Realness Institute announces participants for the 2023 Episodic Lab and Development Executive Traineeship in partnership with Netflix

Realness Institute has announced 12 participants from five African countries for the 2023 Episodic Lab and Development Executive Traineeship (DET) programmes in partnership with Netflix, which began on Sunday, 30 April, and runs for three months.

The two cohorts each comprise six participants who hail from Nigeria, South Africa, Kenya, Botswana, and Zimbabwe.  Episodic Lab participants include Amanda Gicharu and Juma Adero (Kenya), Emil Garuba (Nigeria), Gabe Gabriel, Jason Staggie and Vanishia Kisten (South Africa). 

These participants will work towards refining their skills as episodic screenwriters and develop their story ideas. At the end of the programme they will have the opportunity to pitch their stories to Netflix Content executives.

The DET cohort includes Damilola Aleje and Mimi Bartels (Nigeria), Sphe Dlulu and Tshenolo Mabale (South Africa), Sue-Ellen Chitunya (Zimbabwe), and Tricia L. Sello (Botswana).

In the DET Traineeship, participants will obtain a more profound comprehension of the process of story development and be guided through a holistic approach to supporting writers in their creative process. Working in teams to support the creative development of the Episodic Lab Participants' projects, they will ultimately help them transfer their story concept into polished pitch decks to be able to pitch their projects to Netflix for a first look deal.

This cohort will be mentored by Elias Ribeiro (Executive Director of Realness and Founder and Creative Producer at Urucu Media), Mehret Mandefro (Director of Development and Partnerships at Realness and Founder and Creative Producer at Truth Aid (USA) and A51 (Ethiopia)), Selina Ukwuoma (an independent Story Expert) and Thandeka Zwana (Development Executive at Indigenous Film Distribution. Twelve international guest speakers will present to the participants including Anna Winger, Showrunner of Unorthodox and Creator of Transatlantic, and Christopher Mack, Director, Grow Creative at Netflix. Content executives from Netflix will also engage with the participants in the 12-week programme.

“Now in its third edition the Episodic Lab and DET Traineeship has not only empowered screenwriters and creative producers by gaining profound experience in the creative process but has also produced some exciting outcomes,” says Elias Ribeiro. “It is very rewarding to see that each year of the incubator has led to a green light for alumni Kudi Maradzika (South Africa) and Voline Ogutu (Kenya) whose projects are currently in different stages of development following their pitches.

“This year’s selection of writers and development trainees once again shows the caliber of talent we have in our African creatives,” says Thandeka Zwana. “We are thrilled to welcome them to the third iteration of the Episodic Lab and DET.”

For more information on Realness Institute programmes go to https://www.realness.institute

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Call for papers for third JOMBA! MASIHAMBISANE DIALOGUES – 24 to 26 May

The University of KwaZulu-Natal’s Centre for Creative Arts in partnership with Warwick University (UK) and the African Dance Disability Network, calls for submissions of abstracts, papers and digital participation for the third annual JOMBA! MASIHAMBISANE DIALOGUES, a colloquium to engage in robust and meaningful conversations around contemporary dance, online from 24 to 26 May.

JOMBA!’s curator, Dr. Lliane Loots is working with Warwick’s Prof. Yvette Hutchison on a two-year UKRI – AHRC funded research project entitled Encountering disability through contemporary dance in Africa, and thus the colloquium will focus into the provocation of “Integrated dance practices: moving centres”. A host of dance, practitioners, academics and associates are expected to participate including Joseph Tebandeke, a Ugandan dancer and choreographer based in Kampala, who will be one of the key-note speakers at this edition. The actual colloquium will be presented online and open to public viewing.

Unmute Dance Company - photo by Val Adamson

This third annual JOMBA! MASIHAMBISANE DIALOGUES, hosted in the 25th anniversary year of the JOMBA! Contemporary Dance Experience, sets out to engage scholarship, pedagogy and practices into integrated dance as an embodied form with a particular African focus, without being exclusive.

The call out for papers, digital scholarship and any new integrated forms of knowledge sharing is open and closes on 4 April 2023. For more details or to download the official call-out frame of reference go to https://jomba.ukzn.ac.za/masihambisane-dialogues/

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Saints retain their regional Highway title in SPAR KZN Schoolgirls’ Hockey Challenge

The inclement weather didn’t dampen the spirits of the seven teams taking part in the Highway Regional of the SPAR KZN Schoolgirls’ Hockey Challenge that saw St Mary’s DSG triumph at Thomas More College on Sunday 12 March.

In a riveting regional final Saints met host school, Thomas More. In the first quarter, the locals did not allow the defending champs any space to get into their stride, swiftly shutting down all of their intentions. 

Just after 5 minutes of play, Saints started finding their flow as Alex Bowyer came into a bit of space as she entered the Thomas More circle and fired in a sweeping reverse stick attempt that agonizingly ricocheted off the left-hand post. 

Two minutes later, St Mary’s were awarded with the first short corner of the game. Play moved from the castle to the left, with a flamboyant shot flying high and right of the goals. A disappointing pass from the 16 yard line from Thomas More saw the visitor’s Elizabeth Anderson pounce on the ball, rushing determinedly towards the goals. Anderson looped in her shot towards the box but a quick stepping keeper, Tiaasha Naicker moved to her right and denied the goal by magically getting her stick in the way, the ball fell kindly to her feet as she nimbly booted it well clear of danger. 

Halfway through the game, Saints mounted yet another attack on the home team’s goal, in a flurry at the goalmouth the ball found the foot of a Thomas More defender boldly standing on the goal line, resulting in a penalty stroke. Anderson calmly stepped up to the spot and sent a missile low and to the left that hammered into the back of the box. Saints were now 1 nil up. 

In the last quarter, Saints earned their third short corner of the game. The ball moved rapidly from the castle, left to Zakira Jamaloodeen who shifted the ball to her left and tomahawked a rocket, netting the second goal for Saints, and sealing the win and title for the favourites. 

Captain for the winning team, Kelly Jansens ter laeck said, “It was an amazing day. It is always a hard and well fought game against Thomas More and it is always a privilege to face them. They played so well from the whistle, not allowing us any room, but we were fortunate to find some space a couple of times and were lucky enough to score twice.”

St Mary’s DSG is the second team to secure a place at the Grand Finals that will take place on their home turf in July. They join Danville Park Girls’ High School who took top honours in the Durban North Regional on Saturday. 

In back-to-back fixtures at 3 Schools Trust, the challenge continues with the Durban South Regional hosted by Kuswag Hoërskool on Saturday 15 April, followed by the Durban Girls’ High School on Sunday 16 April. 

For more info like the tournaments Facebook page or follow on Instagram. 

Round Robin Results

1 St Mary’s DSG 24 points, 2 Thomas More College 17 points, 3 Curro Hillcrest 14 points, 4 Hillcrest High School 7 points, 5 Westville High School 6 points, 6 Kloof High School 3 points, 7 Gelofte Hoërskool 1 point

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FLATFOOT DANCE COMPANY travels to Kenya at the end of February 2023

Durban’s much-loved FLATFOOT DANCE COMPANY heads to Kenya on 24 February for a two-week exchange project with Nairobi and Siaya based DANCE INTO SPACE. The exchange comes out of a large project headed by Dr. Lliane Loots (Artistic Director of FLATFOOT) and Prof. Yvette Hutchison (Warwick University, UK) that is setting up a network of African choreographers, researches and dancers called the African Disability Dance Network (ADDN). Funded by a two-year grant from UKRI – AHRC, that will be officially launching digitally on Tuesday 20 February.

FLATFOOT’s Jabu Siphika

Alongside a portfolio of award-winning performance work, FLATFOOT’s integrated dance work has seen it nationally spearhead work with dancers with Down Syndrome, and its numerous programmes with dancers with physical disabilities. FLATFOOT travel to Kenya to share and learn from sister dance company DANCE INTO SPACE (DIS) headed by Ondiege Matthew. DIS, whose work has seen them collaborate with artist from Birmingham Rep (UK) and whose work is supported by Amnesty International, offer a mission to share artistic skills with people from all walks of life and to create work that cross all sorts of borders – both physical, cultural and social.

Loots and Matthew met first in Nairobi in 2019 and have kept a strong connection over the lock down years and now finally get to meet in a dance studio. Loots says, “I cannot begin to say how excited I am by this opportunity to work with Ondiege. He is a man whose dance work and vison are blazing trails in Africa. While our friendship is strong, being able to move together and share creative energy is a dream.  I remain so humbled by Ondiege’s agenda to create deeply humanising integrated dance practices in Africa – I am looking forward to learning from him!”

Lliane Loots and Ondiege Matthew

Loots travels to Kenya with three of the senior FLATFOOT dancers, Sifiso Khumalo, Jabu Siphika and Zinhle Nzama, where they will engage in a full daily programme of shared classes and training and begin to work on joint choreography with their Kenyan counterparts.

In a rounding off of this exchange, Matthew and some of his DIS Kenyan dancers will travel to Durban, South Africa,  to the JOMBA! Contemporary Dance Experience (hosted by the Centre for Creative Arts at the University of KwaZulu Natal in 2024 to share their work with South African audience and dancers.

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Climate Communication: Creatives gathered in Cape Town to address the crisis

Climate Story Lab ZA participants, mentors, and guest speakers gathered in Cape Town from 22 to 26 January to develop and amplify 9 creative projects that address the climate crisis.

This 4-day residential lab brought together creative leads from Zimbabwe, the Democratic Republic of Congo, Mozambique, and South Africa. The aim was to strengthen the potential of each project to reach and move a particular target audience. Over the course of the lab project leads got to present their work to a room full of key people engaged deeply in different aspects of climate crisis mitigation and adaptation work.

Vivian Chuene, Content Partnerships Manager at TikTok Africa

Projects included theatre, documentary film, podcast and virtual reality. Full details of these projects can be found on the CSL ZA website : https://climatestorylabza.org/wp-content/uploads/2022/12/cslza23-project-info-pack.pdf

Mentors at the Lab represented a diverse range of voices from various disciplines, areas of interest and expertise who are changing the way the world sees and engages with the climate crisis. 

Included in the line-up of experts and mentors were:

• South African Human Rights and Environmental Activist Kumaran “Kumi” Naidoo, who served as Executive Director of Greenpeace International; and is a Special Advisor to the Green Economy Coalition and Senior Advisor for the Community Arts Network (CAN).

• South African social justice activist Zackie Achmat, known for his activism in health, education, queer rights, spatial justice, commuter rail and recently energy / electricity.

• Award-winning Kenyan impact producer Emily Wanja  who has worked with policymakers across national and county governments, private stakeholders, funders, civil society, and communities, using film as a tool for advocacy. 

• South African science writer and author Leonie Joubert who focuses on environmental and social justice issues, climate and environmental collapse.

• Lesotho-born Pascalinah Kabi, the author of Pollution, Profits and the People - an incendiary book that exposes the ugly reality of water mismanagement in Lesotho. 

• Zimbabwean Kudzayi Ngwerume, formerly from Greenpeace, and now the Communications & Engagement Manager with the Urban Movement Innovation Fund (UMI Fund), who supported this lab. 

• Professor Susan Levine,Head of the University of Cape Town’s Department of Anthropology, whose research spans visual and medical anthropology, with an interest in the role of the arts in health care settings. 

• Vivian Chuene, Content Partnerships Manager at TikTok Africa, who supports partners and creators in Entertainment in the Southern African region. According to her the hashtag #ClimateChange has had more than 4.3 billion engagements, demonstrating people around the world are looking for climate stories.

• Award-winning playwright, activist story-teller and co-founder of Empatheatre, Neil Coppen, who shared the 5-year journey of their theatre production  Lalela ulwandle, that has supported transformative governance of our oceans from community activations to Cop27 and engagements with United Nations agencies

• Elaine Maane (Zambia), Regional Training Coordinator at STEPS, is responsible for programme development, regional network partner training and mentorship in using film as a tool for change. 

• Nazeer Sonday (South Africa), a regenerative farmer, entrepreneur, social and environmental justice activist and chairman of the Philippi Horticultural Area Food & Farming Campaign.

• Xoli Fuyani, a South African environmental education consultant and Founder of the Black Girls Rising NPO and Lisakhanya Mathiso a youth climate activist based in Cape Town and Communications Intern at 90by2030.

• The well-known mobile solar cinema NPO Sunshine Cinema was represented by their Programmes Director Rene Weston, and Nontokozo Sibanyoni, a graduate of the UCT Sunshine Cinema Impact Facilitator online short course. 

“After spending three intense days in the same space with the creatives, activists and strategists I can tell you that these 9 projects are going to hit the target with audiences. It was a ‘1 + 1 = 3’ experience, where having everyone together in the same space elevated all the stories and distribution strategies,” says Dr Liani Maasdorp, CSL ZA co-director, impact consultant and UCT film lecturer.  “It can be exhausting and demoralising working in this field, constantly facing the devastating impacts of climate change and the ordinary people who are least responsible for generating harmful emissions. Hearing the stories of those who are generating climate adaptation and mitigation strategies from the African continent inspired us and re-invigorated everyone to continue their work with even more passion.”

The residential Climate Story Lab ZA is supported by the UMI Fund and hosted by the UCT Centre for Film and Media Studies in partnership with Doc Society and the Climate Story Unit.

For more information go to: https://climatestorylabza.org/

Eye-opening documentary on brutal British torture used during Kenya’s War for Independence for Al Jazeera English

The shocking story of how Britain used torture in its war against the Kenyan anti-colonialist Mau Mau movement in the 1950s is exposed in an eye-opening documentary A Very British Way of Torture to be aired on Al Jazeera English from 8 December.

Directed by Edward McGown and produced by Rogan Films, the film is a co-production with Britain’s Channel 4 and Al Jazeera English, and premiered on Channel 4 earlier this year.

Between 1952 and 1960, Britain fought a brutal war in Kenya against the Mau Mau – a movement fighting for Kenyan independence from colonial rule. It was an exceptionally bloody conflict, with atrocities committed on both sides. 

For decades, however, many of the worst abuses carried out by British colonial forces have been kept hidden.

The filmmakers drew on a vast archival cache of thousands of files, hidden for more than 50 years by MI5 and MI6 relating to the end of the “empire” that came to light during a High Court case in 2013 brought by Mau Mau veterans, pleading compensation for torture.

Gitu Wa Kahengeri Chairman Mau Mau War Veterans Associations who is interviewed in A Very British Way of Torture

Piecing together survivor testimonies and expert analysis from a team of British and Kenyan historians, this film sheds new light on shocking new evidence. Telling a complete story of how Britain was involved in a regime of systematic torture – including accounts of murders, rapes and forced castrations.

“This may well also be the last time we hear from some of the voices of the surviving Mau Mau war veterans,” say producers at Rogan Films.  “Finally, we can show how some of their testimony about the British use of torture, for so long disputed by the authorities, is in fact true.”

“These are stories that simply have to be told,” says Fiona Lawson Baker, Executive Producer, AJE Witness. “They form part of a bigger picture of an evolving world in which the atrocities of the past, are compelled to the surface so that apologies, forgiveness and understanding can support a healing process that is so urgently needed.”

The documentary can be accessed on Al Jazeera English streaming service,Youtube https://www.youtube.com/@aljazeeraenglish/featured or online https://www.aljazeera.com/videos/documentary/

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Opportunity for filmmakers to Develop Skills as Film Impact Screening Facilitators

Leading South African media organisation Sunshine Cinema, known for its robust approach to taking meaningful cinema to communities to support activism and impact change, together with UCT’s Centre for Film and Media Studies will once again offer an online professional development course on Film Impact Screening Facilitation from June 2023.

The course is aimed at communicators, creatives, aspiring impact producers, and purpose-driven “Gen Z’s” eager to ignite change through the screening of mostly documentary, but also fiction feature films to targeted and relevant audiences.

An example of an impact event. Well-known South African Storyteller Dr. Gcina Mhlophe gives a key note address at a Sunshine Cinema screening of the documentary “From Durban till Tomorrow” about the history of AIDS Activism, held at the KZN Art Gallery in September 2019. Photo by Rowan Pybus

“This is the second year this course has been offered in response to a growing demand by audiences and filmmakers to provide content that can impact myriad current crises and challenges the world is facing”, explains Sydelle Willow Smith, Sunshine Cinema co-founder, and course lecturer. “With this demand for content comes a call from audiences to be able to unpack, engage and work with this film content to benefit their spheres of influence and interest. The course provides tangible and workable methodologies for people to develop skills as facilitators to work with film screenings that can help guide audiences and impact this change or stimulate meaningful activism.”

 Sunshine Cinema is best placed to offer practical insights for “impact facilitators” as they have taken films to communities in Southern Africa for years, supporting producers, organisations, and creatives who have the content but lack experience in making an impact with audiences.

 “There is no doubt about it: issue-driven documentaries have increased in popularity, and filmmakers know what impact they would like to achieve by making their films, but often don’t know how to build strategies to mobilise these stories to effect change. ,” explains Miki Redelinghuys, well-known impact producer and the course co-writer and lecturer. “This is where an impact facilitator steps in to support the film in reaching the right audience and inspiring them to take action.

 The 2023 course runs from 1 June to 8 December 2023 and will cover six modules, each geared towards giving students the knowledge and confidence needed to work as a film impact screening facilitator. According to course convenor Dr Liani Maasdorp, “thanks to the combination of carefully curated inputs and written and practical assignments, students leave the course knowing how to organise, market and host a screening and facilitate a meaningful conversation with the audience about the issue shown in the film. This important work aims to positively influence people’s perceptions and behaviour around issues including human rights, social justice, and the climate crisis.”

 The six-month, 100% online, professional development course comprises weekly self-paced lessons on the UCT online learning platform, most of which culminate in a virtual class that “allows students to engage with influential movement builders, impact producers, and filmmakers from South Africa, Africa and beyond”.

 Guest lecturers include well-known creatives, activists, and impact producers including globally renowned and award-winning story-teller Gcina Mhlophe (SA), film director and activist Zackie Achmat (SA), impact campaign specialist Rowan Pybus (SA), producer and cultural activist Sir Vince Manzini (SA), UCT senior lecturer, impact producer and activist Dr Liani Maasdorp (SA), writer, producer, impact producer Anita Khanna (SA), filmmaker, writer, and producer Judy Kibinge (Kenya), filmmaker, community leader, and founder of Sierra Leone’s first media-makers union Arthur Pratt, and Indian filmmaker Kushboo Ranka.

 At the end of the course, participants will have a series of processes, methodologies, creative ideas and examples, a practical toolkit from which to work, as well as ongoing support as alumni from the course convenors, and peers.

 The course is open globally to anyone interested in using film to affect change, and several bursaries are available to participants who merit the opportunity.

 The closing date for applications is 31 March 2023.

 For more information or to enroll visit https://sunshinecinema.org/2023-uct-impact-course-application/

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Call for Submissions: Realness/Netflix Episodic Lab and Development Executive Traineeship 2023 Inbox

 Realness Institute in partnership with Netflix, the world’s leading entertainment streaming service, has opened the calls for submissions to its 2023 Episodic Lab and Development Executive Traineeship (DET) programmes which will take place from 30 April to 30 July 2023.

The Lab and Traineeship aim to support screenwriters and mid-career industry professionals from Nigeria, South Africa and Kenya who are seeking opportunities to develop their original story ideas in any genre and are looking to enhance their skills as story consultants respectively.

Bringing together a wealth of creative talent from Africa in these programmes, Realness Institute offers the Episodic Lab participants the opportunity to pitch their incubated stories to Netflix executives at the end of the programme. It also offers DET participants a deeper understanding of the story development process, exposure to a more nuanced approach in the support of writers whilst simultaneously holding writers accountable for their creative work. 

To support the participants to focus on their involvement in the programmes, Realness Institute will provide a monthly stipend of ZAR 33,000 (Thirty-Three Thousand South African Rands) for the duration of the Lab and traineeship to help cover their living expenses.

“As filmmakers we understand how difficult it is to find time and space to focus on our creative processes: to unpack stories, mull over and bounce ideas off others, benchmark ourselves against our peers as we hustle to make films, and pitch and search for funding and finance,” says Mehret Mandefro, Director of Development and Partnerships, Realness Institute. “In understanding this landscape, we are delighted that Netflix has once again partnered with us, to bring these two symbiotic programmes for African filmmakers in our joint quest to grow African stories and content on the continent.”

While there is no guarantee that any proposal will be developed further by Netflix, it is a unique opportunity to interface at key milestones with Netflix executives and be afforded the opportunity to pitch. The 2022 Episodic Lab alumnus, Voline Ogutu from Kenya pitched an idea for a romance crime thriller Dilemma that has received a greenlight from Netflix for further development.

Reacting to her story idea being selected for further development, Voline Ogutu, who has now started to turn her attention to next steps which include Writers’ Room planning, says, “I am honored and grateful to be part of this rare opportunity. To those who dream of telling African stories on the global stage, it is truly within your reach. Thank you to the Netflix and Realness team who were part of this process.”

Commenting on Netflix’s partnership with Realness Institute, Allison Triegaardt, Manager for GROW Creative Africa at Netflix says, “We are so thrilled to be continuing our partnership with Realness Institute for the 2023 edition.  It is such a great opportunity to find, grow and nurture African storytellers and their uniquely African stories by giving them the time and resources they need to fully realize their vision and someday share their stories with a global audience.”

The Lab and Traineeship take place online and then for a week in-person in July 2023 at the Coot Club in Stanford, Western Cape.

Interested participants are encouraged to visit https://www.realness.institute/episodic-lab for Episodic Lab programme application and https://www.realness.institute/det for Development Executive Traineeship programme application and wait to be shortlisted.

Application submissions open October 26th and close on 22nd December 2022.

To know more about the Realness Institute and its programmes, visit www.realness.institute.

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Migration and Displacement on Film – a Live Zoom discussion at the European Film Festival

A live zoom discussion titled Migration and Displacement on Film featuring directors of the films Silent Land, The Emigrants and As Far as I Can Walk and a local sociology academic and migration specialist, will take place during the European Film Festival on Monday 17 October at 6pm.

A report just released by the United Nations High Commissioner for Refugees indicates that that the total of displaced persons in the world has now topped 100,000,000! The Africa Centre for Strategic Studies notes that the number of forcibly displaced people (internally displaced, refugees, asylum seekers) in Africa continued its uninterrupted escalation over the past decade—expanding by 12 percent in the past year to over 36 million people.

Stefan Arsenijevíc director of As Far As I Can Walk)

Forced displacement is an outcome of conflict, violence, and persecution usually of a religious, national, social, racial, or political nature, but also including reasons such as gender or sexual orientation. There are other causes too; droughts, floods, earthquakes, weather disasters, and the impacts of climate change. Then there are a wide range of migrants who are not necessarily refugees, from migrant children, migrant workers, economic migrants to migrants simply seeking another way of life. Even the word migrant is a contested term considered by some as demeaning and dehumanising. Whatever the terminology, it is a subject that precipitates cultural divisions and sometimes violent responses. But migration is not new, it has been happening since time immemorial as people assimilate into new environments often bringing positive social, economic and cultural contributions to their newfound societies. It is a global reality that demands cooperative understanding and practical solutions.

Erik Poppe - Director - The Emigrants

Film of course is a powerful and socially influential medium that plays an active role in shaping our thoughts, feelings and opinions about migrants and migration. In the Live Zoom discussion Migration and Displacement on Film during the European Film Festival in South Africa, three filmmakers whose films touch on migration in different ways will explore the messaging film conveys about this highly topical subject. The filmmakers, all directors of films showing in this year’s festival, are Aga Woszczyńska (Polish director of Silent Land), Erik Poppe (Norwegian director of The Emigrants), and Stefan Arsenijevíc (Serbian director of As Far As I Can Walk). Bringing local contexts and perspectives to the discussion is migration specialist Prof Pragna Rugunanan, Head of the Department of Sociology at the University of Johannesburg. Moderated by Liza Aziz of Fineline Productions, this Live Zoom event takes place at 6pm on Monday 17 October.

Aga Woszczyńska director of Silent Land)

Liza Aziz - Moderator

Visit www.eurofilmfest.co.za for more information about the festival.

Details of session (and to access the zoom link on the 16 Oct at 6pm) on this link: https://www.eurofilmfest.co.za/2022-home/live-sessions/

Prof Pragna Rugunanan, Head of the Department of Sociology at the University of Johannesburg.

The European Film Festival 2022 is a partnership project of the Delegation of the European Union to South Africa and 14 European embassies and national cultural institutes in South Africa: the embassies of Austria, Belgium, Georgia, Italy, The Netherlands, Poland, Portugal, Spain, Sweden, Switzerland, Ukraine, and the British Council, Instituto Camoes (Portugal), French Institute of South Africa, Goethe-Institut, Italian Cultural Institute and Wallonie-Bruxelles International. The festival is organised in cooperation with Cineuropa and coordinated by Creative WorkZone.

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European Film Festival in South Africa goes hybrid

The European Film Festival in South Africa goes hybrid for its 9th edition between 13 and 23 October.

Festival co-director Magdalene Reddy explains that the festival will continue to cater for its viewers and followers who have become accustomed to the ease of watching films in the comfort of their own homes, while also providing for those who long to return to the full cinema experience. ‘This is our transitional approach of coming back to theatres gradually,’ she says. The online screenings will be free while a ticket price will be charged for the theatre screenings. Each film will have a single screening at both Ster-Kinekor’s The Zone in Johannesburg and at The Labia in Cape Town.

Sixteen award-winning films, eight of them by women directors, will be screened. This year’s theme, Innocence and Beyond, explores innocence not just as a legal concept, but as a human quality. This includes two stand-out perspectives through the eyes of children in Petite Maman and Playground. Petite Maman is a tender tale of memory, friendship, and family by the gifted and often unpredictable French filmmaker Céline Sciamma, while in Playground Belgian director Laura Wandel deploys cameras rigged at child level to effectively portray the emotions and experiences of school bullying from a child’s point of view.

There is no set age for when loss of innocence can occur and a number of films focus on youth as they navigate the often turbulent process of growing into adults. From the Netherlands, Shariff Korver's slow-burning psychological thriller Do Not Hesitate depicts unprepared Dutch youths thrown into the crucible of war, a situation complicated by their naiveté when encountering other cultures. Swiss film Olga, by Elie Grappe, is a tense but sensitively handled tale of exile reflecting the clash between the personal and the political in a young Ukrainian gymnast's search for identity against the backdrop of revolution in her mother country. The riveting women-driven film Small Body is an adventure story infused with a wonderful mythological sensibility that earned Laura Samani the best new director prize at Italy’s David d’Donatello awards. How much does innocence inform a young woman's quest for love and meaning as she enters her 30s without any idea about her identity and purpose in life? This is the question in Joachim Trier’s The Worst Person in the World, a Norwegian/ French/ Danish/ Swedish co-production that earned two Oscar nominations this year. Then, Stefan Arsenijević’s Serbian/ French/ Luxembourgian/ Bulgarian/ Lithuanian co-production As Far As I Can Walk highlights that it’s not just securing a roof over one’s head but also the challenges of emotional and intellectual deprivation that young migrants in Europe face today.

Ali and Ava (UK)

Is innocence solely about what’s right and what’s wrong? Sometimes it’s about what we don’t do. Sometimes it’s about making choices that impact both ourselves and those around us, and in some cases society and the wider world? Silent Land, by Poland’s Aga Woszczyńska, is a case of what the protagonists didn’t do, and how that leads to the collapse of a relationship. The film is also about the collapse of value systems in the modern world, about a general indifference to reality, and about social lethargy. Erik Poppe’s Swedish film The Emigrants is an epic period drama about a poverty-stricken family who emigrate from Sweden to the United States in the 1800s. Told from a woman’s perspective, their search for a second chance in life is, like the stories of migration in our current era, about a journey of hope. From the Republic of Georgia, Levan Koguashvili’s comedic Brighton 4th is a portrait of parental sacrifice and the love of a father for his son that also offers an authentic look at the immigrant experience and the elusiveness of the American Dream. Enveloped in music and humour, Ali and Ava, written and directed by one of the UK’s most distinctive cinematic voices, Clio Barnard, is about a couple from different cultural backgrounds beginning a relationship with a mixture of nervous excitement, openness and innocence. The Good Boss, directed by Fernando León de Aranoa, is the Spanish film in this year’s festival – it’s a hilarious satirical comedy about the indignities of working life, with the questionable innocence of Javier Bardem in the spotlight.

As Far as I can Walk (Co-Production)

Overturning conventional definitions of innocence Austrian Sebastian Meise’s Cannes-winner Great Freedom explores tenderness, love, lost time, and the tenacity of the human spirit while chronicling an ignominious chapter in queer history. Portuguese director Catarina Vasconcelos’s unorthodox film The Metamorphosis of Birds sifts through the memories and dreams of her ancestors in an extraordinary homage that demonstrates how something deeply personal can be profoundly universal. Is a humanoid robot innocent? That’s one of the questions in the witty and delightfully entertaining German film I’m Your Man by Maria Schrader. It’s a spunky sci-fi dramedy that also asks what it is that humans want in relationships, and if AI beings should have rights.

The Emigrants (Sweden)

Finally, the world is again witnessing and affected by a terrible war, and innocence is an unfortunate casualty during wartime, at all levels. Along with the already mentioned war drama Do Not Hesitate, there is director/screenwriter/editor Maryna Er Gorbach’s Ukrainian-set drama Klondike. About the travails of parents-to-be living near the Russian border this film couldn’t be more timely as it exposes the absurdity of war and how it affects those who aren't directly involved just as easily as those who are.

The EU Ambassador to South Africa Sandra Kramer comments; “This year’s European Film Festival has been inspired by innocence as a human quality. The festival’s theme – Innocence & Beyond – tries to capture our loss of innocence on a number of levels as we deal with the present and lay foundations for the future. I invite you to join us for the best of European cinema: award-winning films that will not only offer a temporary escape, but also a space for pause and reflection.”

eSwatini and Lesotho

This year’s festival extends its reach to neighbouring countries eSwatini and Lesotho with 3-day programmes of screenings and discussions taking place at the Alliance Française in Mbabane (21 to 23 October) and the Alliance Française in Maseru (28 to 30 October).

Side Events

Real-time Zoom panel discussions and Q&A’s with film directors will enrich the experience and understanding of the filmmaking processes and motivations as well as the topics raised in the films, while a programme of Filmmaker Engagements is formulated to inspire young filmmakers at film schools in South Africa.  In addition, with an emphasis on youth, the festival will again provide a number of screening and discussion programmes at select secondary schools and community centres in different parts of the country. 

For film synopses, trailers and how to watch visit www.eurofilmfest.co.za

The European Film Festival 2022 is a partnership project of the Delegation of the European Union to South Africa and 14 European embassies and cultural agencies in South Africa: the Embassies of Austria, Belgium, Georgia, Italy, the Netherlands, Poland, Portugal, Spain, Sweden, Switzerland, Ukraine, and the British Council, Camoes Institute of Portugal, French Institute in South Africa, Goethe-Institut, Italian Cultural Institute and Wallonie-Bruxelles International. The 2022 festival is presented in partnership with the Labia Theatre and Ster Kinekor The Zone. The festival is organised in cooperation with Cineuropa and coordinated by Creative WorkZone.

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24th JOMBA! Contemporary Dance Experience Announces its first live programme in 2 years

24th JOMBA! Contemporary Dance Experience Announces its first live programme in 2 years

30 August to 11 September 2022

The 24th JOMBA! Contemporary Dance Experience, hosted by the University of KwaZulu-Natal’s Centre for Creative Arts, has announced its programme for its first live festival since 2019, which takes place at the Elizabeth Sneddon Theatre, UKZN from 30 August to 11 September 2022.

The theme of this JOMBA! centres around “the (im)possibility of home”, and offers dance and theatre fans a treat of 13 days of world-class contemporary dance and performance from both local and international dance-makers. Artists hail from Mozambique, Switzerland, Reunion Island, India, and of course, includes the very best that South Africa has to offer. This edition offers a powerhouse of performances, workshops, after-performance Q & A’s, panel discussions, virtual screen dance, and the return of the JOMBA! youth dance platform that continues to support the growth of Durban’s young dance communities.

“We are thrilled and relieved to be finally presenting our much-loved festival – live and in-person, while keeping some works and events online to include those not able to attend,” says Artistic Director and Curator, Dr Lliane Loots. “This year, through the theme “the (im)possibility of home”, we have set out to interrogate a series of dance offerings that negotiate heritage, culture, nostalgia, and identity, which explore a sense of belonging and how this persists, changes, and transforms through time – and what a time (both local and global) for this moment!”

Vincent Mantsoe

Within this theme, Vincent Sekwati Mantsoe will be honoured as the 2022 JOMBA! Legacy Artist. “This year marks a 30-year history of Mantsoe’s career as a dancer and choreographer and we can think of no better way to honour this incredible icon in South Africa’s historical dance trajectory than to celebrate with him,” says Loots.

There will be a live performance of Mantsoe’s new solo work KOMA, the screening of his short dance film CUT (part 1) made during lockdown and his two-year process (2021 and 2022) of working with Durban’s FLATFOOT DANCE COMPANY and the long journey to making CUT (part 2) – which will premiere at the festival, and he will present a masterclass.

Hominal/Xaba

South Africa’s doyens of contemporary dance - the controversial and critical dance-makers – Mamela Nyamza and Nelisiwe Xaba feature with Xaba opening this year's festival in a collaboration with Swiss dance maker Marie-Caroline Hominal in a work intriguingly and simply titled Hominal/Xaba. 

Mamela Nyamza

The deeply interrogated and thoughtful Mamela Nyamza offers her newest work GROUNDED. performed with her son Amkele Mandla, in which she offers us a look into her South Africa where democracy superficially seems to be in a working condition, but actually has small cracks not easy to see.

Edna Jaime

In partnership with the Goethe-Institut South Africa, JOMBA! will host the inimitable Mozambican dance-maker Edna Jaime in her remarkable solo Um Segundo (One Second).

Fana Tshabalala

Fana Tshabalala, the 2019 JOMBA! Mellon Artist in Residence, makes a welcome return with his Broken Borders Arts Project to premiere his latest solo work Zann, which he began creating as part of the 2019 residency. 

Three new works by Durban choreographers/dancers - Sandile Mkhize, Tegan Peacock, and Pavishen Paideya will premiere at the festival. All three were given grants to help push their creation of new local work in the JOMBA! EDGE mentored platform.

The JOMBA! YOUTH OPEN HORIZONS (formerly the Youth Fringe), will feature a host of local dance talent at The Stable Theatre.

The virtual offerings include the JOMBA! AFRICAN DIGITAL VOICES, OPEN HORIZONS and an online panel discussion.

In the JOMBA! AFRICAN DIGITAL VOICES platform Mozambican choreographer and dancer Pak Ndjamena, who collaborates with photographer and filmmaker Ivan Barros, has been commissioned to make a screen dance offering One Step at a Time; while Reunion Island’s Didier Boutiana and his company SOUL CITY present a dance film titled Le Sol Oblige (The Earth Obliges) a humbling and beautiful look at the relationship of the individual to ideas of home and land, and to community. Mantsoe’s Cut (part 1) features online here too.

JOMBA! OPEN HORIZONS (formerly the JOMBA! Fringe) continues to support dance-makers working in film. A jury will select six films to showcase from a call for submissions earlier this year, and the top three will be announced after the viewing. 

The festival closes with a virtual conversation between Attakkalari Centre for Movement Arts (Bangalore, India) and artist Simon Senn (Switzerland) looks at the dance work of this amazing centre and the incredible project between Senn and Bharatha Natyam dancer Rohee Oberoi.  

There are three open workshops (dancers over 16 only) for dancers and dance-makers, an industry-related session entitled JOMBA! Forging Futures, and the much-valued JOMBA! KHULUMA online writing residency will feature write-ups, interviews and reviews. More details to be announced soon 

Live performances take place at the Elizabeth Sneddon Theatre (UKZN), the Stable Theatre (one performance and free) as well as virtual/online (free) .

Tickets for Elizabeth Sneddon Theatre performances are R80 full price, R65 – students, scholars and pensioners. Booking is through Computicket.

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SPAR KZN Schoolgirl’s Fast 5s Netball Challenge 2022 KZN Dates Announcement

After a CoViD break, SPAR KZN is excited to get back onto the courts with the announcement of the dates for their second SPAR KZN Schoolgirl’s Fast 5s Netball Challenge. 

This year the fast-paced Fast 5s tournament will venture to seven regions instead of the previous four from the inaugural challenge in 2019. Getting the 2022 tournament underway with the KZN North Coast Regional, host school Empangeni High School welcomes teams from their area on Saturday 30 July. 

August sees three tournaments, the first at Durban North College where teams will meet for the Durban North Regional on Saturday 13 August, followed by the KZN South Coast Regional at Southcity Christian School on Saturday 20 August and then heading inland to Ferrum Hoërskool for the KZN Northern Regional on Saturday 27 August.

Kokstad College welcomes teams for the KZN Southern Regional on Saturday 10 September, followed by the Highway Regional at Hillcrest High School on Saturday 17 September. Rounding off the challenge is the midlands’ schools meeting at Voortrekker Hoërskool for the Pietermaritzburg Regional on Saturday 15 October.

The running of the programme will differ slightly from region to region, depending on the number of schools and if the hosts will run games in a round robin or pool game format. The coaches can give instructions from the sideline during play, and they have an unlimited allowance for substitutions. Eight players can represent each team, with coaches ensuring five players are constantly on the court – Goal Shooter (GS), Goal Attack (GA), Centre (C), Goal Defence (GD) and Goal Keeper (GK).

Previous winners from the first year, back to defend their titles are Hillcrest High in the Highway / Durban Regional; St Anne’s College in the Pietermaritzburg Regional; Tholokuhle High School in the KZN North Coast Regional and Creston College in the KZN South Coast Regional 

With all netball eyes turning their attention to Cape Town for next year’s 2023 Netball World Cup, these ‘hoopful’ youngsters taking to the courts in the SPAR Challenge will dream and aspire to one day be representing their country at its highest level in years to come. 

Games will be livestreamed on the SuperSport School’s Mobile App and website. 

For more info like the tournament’s Facebook page or follow on Instagram.

ENDS

Fixtures for 10thGrand Finals of the SPAR KZN Schoolgirls’ Hockey Challenge

The fixtures for the tenth Grand Finals of the SPAR KZN Schoolgirls’ Hockey Challenge at St Mary’s D.S.G., have been announced.

Ten teams will take to the turf, promising an action-packed hockey weekend on 23 and 24 July, 2022. Since February, the challenge has travelled around to ten regions in KZN, producing ten regional winners. Each of these champions will get the honour of representing their area at the ultimate conclusion of this year’s tournament, the Grand Finals.

The defending champion, St Mary’s D.S.G. and host school heads up Pool A. They are joined by St John’s D.S.G. (PMB Central Regional); Our Lady of Fatima (DBN North Regional), and two newcomers Hoërskool Pionier (Northern KZN Regional) and Domino Servite (uMvoti and oThukela Regional).

In Pool B, 2019 silver medallist, St Anne’s College (PMB North Regional) will meet 2019 bronze medallist, Durban Girls’ College (DBN Central Regional); King Edward High School (uGu and Sisonke Regional); Grantleigh College (North Coast Regional) and Kuswag Hoërskool (DBN South Regional).

On Saturday 23 July, twenty pool games will be played, with games lasting 22 minutes one way. Starting the day off, defending champs, St Mary’s D.S.G. take on Domino Servite in their inaugural Grand Final. Points in the pool games will be 4 for a win, 2 for a draw with goals, 1 for a goalless draw and nil for a loss.

Sunday 24 July sees the cross-pool play-offs and medal games, where teams will have 30 minutes to craft their magic on the turf, with a speedy change over after fifteen minutes. If the scores are level in any of the playoff games, an 8 second penalty shoot out where three players from each team will head to the spot to try and claim victory for their team.

All games will be livestreamed on SuperSport Schools mobile app or website.

For more info you can like the tournament’s Facebook page or follow on Instagram.

Father’s Day Adventure Walk with Green Corridors’ Mgababa Adventures and Expert Botanist

 Father’s DayAdventure Walk with Green Corridors’ Mgababa Adventures and Expert Botanist

A special Father’s Day Adventure Walk will be hosted by experienced nature guide Thulas Luthuli at his Green Corridors’ Mgababa Adventures site at the Mnini Dam  this Sunday, 19 June from 8am to 11am.

Thulas Luthuli at his Green Corridors’ Mgababa Adventures site at the Mnini Dam explains traditional use of a plant on his guided walks to a guest.

This 4km Adventure Hike along a rocky river trail which feeds into the Mnini Dam, together with Thulas (whose homestead is in this area) and expert botanist Sithembiso Blessing Majoka promises a delightful mix of fascinating insights into the fauna and flora,  and the rich cultural history of the area.

Sithembiso Blessing Majoka - expert botanist will host the walk with nature guide Thulas Luthuli of Mgababa Adventures

Sithembiso Blessing Majoka who will share his extensive knowledge of the indigenous plants of the area, gained much of his knowledge working for South African National Biodiversity Institute encoding plant specimens and then went on to become a Field Ranger for the EThekwini Municipality. He is not only passionate about the environment, specifically indigenous plant identification and bird conservation, but he is also an incredible wildlife photographer.

His amazing work with bird conservation also won him the 2021 BirdLife South Africa Owl award which recognizes the valuable contributions that people make to the conservation of South Africa's birds and their habitats.

Hiking and walking around Mnini Dam with Mgababa Adventures

Don't miss out on this fantastic opportunity to walk alongside Sithembiso as he unfolds the story of Mgababa Adventures' rich landscape, which was voted by SDA Adventures as their favourite rocky river trail, Mgababa Adventures is an untouched treasure for hikers.

The hike costs R200 per person and there are limited places. The Mnini Dam site is an easy 30 minutes from Durban’s CBD.

Green Corridors also has a number of other sites to visit on Father’s Day – check out the website on https://durbangreencorridor.co.za/

To book contact: 078 702 0618 or frontdesk@greencorridor.co.za.

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World Environment Day 4x4 Excursion – Valley of 1000 Hills

Media Release

World Environment Day 4x4 Excursion – Valley of 1000 Hills

Sunday, June 5 is World Environment Day, and well-known 4x4 enthusiast and instructor Travis Duggan, is putting his money where his mouth is. He has gathered a group of 4x4 enthusiasts to join him in assisting Sibusiso Shangase, owner and manager of the picturesque Green Corridors’ Mqeku Picnic Site in the Valley of 1000 Hills to rebuild and clean-up the site left devastated by the recent floods.

Travis Duggan and Sibusiso Shangase at Mqeku Picnic Site in Valley of 1000 Hills

This is one of Duggan’s DO GOOD events in which he leads a 4 x 4 tour through the Valley of 1000 Hills with 50% of the proceeds going towards the rebuild of the Mqeku Site.

“Sunday is World Environment Day, and what better way to celebrate than to help this green space get back to a fun, recreational space where families and  friends can enjoy the outdoors,” enthuses Duggan. “The site is hugely popular with the SA 4x4 community, and we want to help him get it back to the incredibly gorgeous site it was prior to the floods.”

Mqeku - a Green Corridors Pop-Up Camp at the site

“We has been visiting Mqeku picnic site since 2015,” continues Duggan. “Sibusiso and I met and I said I had a 4x4 route in the Valley if 1000 Hills but wanted to have our end point at his Mqeku Picnic Site. I fetched him and he showed me how we could tie the two routes together. We then hired local residents to help maintain these route along the trail. For 7 years I have been enjoying the Valley of 1000 Hills. When I saw his pictures of the detestation of the flooding after all he had put into this site, I knew I had to assist. We have approached Build It to assist with Cement to rebuild his braai’s.”

The tour meets at the Polo Pony Engen Garage Polo Pony (Shongweni/Hillcrest) to depart at 8am and depart for the Valley of 1000 Hills. Then you will climb up to the top of the Valley of 1000 Hills with breathtaking views of Dusi/Umgeni River Valley and Inanda Dam. The convoy will make its way down to Toleni Falls and the Mqeku River and 4x4 down to the Mqeku Picnic Site. At the picnic site you can pick your own place to set up with your family or friends Pack a picnic basket or charcoal and Braai meat and enjoy a fantastic experience with your family and friends.

Tubing at Mqeku

Cost is R 650 per vehicle which includes entry to the site, with 50% being donated to the site to help them rebuild it.

Duggan, will be arranging another event, together with the 4x4 community to help Shangase rebuild the site.

For more information or to book contact Travis on 0832327065.

Grantleigh College wins North Coast Regional of SPAR Challenge

SPAR KZN Schoolgirls Hockey Challenge

North Coast Regional

Grantleigh College: Saturday 21 May

For the fifth consecutive regional final, host school Grantleigh College met Felixton College in the North Coast Regional, the last of the ten KZN regionals of the SPAR KZN Schoolgirls’ Hockey Challenge held on Saturday 21 May at Grantleigh’s astro.

In their previous clashes since 2017, both teams have raised the trophy twice. In their fifth regional final bout, Grantleigh managed a hard-earned victory. It was their second meeting of the day against the determined visitors, the top two teams met in the opening game of the tournament, when the heavens opened dumping bucket loads of water on the field. In a drenched start, the first round went in favour of Grantleigh.

Games were reduced to fifteen minutes each with the deluge threatening for the entire day to be postponed. Fortunately for the seven teams, the rain didn’t stop play and the weather cleared up.

After a cautious start by both teams in the tense final, Grantleigh started to build pressure on Felixton after 8 minutes of play. The home team got into their stride taking the game up towards the Felixton goal.

Grantleigh had been taking runs at the Felixton defense for a couple of minutes, sending play down their favoured right-hand side. A break through saw Kelly Braithwaite being in the right spot at the right time as she was left unmarked in the middle of the Felixton circle. Camping out on the penalty spot, Braithwaite received a gift of an opportunity when the ball rolled straight to her from one of her team’s advances. Calmly balancing herself and not hesitating, she slapped the ball in for Grantleigh’s first goal.

In a steadfast and unwavering display, not giving up - the visiting team had a fantastic passage of play going on the offensive. Three minutes after Grantleigh scored, Felixton were awarded a short corner. The ball was pushed short to the first player on the D, stopping it cleanly and quickly, Chanel Naidoo let off her attempt from just inside the circle. Grantleigh’s keeper, Zime Maxase didn’t have any problems stopping the shot, and not wasting any time, she efficiently got the ball away from the goal mouth. Unfortunately, the swift clearance found a Felixton attacker who got the second phase of play underway, moving the ball smoothly to her player on the post. In a decisive deflection, Amanda Mthembu helped the precise pass in, earning the all-important leveller. The score now was 1 all with just under 9 minutes left of play.

As time slipped away, both teams persevered in their quest for the regional winning goal but as the final whistle blew, the score was still level with both teams netting only the one goal each. The regional final moved to a penalty shoot-out where three players from each team would individually have a chance against the opposition’s keeper.

In the six rounds of the penalty shoot-outs, the scoreboard remained unchanged with all six attempts either going wide or being well defended by the alert keepers. The game then went to the next level, sudden death. Felixton led the charge with Naidoo making her way goalwards, as she neared Grantleigh’s keeper, she craftily tried to slip in her attempt, but her shot was fired directly at the keeper, Maxase, who neatly cleared it out of the danger zone.

Next to go, with home turf and home crowd advantage, Grantleigh’s Braithwaite cruised up with the ball. As she entered the circle, she veered right and after a couple of paces, knocked in a rocket that was just out of reach of Felixton’s keeper, Sena Mhlaba, her goal claiming victory for her beloved team.

Chatting after the game, Captain for Grantleigh College, Kayla Hassard shared, “We had a very good tournament, and played well throughout the day. Our structure was good, and everything that we have been working on we were able to achieve, and we proved what we are capable of. Felixton are our main rivals in this area and in today’s game they made us work hard for our win. I am extremely proud of our shoot out and how well Zime and Kelly did in the sudden death.”

Sisanda Juqu from Grantleigh College was awarded Umpire of the Day.

Hoisting the trophy for the fifth time, Grantleigh have earned the final ticket to the Grand Finals where they will meet nine other KZN regional winners at St Mary’s D.S.G. in Kloof on 23 and 24 July.

North Coast Regional winner, Grantleigh College join Pionier Hoërskool (Northern KZN Regional); St Anne’s College (PMB North Regional); St John’s D.S.G. (PMB Central Regional); Our Lady of Fatima (DBN North Regional); St Mary’s D.S.G. (Highway Regional); Kuswag Hoërskool (DBN South Regional); King Edward High School (Ugu and Sisonke Regional); Domino Servite (uMvoti and oThukela Regional) and Durban Girls’ College (Durban Central Regional) at the Grand Finals.

For more info like the tournament’s Facebook page or follow on Instagram.

Results

1 Grantleigh College 24 points; 2 Felixton College 20 points; 3 Empangeni High School 10 points; 4 St Catherine’s School 6 points; 5 Eshowe High School 4 points; = 6 John Ross College 3 points; = 6 Richards Bay Christian School 3 points

Scores

Felixton 0 vs Grantleigh 1

St Catherine’s 0 vs Eshowe 0

Empangeni 0 vs Richards Bay Christian School 0

Felixton 3 vs John Ross 0

Eshowe 0 vs Empangeni 0

Grantleigh 2 vs St Catherine’s 0

Felixton 2 vs Empangeni 0

John Ross 0 vs Grantleigh 4

Richards Bay Christian School 1 vs Eshowe 1

Felixton 3 vs St Catherine’s 0

Empangeni 0 vs Grantleigh 1

John Ross 0 vs Richards Bay Christian School 0

Felixton 2 vs Eshowe 1

Richards Bay Christian School 0 vs Grantleigh 5

St Catherine’s 0 vs John Ross 0

Eshowe 0 vs Grantleigh 5

John Ross 0 vs Empangeni 1

Richards Bay Christian School 0 vs St Catherine’s 2

Eshowe 0 vs John Ross 0

Felixton 2 vs Richards Bay Christian School 0

St Catherine’s 0 vs Empangeni 1

Final: Grantleigh 1 (1) vs Felixton 0 (1)

ENDS

Northern KZN Coastal Regional Grantleigh College: Saturday 21 May

SPAR KZN Schoolgirls’ Hockey Challenge

Northern KZN Coastal Regional

Grantleigh College: Saturday 21 May

Concluding this year’s ten KZN regionals, Grantleigh College hosts the final SPAR KZN Schoolgirls’ Hockey Challenge on Saturday 21 May.

In the North Coast Regional, Grantleigh College welcomes schools from Empangeni High School, Eshowe High School, Felixton College, John Ross College, Richards Bay Christian School and St Catherine’s School. 

The seven schools will take to the turf in a round robin format where the games will last 18 minutes, with play running only one way. After the 21 scheduled games, the top two teams on the leaderboard will meet each other in the regional decider. The final will be 20 minutes one way. If the game ends on a draw, three players from each team will head to the spot for a riveting penalty shoot-out. 

For each of the winning teams in the 21 rounds, they will earn 4 points on the leaderboard, if the teams draw with both netting goals, they get 2 points each, a goalless draw will see a single point being added to each of the teams’ scorecards, and a loss amounting to zero points. 

Three teams proudly have their names engraved on the North Coast Regional trophy, with Grantleigh being the defending champions, and winning on three previous occasions, equalling Empangeni High School record from the early days when they dominated this region with four wins in succession. Felixton College have lifted the trophy twice and featured in the regional final last year against the hosts.  

At the conclusion of the ten KZN regionals, the top team representing their area heads to the Grand Finals that takes place at St Mary’s D.S.G. in Kloof on 23 and 24 July. The winner of this region will join nine victorious teams that have already earned their spot, they are Pionier Hoërskool (Northern KZN Regional); St Anne’s College (PMB North Regional); St John’s D.S.G. (PMB Central Regional); Our Lady of Fatima (DBN North Regional); St Mary’s D.S.G. (Highway Regional); Kuswag Hoërskool (DBN South Regional); King Edward High School (Ugu and Sisonke Regional); Domino Servite (uMvoti and oThukela Regional) and the most recently crowned team Durban Girls’ College from last weekend’s Durban Central Regional. 

If you are unable to get to the sidelines at Grantleigh this weekend, you can watch all the action on the SuperSport Schools mobile App or on their website. 

For more info like the tournament's Facebook page or follow on Instagram. 

ENDS

Durban Girls' College wins Durban Central Regional of SPAR Schoolgirls' Hockey

SPAR KZN Schoolgirls Hockey Challenge

Durban Central Regional

Durban Girls College: Sunday 15 May 

Building on their outstanding record, Durban Girls’ Colleges dominance in the Durban Central Regional continued at the SPAR KZN Schoolgirls’ Hockey Challenge on their home turf on Sunday 15 May.

College is the only team in the history of the tournament that started in 2011, to have a 100% record winning all of their regionals. Netting a cracking 32 goals in their six round robin games and having a clean sheet in the goals against column, College completed their impeccable performance and an impressive 24 points on the log. Finishing with an impressive 17 points, Durban Girls High School ended their round robin in second place, earning themselves another run at College after their narrow defeat in their first meeting.

College met a gritty and untiring team from Durban Girls’ High School in the regional decider. Girls’ High defended like champs for majority of the game with a barrage of attacks by the home team. The first circle entry by College took place with just 27 seconds of play on the clock. Nine seconds later, College earned their first of five short corners. 

Constantly mounting on the pressure, College controlled majority of the possession with quick and decisive play heading towards their opposition’s goals. In Girls’ High School’s first moment on attack in the eighth minute, Hannah Lombard found herself with a golden opportunity, having the ball on stick and some room to move, she honed in on the College goals, with just the keeper, Nandi Mnyandu to beat, Lombard released the ball watching it as it rolled agonizingly out of play, shaving the left upright. 

On the other side, standing strong, the last line of defense for Girls’ High, Amy Callaghan had a cracking game in goals. On her toes, she padded away anything that came near her, including a whistling reverse stick shot fired from only meters in front with just 3 minutes left on the clock, the pumped-up keeper punched the attempt with her left hand stopping the ball in its tracks. 

With time slipping away, College were awarded a free hit midfield on the 22 with only 67 seconds left of the game. Emily Macquet quickly got play underway knocking the ball into the circle. The determined pass was missed by two of her players, and the players marking them. Standing right at the back, hugging the left post was College’s Hannah Hargroves who calmly stuck out her stick, redirecting the free hit firmly into the back of the goals, scoring Colleges’ all important regional final winner. 

Umpire of the Day was awarded to Sonika Buys wearing St Henrys Marist College colours. This is not the first time ‘no nonsense’ Buys has been acknowledged at this regional for her wonderful skills with the whistle. 

Captain for College, Danni Wiseman stated after the game, “We performed really well as a team and we are growing with each game that we play. I am really proud of the girls for what we have accomplished today. Our games against DGHS in the playoffs and in the final were tough ones, big congratulations to them as well, they played really well.”

Talking about the final, Wiseman continued, “We had a lot of possession but unfortunately just couldn’t finish. Luckily for us we got that goal near the end of the game.”

Durban Girls’ College is the ninth team that will be heading to the Grand Finals in July at St Mary’s D.S.G. They join eight teams that have already won their regionals, they are Pionier Hoërskool (Northern KZN Regional); St Anne’s College (PMB North Regional); St John’s D.S.G. (PMB Central Regional); Our Lady of Fatima (DBN North Regional); St Mary’s D.S.G. (Highway Regional); Kuswag Hoërskool (DBN South Regional); King Edward High School (Ugu and Sisonke Regional); Domino Servite (uMvoti and oThukela Regional).

The challenge wraps up next weekend in Richards Bay with Grantleigh hosting the North Coast KZN Regional. 

Results

1 Durban Girls’ College 24 points; 2 Durban Girls’ High School 17 points; 3 Maris Stella 14 points; 4 St Henry’s Marist College 13 points; 5 INK 8 points; =6 Inanda Seminary School 1 point; =6 Port Natal Skool 1 point

Games Scores

St Henrys 0 vs Durban Girls’ College 5

Maris Stella 0 vs Durban Girls’ High School 0

Port Natal 0 vs INK 2

Inanda Seminary 0 vs St Henrys 3

Durban Girls’ College 3 vs Maris Stella 0

Durban Girls’ High School 5 vs Port Natal 0

St Henrys 1 vs INK 0 

Maris Stella 5 vs Inanda Seminary 0 

Durban Girls’ College 1 vs Durban Girls’ High School 0

St Henrys 3 vs Port Natal 0

Maris Stella 5 vs INK 0

Durban Girls’ College 7 vs Inanda Seminary 0

St Henrys 0 vs Durban Girls’ High School 3

Durban Girls’ College 7 vs Port Natal 0

Inanda Seminary 0 vs Durban Girls’ High School 6

St Henrys 0 vs Maris Stella 0

Durban Girls’ High School 6 vs INK 0

Port Natal 0 vs Inanda Seminary 0

Durban Girls’ College 9 vs INK 0

Maris Stella 1 vs Port Natal 0

INK 1 vs Inanda Seminary 0

Final: Durban Girls’ College 1 vs Durban Girls’ High School 0

ENDS

Flatfoot Dance Company presents “The Cleansing” with Iain Ewok Robinson @BotanicGardens Durban 20-24 April

FLATFOOT DANCE COMPANY  in association with the Durban Botanic Gardens Trust, presents “THE CLEANSING” with Iain ewok Robinson at the Botanic Gardens from 20 to 24 April at 6pm each evening.

In THE CLEANSING, FLATFOOT DANCE COMPANY journeys into the heartland of Earth issues using this performance moment to negotiate the true meaning of ecology – the connectedness of human existence to all existence. What better site than Durban’s Botanic Gardens to open up this exploration of self to our natural world. In this moving dance work, the Botanic Gardens – itself bearing the scars of a colonial heritage - are transformed to a site of continued natural beauty and potential transformations.

Photo by Val Adamason

Jabu Siphika and Mthoko Mkhwanazi in THE CLEANSING

“THE CLEANSING is a ritual for us humans, and for the Earth – a cultural enactment of the sacred bond between the dancers and the ground they move on as they ‘cleanse’ themselves ready for a deeper connection to one another and to the Earth,” says Artistic Director Dr Lliane Loots.

Believing that environment justice is social justice, FLATFOOT joins with long-time collaborator and wordsmith extraordinaire, poet Iain ewok Robinson. His poetic words flow with the dancers in an evocation that shouts out “surely the Earth can be saved for me”, “surely the earth can be saved for you”. 

“Very loosely based on the impulses of Stravinsky’s 1913 music “Rite of Spring”, this site-responsive dance work asks of all of us what we will sacrifice for Spring to finally come,” continues Loots. “In this instance, and after a 2-year lock down, ‘spring’ is (perhaps) an imagined hope for different and intimate relationships with each other and our world around us.”

This is moving and powerful choreo-poetry that aims to subtly carries its audience to places of deep knowing and awareness. Created in the evolving collaborative creative process, this site responsive dance work is jointly created by Lliane Loots, Sifiso Khumalo, Jabu Siphika, Mthoko Mkhwanazi, Sbonga Ndlovu, Siseko Duba and Ndumiso Dube.

Join FLATFOOT DANCE COMPANY and Iain ewok Robinson in the lush surroundings of Durban’s iconic Botanic Gardens that allows you to safely watch this unique dance company. Bring your own picnic, glass of wine, and a blanket to sit on. Doors open at 5.30pm - come and get settled, enjoy a picnic or a stroll around the gardens, show starts at 6pm. The show is one hour.

 To book contact flafootdancecompany@gmail.com.

Tickets are R100 per person.