Echoes, performed by Adebajo and Janed Aduayom was awarded second place. This work was selected for its “interesting pace and rhythm as well as its use of location and space and his creation of tension and suspense.”

Adebajo is a creative multidisciplinary artist who focuses on exploring art as a medium of connection to the human mind. 

Echoes provides a creative representation of the concept of pressure and its influence on both the physical bodies and mental states of individuals. It aims to offer a powerful and artistic insight into the human experience, highlighting the effects of pressure and its significance in our lives.

Lacuna choreographed and performed by Mthuthuzeil November, directed by Louise Coetzer

In third place selected for its “wonderful play between dark and light, its use of slow motion and its cinematic sets” was Lacuna choreographed and performed by Mthuthuzeil November, directed by Louise Coetzer with videography: Oscar O'Ryan, and produced by Darkroom Contemporary.

Coetzer is a versatile dance artist also renowned for her multidisciplinary approach to performance art. Lacuna traces the unfilled spaces of the brutalist architecture enveloping the dancer. It is a cinematic study of light and shade, seen and unseen

The Festival offers a range of workshops, talks and performances and runs until 8 September. Tickets are available through Computicket.

All festival information is available on the festival website:  https://jomba.ukzn.ac.za/

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Dancers from Bangalore (India) for this year's JOMBA! Contemporary Dance Experience

The UKZN Centre for Creative Arts' JOMBA! Contemporary Dance Experience, which takes place from  August 27 to September 8, will feature two exceptional performances from India by the Bangalore-based dancer and choreographer Deepak Kurki Shivaswamy. These performances will be presented both at UKZN, Durban and at The Market Theatre in Johannesburg with the support of the Consulate General of India (Durban & Johannesburg), and the Swami Vivekananda Cultural Centre of the Indian Council for Cultural Relations (ICCR), Government of India.

The performances will be at the Elizabeth Sneddon Theatre in Durban on Thursday 5 and Friday 6 September, and at JOMBA! @The Market in Johannesburg on 11 and 12 September. These performances are part of a larger contemporary dance programme that includes workshops, panel discussions, and virtual screen dance presentations taking place at various venues in Durban, and followed by a condensed version in Johannesburg.

Deepak Kurki Shivaswamy.

Deepak Shivaswamy, trained in Yoga, and Indian martial art Kalaripayattu  has been developing pedagogy for contemporary dance since 2004. He is a significant figure in contemporary dance, exploring modern Indian identities and its evolving concept of home. His latest double bill, titled "Vasudaiva Kutumbakam," which also features choreographers and dancers Prashant More and Mirra, reflects this journey. The term, which translates to "the world is one family," serves as a guiding principle for his performances at JOMBA!. Shivaswamy explains, “This concept of universal kinship inspires our work, using dance as a universal language to connect and resonate with audiences globally.”

Weight of Time

Deepak Shivaswamy’s first piece, Weight of Time, challenges conventional notions of art's purpose. It invites audiences to let go of expectations and simply be present, savouring the performance as an experience in itself. His second piece, Mycelium Maatu, draws inspiration from the mycelium—a natural network of fungal threads that interconnect in intricate, organic patterns. This concept profoundly influences Shivaswamy’s approach to dance, encouraging a creation that mirrors the mycelium’s interconnected and evolving structure.

Mycelium Maatu

Among the exciting additions to JOMBA! 2024 are opportunities for audiences to engage directly with dancers and choreographers. These include special sessions where attendees can hear from the artists about their creative processes and works. On September 6, Deepak Kurki Shivaswamy will join JOMBA! curator Lliane Loots for an on-stage discussion following his performance, as part of the JOMBA! TALKS DANCE series. This conversation will offer deeper insights into Shivaswamy’s work and creative vision.

On Friday, September 6, Deepak Kurki Shivaswamy, alongside Prashant More and Mirra, will lead a free open workshop titled Aattam Idam: A Place for Playing. Scheduled from 4pm at the UKZN - Howard College Campus Drama and Performance Studies Dance Studio in Durban. This workshop is based on the concept of “PLAY.” It invites participants of all skill levels to explore dance and movement through creative and joyful expression. This is followed by another workshop on September 12 at The Market Theatre.

These workshops are offered free of charge to participants, but booking is essential as places are limited. The workshop is only open to dancers over 16 years. Book with e-mail thobimaphanga@gmail.com.

They will also present a closed workshop with Rudra Dance Company and ParamAtham Dance Theatre in Durban on Saturday 7 September,

Performance timings are 7pm on Thursday 5 and Friday 6 September at the Elizabeth Sneddon Theatre, and at 6.30pm on 11 and 12 September at The Market in Johannesburg

For more information and to see the full programme, go to: https://jomba.ukzn.ac.za/

Booking via COMPUTICKET for Durban, and by WEBTICKETS for Johannesburg.

Green Corridors, ETH Zürich and Kimberly-Clark Collaborate to Tackle “Nappy” Waste Crisis in Durban Informal Settlements

In partnership with Swiss University ETH Zürich and Kimberly-Clark, Green Corridors, the NPO dedicated to environmental and social initiatives in Durban, earlier this year embarked on a groundbreaking project to address the pressing issue of dumped disposable nappies and other absorbent hygiene products (AHPs) such as panty-liners, wipes and sanitary pads in informal settlements.

Amina Keneta (Supervisor AHP Collections) at Johanna Road informal settlement, shows one of the dedicated AHP bins that has helped to lessen the impact of improperly disposed hygiene products on the community, environment and public health. Pic by Val Adamson

“Disposable AHP’s which are designed to absorb fluid, are made from plastic and other materials, posing a significant environmental challenge due to their non-biodegradable nature,” explains Green Corridors Green Spaces Project Officer, Musa Shange. “Their improper disposal leads to environmental contamination and health hazards, including the spread of diseases. These products, especially nappies, also often cause blockages within sewerage systems, which can result in sewerage overflow and contamination of waterways.” 

This Green Corridors initiative, known as the Inhlanzeko Bin Project aims to pilot an AHP collections system to lessen the impact of improperly disposed hygiene products on the community, environment and public health. The project has been rolled out in Johanna Road and Blackburn Village informal settlements, with trained community liaison officers participating in educating and guiding residents.  In most informal and rural settlements, the ‘normal’ option for nappies disposal by residents is nearby open dumpsites.

Specialized nappy bins have been provided in selected locations, ablution blocks and creches in these settlements. The bins have been managed by the three part time employed community members in each community. They encourage residents to dispose of nappies safely, collect, check and weigh the bagged contents from the bins, and remove the bags to temporary storage containers, for weekly collection by CSW contractors and disposal at registered landfill sites. 

The “nappy” bins are being trialled at the two settlements, and different methodologies for fostering change in disposing behaviour are being tested. This included providing incentives and training community field workers to conduct caregiver meetings, home visits, and creating online caregiver networks.

:Amina Keneta (Supervisor AHP Collections), with Nontuthuko Ncopheni (Field Worker), Martin Mekkattu Master’s student from the Department of Mechanical and Process Engineering at ETH Zürich (Switzerland), and Okuhle Mdutshane (former Field Worker in the  Johanna Road Informal Settlement.

Three Swiss Master’s students, supervised by Dr. Marc Kalina from the Department of Mechanical and Process Engineering at ETH Zürich, have been responsible for designing and implementing the collection system. The locations for the bins were mapped out by Engineering student Timo Stutz. Another engineering student Dominik Huber, planned and helped design and install the network of bins and their management for his Master’s thesis. While a third Master’s student, Martin Mekkattu, has been responsible for optimising and evaluating the implemented collection system.

As community engagement and education plays pivotal roles in driving behaviour change, the programme has trained local fieldworkers, over a couple of years, who conduct home visits and host meetings to raise awareness about the importance of safe AHP disposal. 

Communication tools such as WhatsApp messages, posters, and videos are being used to reinforce the message and engender personal responsibility.

Results show more than 1,000 kg of AHP waste collected monthly per community, with 93% purity of collected AHP waste.

“While challenges persist in applying integrated and effective waste management systems in Durban’s informal settlements, this Green Corridors project marks a positive step towards mitigating the AHP waste crisis in our informal settlements, alongside drives towards redesign for re-usable AHPs,” says Shange.  “We hope that by providing a well-managed case study with solid data, it lays a foundation for informing future strategies for safe and environmentally-friendly AHP waste disposal.”

For more information or to become involved in the Green Corridors AHP project contact Musa Shange, musa@durbangreencorridor.co.za

 More info about Green Corridors:  https://durbangreencorridor.co.za/

ENDS

Creatives Focus on Climate at Durban FilmMart

Durban, South Africa: In a major film industry collaborative effort Climate Story Lab South Africa, Doc Society – Climate Story Unit, STEPS, and the Global Impact Producers Alliance (GIPA) presents the Climate Focus at this year’s Durban FilmMart which takes place from 19 to 22 July.

Climate Focus promises stimulating sessions to seek tangible approaches to communicate the climate-crisis through film with panel discussions, hands-on dialogues around potential impact strategies to effect change through film, brainstorming sessions, and networking opportunities for film industry participants creating content for this secto

Emily Wanja, who is Director of African Programmes at Doc Society - Climate Story Unit, says, “This climate focus at DFM is part of Climate Story Unit’s commitment to support transformative storytelling that advances a climate just and biodiverse future by storytellers, impact producers, and movement builders. Collectively we can envision, experiment and share how an abundant world for all could look like. DFM provides an opportunity to strengthen partnerships across the information ecosystem on the continent for this work to thrive.”

Filmmakers and activists, in an invigorating panel titled Don’t Stop Talking About Climate Chaos! discuss the role creatives play in sounding the alarm on the climate crisis, and inspiring effective action, including the building of African climate movements. Nasreen Al Amin (Climate Story Lab Lagos), Kudzayi Ngwerume (UMI Fund), Pete Murimi (BBC Africa Eye), Simeon Letoole  (Human Rights Activist) and Kumi Naidoo on video (Activist and former Director of Greenpeace) feature with moderators Anita Khanna (Human Rights Media Trust/Uhuru Productions) and Emily Wanja (Doc Society - Climate Story Unit).

In the session titled Partnerships and Pathways to Reach Audiences, the need for collective focus and political will to effectively address climate change is unpacked and paralleled with the HIV/AIDS crisis in South Africa, where miscommunication, denialism, and fake news hindered efforts to change behaviour and create impactful solutions. The progress in reducing HIV/AIDS-related deaths was achieved through collective efforts. The panel will address how the climate crisis needs a similar collective effort from all sectors including filmmakers through innovative partnerships with funders, broadcasters, and alternative distribution models, decentralised to unlock impactful audience reach.

Nadine Cloete (NFVF), James Smart (Nation Media Group), Pete Murimi (BBC Africa Eye), Noel Kok (NEWF), Nonto Sibanyoni (Sunshine Cinema), Theresa Hill/Tiny Mungwe (STEPS) and Cindy Makandi (Tunga Afrika) feature here with Miki Redelinghuys (Climate Story Lab ZA) as moderator.

In practical tool-kit styled approach the session Impact Strategy in Action, aims to equip impact producers with the insights necessary to create effective impact strategies. The panel will explore key issues such as identifying target audiences, setting measurable goals, leveraging partnerships, and maximising impact through media and outreach efforts.

Tiny Mungwe (STEPS) moderates this session which features Emily Wanja (Thank You For The Rain Impact Producer), Rumbi Katedza (Transactions Director) and Anita Khanna (Temperature Rising Co-Director).

Well-known impact producers and strategists Liani Maasdorp (Climate Story Lab ZA), Emily Wanja  (Doc Society), Nasreen Al Amin (Climate Story Lab Lagos) and Tiny Mungwe feature on the panel in the Impact Hackathon moderated by Miriam Ayoo (Global Impact Producers Alliance). Here one of the Africa Labs Showcase projects which has been working with mentors during the DFM, will participate in a high-energy, interactive session to unpack the impact potential of the film.

Aspiring impact producers will also have an opportunity to connect with GIPA members at a session at the DFM, to find out more about joining GIPA which nurtures the work of the unique, often overlooked, but powerful community of impact producers.

In a practical session Who’s Watching Our Films?  Alternative Distribution Mapping, Doc Society - Climate Story Unit, CSL ZA, STEPS, DOCA, TUNGA Afrika partner in a session moderated by Cindy Makandi (Tunga Afrika) to ignite an initiative they have started to help film industry professionals to unlock both existing, new and effective distribution pathways to ensure stories reach the people they are meant for. In this session they will map out alternative distribution avenues that extend beyond conventional routes. The goal is to create an open-source model that filmmakers can use to discover viable distribution partners across the continent.

Award-winning impact producer Anita Khanna, (Uhuru Productions), says, “It's shocking how little attention is being given to the biggest threat humanity has ever faced, but we know as activists that this is often because people face many challenges that are more immediate to them. If we can use our artistry and our campaigns to, at the very least, keep people fully informed of what the climate emergency means to them, and at most, get people motivated to organise around climate demands, then we will see some serious movement. It's a thing that artists have done in the past, around vital social matters, we need to be doing it now, on steroids.”

For more information about the Climate Focus at DFM in Durban go to https://climatestorylabza.org/dfm-2024/

For more information on the DFM go to https://durbanfilmmart.co.za/

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JOMBA! dance residency 2024

A new residency that focuses on the development of young women in dance has been announced as an exciting new addition to the JOMBA! Contemporary Dance Experience which takes place in Durban from 27 August to 8 September 2024.  The 7-day residency runs during the festival and aims to encourage and support women in dance. 

“Over the years we have observed that there are fewer female dancers working professionally in the contemporary dance space, and so we identified a strong need for more female-focused dance development to be done in Durban,” explains Dr Lliane Loots, Artistic Director of JOMBA!, which is hosted by the Centre for Creative Arts (UKZN).

This year the residency offers space for 6 female dancers aged between 18 and 30 years who have some dance training and now seek to push their skills and make their mark in the dance world as professionals. 

The JOMBA! residency will be led by Gaby Saranouffi (Madagascar/South Africa). Pic Val Adamson

The JOMBA! residency, led by Gaby Saranouffi (Madagascar/South Africa), will focus on further developing the dancers’ technical abilities, as well as include workshops around forging a professional image and work ethic that will aid in preparing these young dance professionals for future work opportunities.  The dancers-in-residence will have access to the full festival programme and have the opportunity to meet and engage with professional companies that are visiting the festival.

The selection process will be done through auditions in the form of a contemporary dance class with some improvisation on Saturday 6 July at 10am at the Flatfoot Dance Studio (UKZN). Dancers-in-residence will be expected to be available for the full 7-day duration (26 August – 1 September 2024) with the outcomes of the residency presented at the JOMBA! YOUTH OPEN HORIZONS platform on Sunday 1 September 2024.

There are selection criteria that include that dancers must be older than 18 years of age, and must reside in eThekwini (Durban) or surrounds. While the residency and festival are offered free of charge to those who are successfully selected, participants must supply their own transport and food needs.

To apply send a (no longer than) two-page CV to Thobile Maphanga: thobimaphanga@gmail.com by Monday 24 June by 4pm.

For full details of criteria, what is required on the CV and more info about the process go to https://bit.ly/JOMBAResidency2024

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Durban SPAR Women’s 10/5km Challenge Is your team up for a Challege? Durban: Sunday 23 June

Clubs, organisations, schools or corporates keen to walk or run in the Durban SPAR Women’s 10/5km Challenge still have time to enter a team for this year’s event that takes place on Sunday 23 June, finishing on the Hollywood Bets Kings Park Stadium’s outer fields.

Bulk entries for the challenge close at midnight on Friday 7 June, with individual online entries closing as the clock strikes 12 on Sunday 16 June. Teams entering 10 or more people, will need to touch base with the Race Office to get instructions by emailing the Race Office on kzn@spar.run.

There is a special day organised specifically for bulk entry collections where the "head prefect" or team leader can go along and collect their crews race packs on Thursday 20 June.

For more info visit the race’s website, www.sparwomensrace.co.za/durban

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I heart Market Saturday 1 June: 9am - 2pm Northlands Primary School, Durban North

Even though Durban barely has a winter, it’s time to stock up on those winter woollies, delicious comfort foods and holiday treats at the stylish artisanal I heart Market, on Saturday, 1 June, 2024, from 9am to 2pm at Northlands Primary School, Durban North.

This popular market, is a creative retail space where passion meets purpose. Here KZN “makers” come together to showcase their craft in a meticulously curated celebration of creativity, offering an array of exclusive, premium goods crafted by passionate individuals across various disciplines. 

“Think once off collections, small batches, and one-of-a-kind treasures you won't find in big malls - delicious artisan food, funky clothing, jewellery, kids clothing, doggie treats or couture.” says the manager of the market, Tanith Molliere.

“We pride ourselves in providing a platform for meaningful connections. Chat directly with the makers, get to know the stories behind their brands, and talk about new ideas and inspirations. So as customers meander through the stalls and invest in one-of-a-kind treasures, they can take pride in knowing that their support fuels the growth of our talented local creative community.”

Moliere and her Market team are passionate about developing and uplifting the local creative scene and entrepreneurs, and invite entrepreneurs who are launching a small, creative business, but are a little nervous to go full scale, to consider trading at the Market. Makers and Food Vendors can apply here: https://www.iheartmarket.com/apply/

There is a dedicated play area for small children, and a pram park, allowing adults to have a stress-free retail experience. The School Hall has air conditioning, guaranteeing a comfortable visit rain or shine.

There are areas for parking within the school grounds and the precinct is monitored by security guards.

For further details email info@iheartmkt.com.

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Celebrating Africa Month with Zoetheseed Luthuli Museum, Groutville Friday 24 May

Celebrated Durban songstress Zoetheseed is set to wow audiences this Africa Month with a live concert at the Luthuli Museum, Groutville on Friday 24 May at 7pm.

The concert is presented by Concerts SA in collaboration with iSupport Creative Business, with funding support from the Department of Sport, Arts and Culture (South Africa) - Mzansi Golden Economy, as part of ‘30 years of Democracy: A Celebration of African Music and Heritage’, a live music concert series with the underlying philosophy of Ubuntu, ‘I am because you are; you are because I am’.

Durban-based Zoetheseed, who trained at the world-renowned Music Department of the University of KwaZulu Natal, is a professional vocalist, composer and songwriter, and music educator.

Hailing from a Swazi background this dynamic performer incorporates her mother tongue in her original songs, and has performed with some local and international jazz great including SAMA award-winning Nduduzo Makhathini (RSA), Salim Washington (USA), Andile Yenana (RSA), Ernest Dawkins (USA), Neil Gonsalves (RSA). She has also participated in many festivals including  the Joy of Jazz, Essence Festival, Durban Jazz Festival and Imbokodo Jazz Festival.

“My inspiration to perform comes from incredible female vocalists like Gloria Bosman, ma’am Busi Mhlongo, Sibongile Khumalo and Rachelle Ferrell,” enthuses Zoetheseed who has also had the opportunity to be a drummer in the popular all female jazz band Heels Over Head that was nominated for the MTN 2011 SAMA awards, for best jazz album.

Dr. Salim Washington (USA) described her as having a “beautiful sound and energy” and that her “voice has the clarity and power of such superstars as Celia Cruz and Clementina De Jesus, Aretha Franklin, but not really like any of them,definitely her own sound.”

Catch Zoetheseed in concert at the Luthuli Museum, Groutville. Doors open at 6pm and the concert begins at 7pm. Tickets are R50  available on Webtickets or at the door.

For more information contact info@isupportdoyou.com

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South African Online Contemporary Dance Conference Attracts Global Participation

The annual online South African contemporary dance conference JOMBA! MASIHAMBISANE DIALOGUES, hosted by the University of KwaZulu-Natal’s Centre for Creative Arts’ JOMBA! Contemporary Dance Experience, taking place from 22 to 24 May, 2024, has attracted significant participation from around the globe.

This conference or academic colloquium, is now in its fourth edition and will feature dance-makers, academics, dancers, educators, and researchers from 11 countries including Brazil, Canada, Cape Verde, France, Germany, South Africa, UK, USA, and Zimbabwe. The theme or “provocation” this year is (RE)TURN TO THE DRUM? looking at contemporary dance’s engagements with traditions, cultures, memory, hybridity, and contested identities.

The conference which is free and open to all interested, features keynote addresses, panel discussions, as well as “abstracts or papers” presented by participants.  An opening keynote address will be made by steering committee member Dr Mbongeni Mtshali, a performance-maker, scholar, artist, and teacher based at the University of Cape Town,  in dialogue with the rest of the steering committee that includes dance-focussed academics, researchers, and practitioners: Clare Craighead (lecturer at the Durban University of Technology), David Thatanelo April (director, teacher, choreographer, and dance lobbyist), Gift Marovatsanga (CEO and Facilitator at Refined Images Studio), Dr Lliane Loots (lecturer at the University of KwaZulu-Natal), Dr Sarahleigh Castelyn (Associate Professor/Reader University of East London UK), Thobile Maphanga (dance practitioner, scholar, creative collaborator, reading for her MA at UKZN) and Prof Yvette Hutchison (South African Reader/Associate Professor at the University of Warwick UK).

Dada Masilo

Keynote dialogues will be held with Dada Masilo, South African dancer and choreographer, known for her unique and innovative interpretations of classical ballets; SA-born, now France-based Robyn Orlin an internationally celebrated contemporary dance-maker, dancer and teacher; Mamela Nyamza award-winning choreographer and dancer who is known globally for her innovative and deeply intersectional and political dance-making; Vincent Sekwati Mantsoe, winner of international and national awards in performance and choreography, demonstrates that to be successfully integrated into the performance arena as a contemporary artist, one does not have to disavow one’s cultural heritage; Moeketsi Koena professional dancer, teacher and choreographer, and co-founder of newly incorporated Itrotra Art X Connection - a newly registered arts platform.

Additionally, Canadian Dena Davida introduces TURBA, a new journal that negotiates histories of the study and practice of live arts curation, and Thobile Maphanga chairs a fascinating panel with Albert Ibokwe Khoza (South Africa), Djam Neguin (Cape Verde) and Lorin Sookool (South Africa) titled where they will interrogate a possible common zeitgeist that is calling these contemporary artists from Africa, to dig up ‘past’ narratives and re-present them in the bold ways that they are.

Papers, digital engagements, and further dialogues open up important discussions around contemporary identity and how it relates to imagined and real histories as they intersect with culture and tradition in dance-making. The “(re)turn to the drum” is set up as both a question and as a tipping point to think about our futures.

Some of these  papers and engagements will be presented by:

Alexandra Gonçalves Dias,

Alexandra Gonçalves Dias, dance artist and Professor at UFPEL in Brazil, with a dedicated focus on decolonising narratives;

Claude Jansen, part of Dancing Instruments - In Conversation with Looted oBjeCts – a long-term journey with a team of Namibian and German curators, healers, artists and (O)Ngoma Drums;

Fabrice Mazliah, a choreographer and performer/dancer based in Germany/Switzerland, who has initiated long-term research into embodied knowledge and the heritage inscribed into dance practitioners;

Francesca Matthys, a South African Interdisciplinary dance artist, writer, facilitator and Kundalini yoga teacher based in London;

Kristi-Leigh Gresse

Kristi-Leigh Gresse, a South African dancer and choreographer known for her transformative impact on the arts.

Lara Barzon, an EUTOPIA co-tutelle PhD fellow with a joint PhD between Theatre and Performance Studies (University of Warwick) and Cultural Studies (University of Ljubljana);

Marcia Mzindle, a freelance writer, drama, and performance tutor at the University of KwaZulu Natal (Howard College), choreographer, and dancer;

Onalenna Sellwane, a writer, theatre maker, and digital marketing creative based in Johannesburg;

Rainy Demerson, a dance artist and scholar invested in global intersectional feminism and decolonial embodiments;

Saranya Devan, recognised for her versatility in drama, dance performance, and choreography and holds a Masters in Bharathanatyam from the University of Madras and a Masters in Dance from the UCT;

Moving into Dance

Sylvia “Magogo” Glasser, a cultural activist, teacher, choreographer, mentor, anthropologist, and writer, who founded Moving into Dance in 1978 as a non-racial dance company and training organisation and was director until 2013;

Tatenda Kanengoni, a Zimbabwean writer, researcher, and multimedia storyteller.

 The conference will be streamed live on YouTube on the following link https://www.youtube.com/jomba_dance. Participants will present on Zoom, and those who wish to apply to join in the “Zoom Room”, can contact Thobile Maphanga at thobimaphanga@gmail.com

For more information and news, as well as the schedule – go to:

https://jomba.ukzn.ac.za/masihambisane-dialogues/ 

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I heart Market, Durban North, Saturday 4 May: 9am - 2pm

The ever-popular I heart Market, Durban’s iconic monthly market with soul, will take place this month on Saturday, May 4, 2024, from 9am to 2pm, allowing visitors an opportunity to indulge in a “shopaganza” a week before Mother’s Day.

The market, which is thriving in its new home at Northlands Primary School, Durban North has a wonderful selection of locally handmade, homemade, up-cycled, recycled, and beautifully designed crafts, art, fashion, jewellery, home-ware, artisanal foods, second-hand gems, and more.

As the May market is a week ahead of Mother's Day, shoppers can explore the myriad beautifully handcrafted goods, just perfect for gifting that special mom in their lives. 

With a focus on supporting local artisans and businesses, I heart Market encourages visitors to make a day of it and discover the unique offerings created by the skilled traders.

The I heart Market has become an important monthly event in the community, providing a vibrant space for artists, designers, and food vendors to showcase their creative abilities and helping to galvanize a warm community spirit. With its commitment to sustainability and promoting local talent, the market continues to attract visitors seeking unique and ethically sourced products.

For those with small children, there is a dedicated play area and a pram park, allowing adults to have a stress-free retail experience. The School Hall has air conditioning, guaranteeing a comfortable visit rain or shine.

There are designated areas for parking within the school grounds and precinct monitored by security guards.

For further details email info@iheartmkt.com.

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FLATFOOT DANCE COMPANY 21st Birthday Season “JOURNEY”

Celebrating its 21st birthday, Durban's award-winning FLATFOOT DANCE COMPANY presents a short season of contemporary dance that promises to nourish and enrich, at The Elizabeth Sneddon Theatre on 10 and 11 May.

Titled JOURNEY, the season features two new works, one by resident choreography and artistic director, Lliane Loots, and a another by special guest from Madagascar, Gaby Saranouffi. The season not only celebrates the 21-year journey of getting to this milestone, but it also delves into the head and heart of what it means to be alive at this point in history. 

Saranouffi's SORITRA (traces) opens the evening in a fast-paced journey of self in a search for “traces of where we come from and where we are going.” Inspired by a Malagasy indigenous abstract strategy board game called “diam-panorona”, the movement of stones on a board, horizontally, vertically, and diagonally are intriguingly replicated in a contemporary dance formation with bold athletic movements. Interestingly this work is now in its own 21st-year as Saranouffi has shared it in many spaces and places. She says, “I love letting it breathe new life when new dancer step in and learn it and make it their own. This is a work about the translation of culture, history and memory from one body to another and I am so excited to give it now to FLATFOOT on their 21st birthday.”

Loots's premieres a new work for FLATFOOT, titled the salt on your skin, and begins to journey to the cities (or sites?) of the interior in an often painful, always beautiful, look at intimacy. Referencing sweat and skin, and other acts of love and labour that make up the everyday of our lives, this work is co-created with the six resident FLATFOOT dancers (Sifiso Khumalo, Jabu Siphika, Zinhle Nzama, Ndumiso Dube and Siseko Duba). Drawing on deeply personal stories of love, loss, and ultimately hope, the salt on your skin sees Loots once again using dance to delve into the small stories to imagine; and thus change the bigger narrative that hold our lives. Loots says, “we often mistake intimacy as being only about romance and sex, and while this is also true, the intimacies of raising children, being a mother or father, of mourning lost family and friends, of waking up each day to come to work, of sweating in the studio as we dance through this all, is a shared intimacy that the FLATFOOT dancers have given me. This work, on our 21st birthday, is for the six dancers – it is a love song we created together”. 

the salt on your skin is made up of four sections that traverse a landscape of intimacies, loss, love, shame, and hope. With subtle and evocative lighting by Wesley Maherry, this is a surprisingly gentle dance work given the voracity and intimacy of the unfolding stories. 

JOURNEY is at the Elizabeth Sneddon Theatre for only 3 performances, 10 May @ 7pm, 11 May @ 2.30pm, and 11 May @ 7pm. Tickets cost R120 (R85 for pensioners, students, scholars and block bookings of 10 or more). 

Booking via COMPUTICKET: https://computicket.com/event/journey/6688047

This season is made possible through a special partnership with the Elizabeth Sneddon Theatre.

Thanks to Itrotra Art X Connection NPC.

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Umfula - Echoes of the River making an impact in Communities along the Mfolozi River

A Virtual Reality (VR) film Umfula - Echoes of the River , created by VR Capture and directed by Ballito-based Telmo dos Reis has been touring communities along the Mfolozi River in KwaZulu-Natal as part of the filmmakers’ aim to raise awareness about environmental conservation of this historic waterway.

The film takes viewers on a virtual reality journey along the river, highlighting its beauty, ecological significance, and the threats it faces. It offers a highly sensory experience of life on the river.

The screenings were recently held in various communities along the uMfolozi starting from its source in Vryheid northern KwaZulu-Natal and culminating at Isimangaliso Wetland Park including Nzamangamandla (Nongoma), Hlabisa, Somkhele, Sokhulu and St Lucia.

“We held these screenings over several weeks in February and March, with each community event serving as a platform for education, engagement, and dialogue about environmental conservation,” explains dos Reis. “Our goal was to raise awareness about environmental conservation while also creating job opportunities for local residents through the events. The project aimed to employ at least 33 people over this period, however, due to careful budgeting, they were able to employ around 60 people, providing some economic support to the communities.”

The screenings were made possible through a grant from PESP4 (Presidential Employment Stimulus Package) and the National Film and Video Foundation, and a collaborative effort between production company VR Capture and local community leaders. The community leaders who worked on the film represented the project as event hosts for their respective areas.

Producer Cheryl Tuckett from Light and Lion, reports that the screenings had a profound impact on the communities. “This was not only in terms of raising awareness of the challenges the river faces and the importance of clean freshwater but also in reigniting a pride in and ownership of their natural resources,” she says.  “The events were attended by a diverse audience, including local residents, community leaders, and environmental activists, who all came together to celebrate the beauty of the Mfolozi River and discuss ways to protect it.”

‘We did not just want to show the film in the communities we worked with during the making of it,” says dos Reis. ‘We wanted to use the opportunity to empower communities through fostering a sense of environmental stewardship. Through this project, we hope to inspire others to take action and protect our planet's precious natural resources.”

Umfula - Echoes of the River by VR Capture was made with the support of the Kwa-Zulu Natal Film Commission,  the National Film and Video Foundation, PESP4, and Light and Lion, providing development and funding for the production and community screenings of the film. 

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